Sie können die Rechte an unseren Büchern kaufen. Exklusiv oder in Lizenz. Nehmen Sie einfach Kontakt mit uns auf! Hier finden Sie überblicksweise die Bücher des Verlags, sortiert nach Schwerpunkten. Etwas aktueller ist unsere quartalsweise Aussendung, die Sie gerne anfordern können.
View Rights Portal
Author of The Canterbury Tales and foundation of the English literary tradition, Geoffrey Chaucer has been popular with readers, writers and scholars for over 600 years. More than 4600 books, essays, poems, stories, recordings and websites pertaining to Chaucer were published between 1997 and 2010, and this bibliography identifies each of them separately, providing publication information and a descriptive summary of contents. The bibliography also offers several useful discovery aids to enable users to locate individual items of interest, whether it be a study of the Wife of Bath's love life, a video about Chaucer's language, advice on how to teach a particular poem by Chaucer, or a murder mystery that features Chaucer as detective. Useful for scholars, teachers and students alike, this volume is a must for academic libraries.
Trusted Partner
A standard text on the subject. New introduction and bibliography. The leading expert in the field. ;
Trusted Partner
This poem-by-poem guide to Lorca's Romancero gitano was prompted by the need for some form of guidance to the overwhelming amount of critical material published on the book, the relative neglect or misunderstanding of certain poems and a concern to counter a recent tendency to eccentric interpretation. Herbert Ramsden's comprehensive collection of commentaries will be useful both for students and teachers and for the Lorca specialist. With each poem the author offers a brief introduction to relevant background material, a comprehensive commentary, a brief indication of interpretations notably different from his own and a select critical bibliography. In a more general bibliography, the author lists a number of translations of Romancero gitano into English and a selection of commentary-based studies. The great diversity and allusive richness of Lorca's poetic masterpiece demands more space than a compact student edition allows, and all serious students of Romancero gitano will want to use Herbert Ramsden's Eighteen commentaries alongside his simultaneously-published edition of the text. ;
Trusted Partner
New, up-to-date bibliography which should give this edition another twenty years of life.. Excellent, scholarly introduction which focusses on the values and social relevance of the poem.. Explanatory notes drawing on archaeological sources.. Prose translation. ;
Trusted Partner
Provides students with a clear narrative overview of the period which will enable them to form critical opinions. Introduces students to the historical controversies of the period and communicates the results of recent specialist studies to a student readership in an easily understood manner. An accessible, clearly written account accompanied by useful bibliography, chronology, tables and maps, and written by an author teaching in the field. ;
Trusted Partner
This is the first book to appear in English about theatre from the entire Nazi period (1933-45). It is based on detailed statistical analysis, contemporary press reports, research in German archives and interviews with surviving playwrights, actors and musicians. The volume has an extensive bibliography and is fully illustrated. It forms a much needed guide to this neglected area of European culture and will be of interest to historians, Germanists and theatre specialists. The international contributors are William J. Niven, Glen Gadberry, Erik Levi, Rebecca Rovit, William Abbey and Katharina Havekamp. ;
Trusted Partner
Trusted Partner
Trusted Partner
"This excellent edition is most welcome. A select bibliography, a brief vocabulary, several footnotes to explain points of difficulty, fourteen long endnotes... and even the music of the songs, make the edition an extremely valuable and interesting volume, offering the reader the text of the play itself and important new insights into its structure, its significance and indeed its success." Professor Leo Hickey, 'Modern Languages' Bodas de sangre is arguably the best-known work by the most celebrated of all twentieth-century Spanish writers. A passionate story of family feud and tragic elopement is played out in the setting of a poor country village, building up to a dramatic ending full of the intensely poetic symbolism characteristic of Lorca. ;
Trusted Partner
More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an improved, accessible and throughly up-to-date edition. Starting with the authoritative Revels Plays edition of 1964, John Russell Brown has augmented the notes and collations, and casts new light on Webster's dramatic dialogue and on the stage action. An entirely new introduction encompasses a stage history from its well-documented early performances right through to recent productions in the twenty first century. The bibliography has also been expanded. Students, actors, directors, academics and theatre-goers will find here a reappraisal of Webster's artistry in the greatest age of English theatre. ;
Trusted Partner
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
Trusted Partner
Newly available in paperback, this collection of essays, written by distinguished international scholars, focuses on the structural influence of Italian literature, culture and society at large on Shakespeare's dramatic canon. Exploring recent methodological trends coming from Anglo-American new historicism and cultural materialism and innovative analyses of intertextuality, the volume's four thematic sections deal with 'Theory and practice', 'Culture and tradition', 'Text and ideology' and 'Stage and spectacle'. In their own views and critical perspectives, the individual chapters throw fresh light on the dramatist's pliable technique of dramatic construction and break new ground in the field of influence studies and intertextuality as a whole. A rich bibliography of secondary literature and a detailed index round off the volume. ;
Trusted Partner
Trusted Partner
Trusted Partner
Trusted Partner
This collection of essays focuses attention on the broad issue of Renaissance textuality. It explores such topics as the position of the reader relative to the text; the impact of editorial strategies and modes of presentation on our understanding of the text; the complexities of extended textual histories; and the relevance of gender to the process of textual retrieval and preservation. The essays, whilst informed by contemporary theory, are not dominated by a single programmatic viewpoint. Reflecting the multiplicitous nature of Renaissance textuality, the collection provides space for a variety of different positions and lines of analysis and enquiry. The Renaissance text will be of interest to those with specialist concerns in editing, textuality and bibliography, and will also be of interest to those more generally concerned with Renaissance literature or with textual or literary history. ;
Trusted Partner
Odoyevsky's cycle of short stories, Pyostryye skazki (1833), is a transitional work between his writings of the 1820s (in particular his contributions to Mnemozina, 1824-5) and his mature period which culminated in Russkiye nochi (1844). Pyostryye skazki thus represents a romantic amalgam of elements drawn from fairy-tale and folklore, the fantastic and the society tale, serving didactic, satirical and whimsical purposes. The narration supposedly comes from an authorial alter ego, one Iriney Modestovich Gomozeyko, who occupies a place in Russian literature of the 1830s alongside Pushkin's Ivan Petrovich Belkin and Gogol's Rudyy Pan'ko. While individual stories from the cycle reappeared during the Soviet revival of interest in Odoyevsky, this edition, which includes an introduction, notes and a short bibliography, was the first integral (re)publication since 1833 of one of the basic texts of Russian Romanticism.
Trusted Partner
Trusted Partner
