Daniel Goleman - Foreign Audio
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View Rights PortalFounded in 1996 as an affiliate of Southern Publishing & Media Co.Ltd.(SPM),Guangdong Petrel Electronic & Audio-Visual Publishing House (PEPH) has now become an all-media publisher specializing in online publishing, as well as creating, publishing and distributing audio-visual products, electronic reading materials, and books,etc. PEPH has designed and produced lots of electronic &audio-visual publications and hundreds of books related to social,science,education,language,science and technology, culture,art,among which several series of books were oriented toward international copyright exchanges. Till now, PEPH has already established cooperative relationships with publishers from South-East Asia and North America, totally exporting more than 200 titles.
View Rights PortalWorld Stages, local audiences argues that the forms of intimacy and identification that come from being part of the public of a local performance, provide a potential model for rethinking our roles as world citizens. Using his own experience of recent theatrical practice in Vancouver as a starting point, Dickinson maps the spaces of connection and contestation, the flows of sentiment and social responsibility, produced by different communities in response to global sports spectacles. He also analyses how such topics are taken up in the work of playwrights, conceptual, installation, and performance artists like Ai Weiwei, and Rebecca Belmore. In so doing, Dickinson makes an original contribution to the emerging discourse on live art and 'livability' by examining not only the geographical and historical affiliations between different sites of performance, but also the - at times - radical new social bonds created by audiences witness to those performances. ;
In the years after the First World War the British government had to adapt its communication policy to connect with the new mass electorate. This book examines the government's own Film Units and their slow development of the Public Information Film. By reviewing the entire film catalogue produced by the Empire Marketing Board, the General Post Office and Crown Film Units, particular themes are identified which not only reflect the demands of the Units' sponsors but also the anxieties and concerns of the 1930s and 1940s. The impact of the films is explored through the contemporary reaction of the audiences to them. By the time the Crown Film Unit was closed in 1952 a style of Public Information Film had been developed and continued into the 1970s.
Since the release of his first feature in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004. This book is the first full-length study in English of Amenábar's shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema.
The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.
Over the last twenty-five years, the 'history of emotion' field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature - in particular secular literature - as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences - those who read them or hear them read or performed?
For 20 years, Drug Profiles has provided pharmacies with the best possible preparation,whether for the initial patient consultation when a drug is first prescribed or for providing advice on self-medication.■ more than 300 completely revised profiles on the most common active substances■ pictograms illustrating proper administration■ colour-coded patient information■ 31 new substance profilesEnabling pharmacists to provide their patients with expert advice on drug therapy.New: Important information and suggested wording for the “special information”column in the standardized medication plan required by German law since 2016.
Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Être et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary. ;
Consultations with added value Successful advice that brings additional sales is fun, optimally supports patient therapy, and also contributes to the success of the pharmacy. This book shows how to identify customers’ individual needs, ask the right questions, make appropriate additional recommendations, and round off the discussion with helpful tips. The two authors explain the following in three chapters: • the well-managed customer consultation – step by step to success • practical examples for customer consultations concerning the most important acute indications – with key questions and appropriate additional recommendations • successful communication – as the basis for a good team, motivated employees, and satisfied customers This book provides a source of ideas for additional therapies and can also be used as a reference work or for targeted team training. The bonus of additional sales then comes naturally!
A collection of essays which show how early drama traditions were transformed, recycled, re-used and reformed across time to form new relationships with their audiences. Medieval afterlives brings new insight to the ways in which peoples in the sixteenth century understood, manipulated and responded to the history of their performance spaces, stage technologies, characterisation and popular dramatic tropes. In doing so, this volume advocates for a new understanding of sixteenth-seventeenth century theatre makers as highly aware of the medieval traditions that formed their performance practices, and audiences who recognised and appreciated the recycling of these practices between plays.
This fascinating collection looks at the career and films of Luc Besson, one of the most acclaimed figures in international cinema. Contributions have been assembled from all over the world, and their different approaches reflect this geographical diversity. Films covered range from Besson's first feature, La Dernier Combat, to the international blockbusters The Fifth Element and Joan of Arc. The essays range from looking at costume design to musical scores, and the final chapter offers a transcript of a previously unpublished interview with the man himself. He is the only French director to have crossed over successfully during the 1990s into the blockbuster spectacular we associate with Hollywood cinema and yet this is only the second book in English on this major international director. The films of Luc Besson will make fascinating reading for anyone interested in the career and films of the 'master of spectacle'.
Saccharine for some, poignant for others, Jacques Demy's 'enchanted' world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d'âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d'Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will. This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers. ;
Since the release of his first feature (Tesis) in 1996, Alejandro Amenábar has become the 'golden boy' of Spanish filmmaking, its 'King Midas', - a bankable star director - whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the biggest grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim (including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004). With Alejandro Amenábar, Jordan provides the first full-length study in English of Amenábar's shorts and feature films. Known for his spectacular imagery, sophisticated editing, memorable sound-tracks and challenging subject matter, Jordan shows how Amenábar makes a serious and socially aware, exportable 'middlebrow' cinema, designed for global audiences. There is also a detailed analysis of his engagement with popular film genres as the basis for an auteur cinema, and Jordan incorporates a reappraisal of Amenábar's auteurism as fundamentally decentred and shared. The book will be an essential resource for teachers, students, scholars and fans of Amenábar. It will also appeal to a wider readership, such as those who work in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and World cinema. ;
At the intersection of heritage, design history and contemporary art, this book offers new perspectives on the way historical interiors are encountered by, and viewed and presented for, present-day audiences. Many studies have highlighted the historical significance and meanings embedded in the landscape, architecture, decoration and objects to be found within houses and homes. But what about the social meanings of these spaces? Central to this book is the idea that in reflecting, remaking and reimagining historical interiors, the contributions of artists, designers and craftspeople should be foregrounded in constructing ideas of authenticity, transparency, and materiality in the making process. The chapters present a range of case studies that reflect upon on how historical interiors are remade and reimagined by looking in and out; at how a reassembling of spaces ought to avoid 'a shrinking definition of the social itself' (Latour, 2005). Surveying a range of interior 'types' from a number of historical periods, the book includes contributions from practitioners, scholars and makers. From digital reconstructions of a seventeenth-century Belgian constcamer to the interior and exterior worlds of specific historical figures, including Charles Rennie Mackintosh and Beatrix Potter, the book considers how these spaces have powerful significance for contemporary audiences, particularly in ways that are relatable to shared experiences of work, leisure, family, community, power and politics. This book will be of interest to scholars of the history of interiors and collections, museology, archaeology, architectural history, art, and design history, as well as curators and caretakers of historical sites, spaces and objects.
Beginning in the 1930s and moving into the post millennium, this book provides a historical analysis of the policies and practices established by the BBC as it attempted to assist white Britons in adjusting to the presence of African-Caribbeans. Among the themes the book explores are current representations of race, the future of British television and its impact on multi-ethnic audiences. The chapters include an extensive analysis of television programming, along with personal interviews that reveal the efforts of black Britons working for the BBC, whether as writers, producers or actors.
English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;
The first book-length analysis of EU health policy since the COVID-19 pandemic, encompassing the creation of the European Health Union and the Recovery and Resilience Facility, this volume offers a timely and accessible analysis of the EU's health policy, institutions and governance. Focusing on the EU's health objectives and how they are pursued, it offers a detailed overview of the development of EU health policy, and five in-depth case studies of specific policy fields. The book will appeal to academic and policy audiences interested in the EU's health objectives and how it pursues them.
Dennis Kelly's award-winning plays have been translated into over thirty languages and produced on six continents. His endlessly inventive vision has produced a diverse body of work for a variety of audiences across a range of forms, genres, and media, from the Olivier and Tony Award-winning Matilda the Musical (2010), to the Channel Four cult-classic series Utopia. His 2008 play DNA, written for National Theatre Connections, is a set text on the AQA GCSE English Literature syllabus. This collection of essays written by leading scholars, teachers, and practitioners of theatre provides the first multi-authored study of Kelly's critically acclaimed oeuvre. Featuring an original interview with Kelly himself, this volume captures the full range and scope of his writing for stage and screen, from the quirky fringe debut Debris (2003) to the globally-distributed film adaptation of Matilda the Musical (2022).
This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts. ;