Amberley Publishing
Established in 2008,AmberleyPublishingis home of the ever-popular colour local history series Through Time, Amberleyis an independent publisher of books on a rich variety of history and heritage.
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Amber Books Ltd.
We are an independent illustrated non-fiction publisher based in London, UK and have been in the industry for over 30 years. We publish a growing range of titles under our own Amber Books imprint.
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Promoted Content
Humanities & Social SciencesNovember 2018Academic ambassadors, Pacific allies
by Alice Garner, Diane Kirkby, J. Simon Rofe
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Promoted Content
Humanities & Social SciencesApril 2025Britain’s 'Mr X’
Sir Frank Roberts and the making of British foreign policy, 1930-68
by Jonathan Colman
Over four decades as a diplomat, Sir Frank Roberts dealt with headline issues, including policy towards Germany during the years of appeasement, the Second World War alliance with the Soviet Union, the origins of the Cold War, NATO affairs, the Berlin and Cuban Missile Crises, European integration, and relations with the Federal Republic of Germany. Collaborating with the renowned American diplomat, George F. Kennan (the cryptonymous author 'X' of an influential 1947 article), his despatches from Moscow in 1946 shaped Britain's Cold War strategy. In 1954 he played an integral part in the diplomacy behind the rearmament of the Federal Republic and her incorporation into NATO, helping to build an enduring structure of transatlantic security. Roberts' career sheds new light on British foreign policy across an era in which Britain slipped from global pre-eminence to regional power status.
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Literature & Literary StudiesSeptember 2024James Baldwin Review
by Douglas Field, Justin Joyce, Dwight McBride
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The ArtsApril 2010Jean Cocteau
by James S. Williams, Diana Holmes, Robert Ingram, Susan Williams
This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'. ;
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The ArtsMarch 2006Art history
A critical introduction to its methods
by Michael Hatt, Charlotte Klonk
Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method. ;
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Humanities & Social SciencesJune 2012Cultures and caricatures of British imperial aviation
Passengers, pilots, publicity
by Gordon Pirie, Andrew Thompson, John Mackenzie
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;
