Furaha Publishers founded in 2014 is an independent children’s book publishing house based in Kigali Rwanda. It publishes 30 to 40 titles a year in both Kinyarwanda and English. Two titles were among the top 10 favorite children’s books in 2017.
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Furaha Publishers founded in 2014 is an independent children’s book publishing house based in Kigali Rwanda. It publishes 30 to 40 titles a year in both Kinyarwanda and English. Two titles were among the top 10 favorite children’s books in 2017.
View Rights Portal
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This is the first book-length study of the most prolific and most critically acclaimed director working in British cinema today. Michael Winterbottom has also established himself, and his company, Revolution Films, as a dynamic force in world cinema. No other British director can claim such an impressive body of work in such a variety of genres, from road movie to literary adaptation, from musical to sex film, to stories of contemporary political significance. The authors of this book use a range of critical approaches to analyse the filmmaker's eclectic interests in cinema and the world at large. With this in mind, the realist elements of such films as Welcome to Sarajevo are examined in the light of a long history of cinema's dealings with realism, as far back as post-war Italian neo-realist filmmaking; whereas Jude and The claim are approached as both literary adaptations (a continuing strand in British cinema history) and examples of other reworked genres (the road movie, the western). This lively study of his work, written in a wholly accessible style, will engage all those who have followed his career as well as those with a wide-ranging interest in British cinema.
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This book brings together studies of cultural institutions in Manchester from 1850 to the present day, giving an unprecedented account of the city's cultural evolution. These bring to light the remarkable range of Manchester's contribution to modern cultural life, including the role of art education, popular theatre, religion, pleasure gardens, clubs and societies. The chapters show the resilience and creativity of Manchester's cultural institutions since 1850, challenging any simple narrative of urban decline following the erosion of Lancashire's industrial base, at the same time illustrating the range of activities across the social classes. This book will appeal to everyone interested in the cultural life of the city of Manchester, including cultural historians, sociologists and urban geographers, as well as general readers with interests in the city. It is written by leading international authorities, including Viv Gardner, Stephen Milner, Mike Savage, Bill Williams and Janet Wolff.
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»Bosheit ist ein Mythos, den gute Menschen erfunden haben, um die seltsame Anziehungskraft der anderen zu erklären.« Oscar Wilde
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»Bosheit ist ein Mythos, den gute Menschen erfunden haben, um die seltsame Anziehungskraft der anderen zu erklären.« Oscar Wilde
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The book offers a novel lens to situate Europeanisation as violence - through institutions and technologies of development, cultural heritage, and borders, among others - by bringing South and East within a relational frame. Through four inter-related sections, it foregrounds Europeanisation as infrastructural violence and colonial asymmetries, slow violence and the construction of stratified subalternities, epistemic dispossession, and border epistemologies.
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This book aims to examine the nature of and resistance to gendered urban violence among Brazilian women in London and in the favelas of Maré, Rio de Janeiro. Drawing on the conceptualisation of translocational gendered urban violence framework, it highlights the importance of examining direct forms of gender-based violence across private, public and transnational spheres as interlinked with structural, symbolic and infrastructural violence. The book also explores the embodied and spatialised nature of gendered urban violence, explored through artistic engagements and arts-based methods. In developing a translocational feminist tracing methodological and epistemological approach across the social sciences and the arts, the book argues for the importance of a collaborative approach among academic, civil society organisations, artists and creative researchers with a view to engendering empathetic transformation to address gendered urban violence in the long-term.
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Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
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Theodor Storm wurde am 14. September 1817 in Husum bei Schleswig geboren und starb am 4. Juli 1888 in Hademarschen bei Holst an Magenkrebs. Von 1837 bis 1842 studierte er Jura in Kiel und nahm ein Jahr später eine Stelle als Advokat in Husum an. 1846 heiratete er seine Cousine Konstanze Esmarch. Mit ihr hatte er sieben Kinder; bei der Geburt des letzten Kindes starb Konstanze. Kurz nach seiner Hochzeit lernte Storm Dorothea Jensen kennen, mit der ihn eine leidenschaftliche Beziehung verband und die er als Witwer in zweiter Ehe heiratete. Aus politischen Gründen wurde er 1852 aus dem Amt entlassen und war fortan als unbesoldeter Assessor im preußischen Staatsdienst in Potsdam tätig. Er begegnete Franz Kugler, Theodor Fontane, Joseph von Eichendorff und Paul Heyse. Ab 1856 war er Richter in Heiligenstadt und ab 1864 Landvogt in Husum. 1874 wurde er Oberamtsrichter und ab 1879 Amtsgerichtsrat. Storm gilt als einer der bedeutendsten deutschen Vertreter des bürgerlichen bzw. poetischen Realismus, wobei neben seinen Gedichten besonders seine Novellen seinen Ruhm begründeten.
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Fantastic Histories explores the political and cultural contexts of the entry of fairies to the historical record in twelfth century England, and the subsequent uses of fairy narratives in both insular and continental history and romance. It traces the uses of the fairy as a contested marker of historicity and fictionality in the histories of Gerald of Wales and Walter Map, the continental mirabilia of Gervase of Tilbury, and the fourteenth- and fifteenth-century French Mélusine romances and their early English reception. Working across insular and continental source material, Fantastic Histories explores the practices of history-writing, fiction-making, and the culturally determined boundaries of wonder that defined the limits of medieval history.
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Ich sehe was, was du nicht siehst… Zwei Maskierte dringen gewaltsam in ein Appartement ein und ermorden den Wohnungsinhaber. Der Polizei offenbart sich ein erschreckend grausames Bild: Das Opfer wurde vor seinem Tod bestialisch gefoltert, sein Gesicht gehäutet. Und an der Wand prangt ein riesiges, rotes Herz – mit dessen Blut gemalt. Helena Groß und Maximilian Storm übernehmen den Cold Case, der nie aufgeklärt werden konnte. Ihre Recherchen führen sie in die dunkelsten Untiefen des Darknets. Schon bald stellen sie fest: Es gibt da draußen noch eine andere Welt, sorgsam versteckt vor fremden Blicken. Eine Parallelwelt, abartig und krank, mit eigenen Gesetzen und Regeln. Und wer sie bricht, verliert sein Leben… "Sieh sie sterben" ist der vierte Band der Thrillerserie rund um die ebenso geheimnisvolle wie tödliche Helena Groß und den ehemaligen Staranwalt Maximilian Storm. Ungekürzt gelesen von Viola Müller, Stephan Benson, Michael Kamp, Arndt Schmöle und Christiane Marx.
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Die Rubrik der Frankfurter Allgemeinen Sonntagszeitung "Fragen Sie Reich-Ranicki" ist längst eine Institution geworden. Mit Spannung werden die Fragen und mehr noch die Antworten erwartet, und natürlich betreffen sie die Literatur: "Was halten Sie von der russischen Literatur des zwanzigsten Jahrhunderts?" - "Sollen wir von unseren Schriftstellern verlangen, daß sie ihre Ansichten zu aktuellen politischen Fragen öffentlich verkünden?" - "Was hätten Sie Thomas Mann gern gefragt?" Die vorliegende Sammlung der 99 interessantesten Fragen an Marcel Reich-Ranicki und seiner Antworten darf durchaus eine kleine Literaturgeschichte und ein demoskopischer Spiegel des literarischen Lebens genannt werden, und sie zeigt eines gewiß: Die Begeisterung für Literatur ist - allen Bedenken zum Trotz - nicht nur auf der Seite des Antwortenden unvermindert groß.
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