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Naufal Hachette Antoine
In 2009, Hachette Livre (# 3 publishing group worldwide) and Librairie Antoine (one of the most renowned Lebanese bookseller groups) joined their strengths to set up Hachette Antoine, a joint-venture based in Beirut, Lebanon. The aim of the JV between Hachette Livre and Librairie Antoine was to create a leading trade publisher in the Arabic speaking world, covering the Middle East (Levant and GCC) and North-Africa regions, with a business focus on high potential markets. Our strength: • Large-scale distribution channels in the MENA region with warehouses in Lebanon, Saudi Arabia, UAE and Egypt. • Strong PR and Media connections throughout the region with efficient online and offline marketing tools. • The only Arab publishing house to provide professional and exhaustive editing on both translated and original Arabic books. • Full financial transparency: All audit assertions and financial statements are served by PricewaterhouseCoopers. Our imprints Naufal: is dedicated to fiction and non-fiction. Our list includes well established classical and contemporary authors from the Arab world among which the best-selling/phenomenon Algerian author, Ahlem Mosteghanemi, Syrian novelist Khaled Khalifa, and Lebanese journalist and women’s rights activist, Joumana Haddad. Fiction/translated: In translated fiction, our strategy consists of publishing authors from Arab origins who write in languages other than Arabic, alongside international best-selling authors. We also leave room for a few “coups de cœur” by debut authors. Thrillers and suspense: Include names such as J.K. Rowling aka Robert Galbraith, Mary Higgins Clark, Harlan Coben, Anthony Horowitz and others, and providing quality translations. Non-Fiction: Biographies and Memoirs: Becoming, A promised land. HA Kids: Licenses: Hachette Antoine is the official licensee of Disney, Marvel, Star Wars, Nickelodeon, Ferrari... in the MENA region, with more brands to come. History and Topical books, Illustrated, Inspirational stories, HA Lifestyle, HA Education, HA Reference
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Promoted Content
Literature & Literary StudiesSeptember 2002An anthology of women's travel writings
by Shirley Foster, Sara Mills
This anthology aims to challenge stereotypes of women travellers. Rather than simply presenting writings by Victorian women who travelled bravely around the world disregarding social convention and danger, the editors present a range of writing and possible ways of being a woman traveller. As well as the 'eccentric' woman traveller, the editors have included writings by those who might be seen as failed travellers, cautious and conventional travellers and those who did not conform to the adventurous heroine stereotype. Because travelling as a woman and writing as a woman presents the author with a number of textual problems which must be negotiated, Foster and Mills have chosen to include writings which confronted these problems and which resolved them (or did not resolve them) in different ways. These textual problems include the depiction of other women, the representation of spatial relations, the negotiations undertaken in relation to the adventure heroine narrative and character and the position taken by the author in relation to the representation of knowledge. These issues are all crucial in relation to travel writing by women , and the women, whose writing has been collected together in this anthology have made bold decisions in relation to them. ;
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Literature & Literary StudiesMarch 2005Early modern women's manuscript poetry
by Jill Millman, Gillian Wright
'Early modern women's manuscript poetry' is an anthology of texts by fourteen women poets writing between 1589 and 1706. It is the only currently available anthology of early modern women's writing which focuses exclusively on manuscript material. Authors include Mary Sidney, Lucy Hutchinson and Katherine Philips; central figures in the emerging canon of early modern women writers, but whose work appears in a fresh and very different light in the manuscript context emphasised by this anthology. The volume also includes substantial excerpts from a recently discovered verse paraphrase of Genesis, thought to be by the previously unknown seventeenth-century writer Mary Roper, as well as selections from the unjustly neglected poet, Hester Pulter. The mix of canonical and non-canonical writers makes this book ideal for use on undergraduate and early postgraduate courses, while specialists will be particularly interested in the sophisticated and varied material taken from less familiar sources. ;
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Trusted Partner
September 2022Identity or Not?
by Jean-Pierre Wils (ed.)
Questions of identity trigger controversial and highly emotional discussions in the political and social debate. The positions range from radically emancipatory perspectives to authoritarian and restorative efforts on the far right wing of politics. Liberal democracies are now opening up – slowly – as identity- and gender-sensitive forums. Opposite them are the 'new ethics' of illiberal democracies and totalitarian states that are aimed at ethnic homogeneity and gender uniformity. But that's not to say that there is unity in the liberal settings on the necessary degree of identity politics. Both language and gender politics are deeply controversial. Do we need an 'identity' and, if so, which one or how many? Can the identity debate be extended by means of other concepts?
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Literature & Literary StudiesNovember 1999Plays on women
Anon, Arden of Faver
by David Bevington, Kathleen McLuskie
Based on the original and authoritative Revels texts, Plays on women brings together four plays which dramatise the lives of women in Shakespeare's England The only available anthology focusing on women and including the four plays most often discussed. . . . ;
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Literature & Literary StudiesNovember 1995Women, men and the Great War
An anthology of story
by Trudi Tate
"A wide ranging, challenging and constantly surprising collection ... focusing on the divisions the war created between men and women." Pat Barker This is an anthology of short stories of World War I from 25 classic writers. Gertrude Stein, Virginia Woolf and Katherine Mansfield are among the women writers whose works account for half the volume. The stories are by turn poignant, violent, harsh, tender and desolating. ;
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Literature & Literary StudiesDecember 2003The poetry of Carol Ann Duffy
Choosing tough words
by Angelica Michelis, Anthony Rowland
The first full-length collection of essays on the poetry of Carol Ann Duffy. Duffy's poetry is both respected by academics, and widely read and enjoyed by both children and adults. Approaches Duffy's work from a variety of literary theoretical perspectives, including feminism, masculinity, national identity and post-structuralism. Situates Duffy's work in relation to current debates about the state, value and social relevance of contemporary British poetry. Will become the benchmark anthology on Duffy. ;
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Literature & Literary StudiesMarch 2000Women's writing of the First World War
an anthology
by Angela Smith
A fully-rounded anthology of women's writing from World War One containing the known and unknown biographers and fiction writers of the period.. Explores the impact of the war on ideology, gender, genre and society and is a perfect complimentary text to Trudi Tate's Women Men and the Great War.. Aims to re-read the First World War as a female experience by drawing on the public and private sources of a wide range of different women.. Uses diaries, letters, articles and essays many of which have not been published.. Invaluable source document for scholars in many disciplines. ;
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October 2022What Does the Ball Think?
Why football is not just kicking
by Johannes Schweikle, Oliver Lück
A football is a moody thing, and the art of mastering it a highly challenging concern. Whether fan or philosopher, football is a fascination, and its various facets are revealed in this anthology with memorable, intelligent and curious contributions. How and with what (human rights-violating) methods did Qatar prepare for the World Cup? Actress Christiane Paul explains why she supports FC Bayern. Herman van Veen explains the difference between Dutch and German football fans, and the report 'Five balls for Angola' takes readers on a journey to football in Africa. A book for dedicated fans and critical football observers.
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Literature & Literary StudiesDecember 2000The second battlefield
Women, modernism and the First World War
by Angela Smith
Explores written representations of First World War experience, produced by a variety of different women. Drawing on a wealth of unpublished material, in the form of diaries and letters, the book examines the way in which the variety of new roles undertaken by women triggered a search, conscious or otherwise, for appropriate new forms of expression. Through the twin approaches of literary criticism and historical exploration, the book contributes an important new strand to the scholarship of women and war. Expands current notions of how modernisms should be defined. This volume compliments Angela K. Smith's 1999 publication, Women's writing of the First World War: An anthology (MUP). ;
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Humanities & Social SciencesSeptember 1997Understanding the mafia
by Joe Farrell
An anthology of writings in Italian which examine the origins, nature and culture of the Sicilian mafia. Separate chapters are devoted to the culture from which the mafia emerged, the economic and business activities in which it is now engaged, its relations with politics and politicians, as well as its structure and historical evolution. There are portraits of prominent mafiosi as well as of the people and organizations that have struggled against mafia crime. The individual pieces come from a diverse range of sources, including newspapers, historical and sociological works. There is an introduction in English, as well as a full vocabulary and a glossary of terms associated with the mafia.
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Humanities & Social SciencesNovember 1994Princes and Peoples
An anthology of primary sources
by Margaret Kekewich
This anthology focuses on Britain and France in a period critical to their development as great powers. Its emphasis is on the regions and nations of which these two states were composed, rather than on the monolithic states. The documents illustrate many facets of their history, from the personal to the constitutional and, in particular, reflect the development of absolutism in France and of limited monarchy in England and other parts of the British Isles. Additionally, the documents indicate the social, religious and political trends that influenced the direction of change. Some of the documents have been drawn from unpublished 17th- and early 18th-century sources, and a number are translated from French for the first time. ;
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Literature & Literary StudiesJanuary 2019Pastoral poetry of the English Renaissance
An anthology
by J. B. Lethbridge, Sukanta Chaudhuri
Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.
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Literature & Literary StudiesNovember 2019Household knowledges in late-medieval England and France
by Glenn D. Burger, Rory G. Critten, Anke Bernau
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The ArtsDecember 2024Dick of Devonshire
By Thomas Heywood
by Kate Ellis
Dick of Devonshire by Thomas Heywood dramatises England's disastrous 1625 Cadiz expedition through the story of a foot-soldier turned national hero. For the first time, The Revels Plays publishes a scholarly modern-spelling edition of this unduly overlooked play, together with an anthology of its source material. The play, written in 1626, exists in only one contemporary manuscript, now contained in MS Egerton 1994. There is no evidence that the work was printed or performed in its time, and until now, its authorship has remained uncertain. Ellis's critical introduction analyses new data that uncovers the play's authorship, playing company, and playhouse for the first time, as well as exploring the occasion of the play, its textual and theatrical histories, and its stagecraft. Commentary notes guiding the modern reader include explanatory glosses, literary references, and notes on historical context.
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Literature & Literary StudiesJuly 2003Dwelling places
Postwar Black British Writing
by James Procter
Explores some of the key venues of black British literary and cultural production across the postwar period: bedsits and basements; streets and cafes; train stations and tourist landscapes; the suburbs and the city; the north and south. Pursues a 'devolving' landscape in order to consider what an analysis of 'dwelling' might contribute to the travelling theories of diaspora discourse and asks what happens when we 'situate' literatures of movement and migration. Offers fresh readings of work by some of the key literary figures of the postwar years, for example, Salman Rushdie, Hanif Kureishi, Meera Syal, Linton Kwesi Johnson. Contextualises writings alongside photography, painting, and film to consider their relationship to broader shifts in the politics of black representation over the past fifty years. Offers sustained anaysis of many of the texts reproduced in Procter's anthology Writing black Britain 1948-98 ( MUP, 2000) making an ideal companion to the earlier book. ;
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Art: Financial AspectsThe rise of the modern art market in London
1850–1939
by Edited by Pamela Fletcher and Anne Helmreich
Now available in paperback for the first time, this study of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods. This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.
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Non-graphic art formsMay 2012The 'do-it-yourself' artwork
Participation from Fluxus to New Media
by Edited by Anna Dezeuze
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.
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Literary studies: c 1500 to c 1800November 2007Masques of Difference
Four court masques by Ben Jonson
by Kristen Mcdermott
Masques of difference presents an annotated edition of four seventeenth-century entertainments written by Ben Jonson for the court of James I. These masques reflect both the confidence and the anxieties of the English aristocracy at a time when notions of monarchy, empire, and national identity were being radically redefined. All four masques reflect the royal court's self-representation as moral, orderly, and just, in contrast to stylised images of chaotically (and exotically) 'othered' groups: Africans, the Irish, witches, and the homoeroticised figure of the Gypsy. This edition presents two masques that have received recent attention in the classroom - The Masque of Blackness and The Masque of Queens - and two that have never before been anthologised for the student reader - The Irish Masque at Court and The Masque of the Gypsies Metamorphosed. This anthology offers students the latest in scholarship and critical theory and essential clues for understanding the ideologies that shaped many of the modern structures of English culture.
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The ArtsMarch 2013Women, the arts and globalization
Eccentric experience
by Marsha Meskimmon, Amelia Jones, Dorothy C. Rowe, Dorothy Rowe, Marsha Meskimmon
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense. ;
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Literature: history & criticismJuly 2000Writing Black Britain, 1948–98
An interdisciplinary anthology
by Edited by James Procter
The first anthology of its kind, this timely collection brings together a diverse range of black British literatures, essays and documents from across the post-war period within a single volume.. Spanning half a century, this rich archive of representations includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators:. Sam Selvon Salman Rushdie George Lamming Hanif Kureishi Stuart Hall Linton Kwesi Johnson Caryl Phillips Paul Gilroy Meera Syal Kobena Mercer James Berry E. R. Braithwaite Wilson Harris Farrukh Dhondy V. S. Naipaul Ben Okri Wole Soyinka Hazel Carby Kamau Braithwaite Isaac Julien C. L. R. James Dick Hebdige A. Sivanandan Buchi Emecheta Louise Bennett Grace Nichols Jackie Kay. Directed at a truly interdisciplinary market, accommodating popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies.. Situated and contextualised within accessible historical and cultural frameworks and incorporating lucid introductions, a detailed chronology and extensive bibliography.
