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Literature & Literary StudiesOctober 2007The Roman Actor
by Martin White, David Bevington, Martin White, Richard Dutton, Alison Findlay, Helen Ostovich, Kim Latham
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Literature & Literary StudiesOctober 2007
The Roman Actor
by Martin White, David Bevington, Martin White, Richard Dutton, Alison Findlay, Helen Ostovich, Rebecca Mortimer, Kim Latham
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International lawAugust 2005The law of international organisations
Second edition
by Nigel D. White
This new edition considers the unifying legal attributes that span vastly differing inter-governmental organisations, from the UN to the EU. A law of international organisations has become established in certain areas, such as legal personality, powers, membership, finance, and decision-making. In other, newer, areas - accountability, responsibility and democracy - politics is still much rawer, and has not yet been fully converted into legal concepts and principles. As with the first edition, there are plenty of examples of organisations given in the text. Individual organisations dealing with issues such as security, health, civil aviation, finance and trade are scrutinised by way of example, to illustrate how different they can be, but also to show how it is possible to debate a set of legal principles that transcend each institution. This new edition of an established text will appeal to students and academics as well as individuals seeking a legal and political insight into international organisations.
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Literary theoryJuly 2014Degeneration, decadence and disease in the Russian fin de siècle
Neurasthenia in the life and work of Leonid Andreev
by Frederick H. White
Early in the twentieth century, Russia was experiencing a decadent period of cultural degeneration just as science was developing ways to identify medical conditions which supposedly reflected the health of the entire nation. Leonid Andreev, the leading literary figure of his time, stepped into the breach of this scientific discourse with literary works about degenerates. The spirited social debates on mental illness, morality and sexual deviance which resulted from these works became part of the ongoing battle over the definition and depiction of the irrational, complicated by Andreev's own publicised bouts with neurasthenia. This book examines the concept of pathology in Russia, the influence of European medical discourse, the development of Russian psychiatry, and the role that it had in popular culture, by investigating the life and works of Andreev. It engages the emergence of psychiatry and the role that art played in the development of this objective science.
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Literary theoryJanuary 2015Degeneration, decadence and disease in the Russian fin de siècle
by Frederick H. White
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Humanities & Social SciencesApril 2023The Lord’s battle
Preaching, print and royalism during the English Revolution
by William White
This book explores the preaching and printing of sermons by royalists during the English Revolution. While scholars have long recognised the central role played by preachers in driving forward the parliamentarian war-effort, the use of the pulpit by the king's supporters has rarely been considered. The Lord's battle, however, argues that the pulpit offered an especially vital platform for clergymen who opposed the dramatic changes in Church and state that England experienced in the mid-seventeenth century. It shows that royalists after 1640 were moved to rethink earlier attitudes to preaching and print, as the unique potential for sermons to influence both popular and elite audiences became clear. As well as contributing to our understanding of preaching during the Civil Wars therefore, this book engages with recent debates about the nature of royalism in seventeenth-century England.
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Literature & Literary StudiesMay 2009The works of Richard Edwards
Politics, poetry and performance in sixteenth century England
by Paul Edmondson, Rosalind King, Martin White
The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history. While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing. ;
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Business, Economics & LawMay 2005The UN, human rights and post-conflict situations
by Nigel White, Dirk Klaasen
The United Nations is one of the largest providers of assistance in post-conflict situations in the world. This book considers the human rights standards applicable to the United Nations and applied by the United Nations in post-conflict situations, including East Timor, Kosovo and Afghanistan. It looks at legal principles, peace agreements, support of democracy, human rights protection, development and other forms of reconstruction with which the UN has become involved, including the grandly-named task of "state-building". It deals both with the obligation upon the UN to respect human rights in post-conflict situations, and the obligation upon the UN to ensure that human rights are respected by those in positions of power in post-conflict situations. Written by an internationally renowned list of contributors, this book will be of vital use to anyone studying conflict analysis, international relations, international law and the role of the United Nations on the world stage. ;
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Literature & Literary StudiesSeptember 2024Tis Pity She's a Whore
By John Ford
by Martin White
John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. This Revels Plays edition is a scholarly, modern-spelling edition of one of the most studied and performed of all plays of the period. White's critical introduction explores the textual and theatrical histories of the play, exploring closely its relationship to the particular stage and audience for which it was written. This Revels edition allows the modern reader to become, in Ford's words, an 'actor that but reads'.
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