Spicy Fish Cultural Production Ltd.
Established in 2006 by publishing Fleurs des lettres (字花), a literary bimonthly in Chinese, Spicy Fish is a 15 year-old literary arts non-profit organization based in Hong Kong.
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Institut Terjemahan Buku Malaysia
ITBM is a government -linked limited company and its capital base is wholly owned by the Minister of Finance Incorporated (MKD). The administration of ITBM is supervised by the Ministry of Education Malaysia. Established to elevate the translation industry in Malaysia, handling matters related to translation, interpreting and knowledge transfer at all levels whether national or international. Also responsible for strengthening and increasing the publication of original works by local writers to boost the book industry in Malaysia.
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Promoted Content
The ArtsJune 2017Terence Fisher
by Peter Hutchings
Terence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
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Promoted Content
Literature & Literary StudiesOctober 2012Thomas More's Utopia in early modern Europe
by Terence Cave
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Literature & Literary StudiesOctober 2012
Thomas More's Utopia in early modern Europe
by Edited by Terence Cave
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Literature & Literary StudiesOctober 2008Thomas More's Utopia in early modern Europe
by Terence Cave, Rebecca Mortimer
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January 1998Cyber-Talk
Gespräche über die Erneuerung der Gesellschaft, die Wandlung des Bewusstseins und die Versöhnung von Natur und Wissenschaft
by Sheldrake, Rupert; McKenna, Terence; Abraham, Ralph / Übersetzt von Schmidt, Michael
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January 2000Cyber-Talk
Gespräche über die Erneuerung der Gesellschaft, die Wandlung des Bewusstseins und die Versöhnung von Natur und Wissenschaft
by Sheldrake, Rupert; Abraham, Ralph; McKenna, Terence / Übersetzt von Schmidt, Michael
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January 1993Denken am Rande des Undenkbaren
Über Ordnung und Chaos, Physik und Metaphysik, Ego und Weltseele
by Sheldrake, Rupert; McKenna, Terence; Abraham, Ralph / Herausgegeben von Möhring, Hans U
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Literature & Literary StudiesFebruary 2018All Fools
By George Chapman
by Charles Edelman, David Bevington
Of all the poets Francis Meres names in his famous Palladis Tamia, Wits Treasury (1598), just two rate a mention as being both 'our best for tragedy' and 'the best poets for comedy': William Shakespeare and George Chapman. All Fools, written in 1599, is the only Elizabethan comedy based directly on the plays of Terence. By taking episodes and characters from two brilliant works, The Self-Tormenter and The Brothers, Chapman creates something that is distinctly Elizabethan while remaining faithful to the spirit of the great Roman master. In this edition, an extensive introduction and commentary show how Chapman combines the literary and theatrical traditions of ancient Rome with everyday life in his own time to fashion a sparkling and innovative comedy that will delight audiences today as much as it did those of 1599.
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Literature & Literary StudiesAugust 2022All Fools
George Chapman
by Charles Edelman
Of all the poets Francis Meres names in his famous Palladis Tamia, Wits Treasury (1598), just two rate a mention as being both 'our best for tragedy' and 'the best poets for comedy': William Shakespeare and George Chapman. All Fools, written in 1599, is the only Elizabethan comedy based directly on the plays of Terence. By taking episodes and characters from two brilliant works, The Self-Tormenter and The Brothers, Chapman creates something that is distinctly Elizabethan while remaining faithful to the spirit of the great Roman master. In this edition, an extensive introduction and commentary show how Chapman combines the literary and theatrical traditions of ancient Rome with everyday life in his own time to fashion a sparkling and innovative comedy that will delight audiences today as much as it did those of 1599.
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The ArtsNovember 2022In good taste
How Britain’s middle classes found their style
by Ben Highmore, Christopher Breward
In postwar Britain, journalists and politicians prophesised that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved entirely wrong. In good taste charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, and sociologists claimed that an entire population was suffering from status anxiety, but underneath it all, a world was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous well-scrubbed, second-hand pine kitchen tables. This was less a world of symbolic goods and more an intimate environment alive with new feelings and attitudes.
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January 1999Miss Fisher und der Schneekönig
Mörderische Fälle für eine Lady. Roman
by Greenwood, Kerry
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December 1999Miss Fisher fischt im Trüben
Mörderische Fälle für eine Lady. Roman
by Greenwood, Kerry
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The ArtsDecember 2024Addressing the other woman
Textual correspondences in feminist art and writing
by Kimberly Lamm
This book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.
