Amberley Publishing
Established in 2008,AmberleyPublishingis home of the ever-popular colour local history series Through Time, Amberleyis an independent publisher of books on a rich variety of history and heritage.
View Rights PortalEstablished in 2008,AmberleyPublishingis home of the ever-popular colour local history series Through Time, Amberleyis an independent publisher of books on a rich variety of history and heritage.
View Rights PortalWe are an independent illustrated non-fiction publisher based in London, UK and have been in the industry for over 30 years. We publish a growing range of titles under our own Amber Books imprint.
View Rights PortalOver four decades as a diplomat, Sir Frank Roberts dealt with headline issues, including policy towards Germany during the years of appeasement, the Second World War alliance with the Soviet Union, the origins of the Cold War, NATO affairs, the Berlin and Cuban Missile Crises, European integration, and relations with the Federal Republic of Germany. Collaborating with the renowned American diplomat, George F. Kennan (the cryptonymous author 'X' of an influential 1947 article), his despatches from Moscow in 1946 shaped Britain's Cold War strategy. In 1954 he played an integral part in the diplomacy behind the rearmament of the Federal Republic and her incorporation into NATO, helping to build an enduring structure of transatlantic security. Roberts' career sheds new light on British foreign policy across an era in which Britain slipped from global pre-eminence to regional power status.
This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'. ;
Student, traveller, secretary, scoundrel, spy: introducing the maverick whose diplomacy saved Europe from war. Henry Wotton had already exhausted several lives when he arrived in Venice as England's ambassador in 1604. Yet the most remarkable phase of his career was yet to come. In Lying abroad, Carol Chillington Rutter tells Wotton's extraordinary story. She reveals how this one-time exile, who fled England after his employer was convicted of treason, gained the favour of King James, securing a knighthood and a diplomatic posting. Charged with restoring relations with Venice after a fifty-year hiatus, he drew criticism for his breaches of protocol. But when a dispute brought Europe to the brink of war, Wotton took a risk - one that changed European history. This engrossing biography recounts a life that was tumultuous, tarnished and endlessly theatrical. The man King James called his 'honest dissembler' was a maverick who fashioned diplomacy in ways that still inform international relations today.
There is a restaurant at 46 Alte Schönhauser Strasse in Berlin's Mitte district that evolved into an international place of pilgrimage many years ago. It is Monsieur Vuong's eatery. His photo hangs on the orange red wall, and has become its symbol. But wait, that's the father, a portrait photographer who came from Vietnam to Germany with his family in 1987 and took this »selfie« at the age of 24. His son Dat is the owner of the restaurant in front of which long queues form. No surprise, because the dishes taste heavenly and are of a soothing, unpretentious simplicity. They are authentic as Dat Vuong, culinary ambassador and culture hopper, cooks in the tradition of his mother and frequently returns to his roots, to Vietnam. Whoever eats at Monsieur Vuong returns. Whoever meets Dat Vuong wants to know his story, how it has led to his success. High time to erect a monument in his honour. Here it is, with the finest recipes from the restaurant, all easy to cook, with advice and inspiration, and all the flair of Vietnamese cook-shop that has become an international hot spot. Ursula Heinzelmann is the author of nine books, the most recent being >Die China-Küche des Herrn Wu<. She has been a regular at Monsieur Vuong since the beginning. Photographer Manuel Krug turns his experience into pictures, accompanying Dat Vuong with his camera on a trip to his roots in Vietnam and at Monsieur Vuong.
Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method. ;
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;