Ice Cold Publishing
Ice Cold Publishing is a dynamic Australian publisher creating beautiful mind-body-spirit, cooking, gardening and non-book products for the world.
View Rights PortalIce Cold Publishing is a dynamic Australian publisher creating beautiful mind-body-spirit, cooking, gardening and non-book products for the world.
View Rights PortalColmena Editores is an independent Peruvian publishing house based in Lima and founded in 2012. Since its inception, it has prioritized the publication of classic authors.
View Rights PortalKeine Ruhe am Marlborough Sound. Sergeant Nick Chester und Constable Latifa Rapata haben gleich doppelten Ärger. Eine Horde US-Amerikaner fällt in Neuseeland ein und kauft Land, um dort eine Luxusfestung für einen superreichen ultrarechten Amerikaner zu etablieren, der nebenbei ein kleines Reich für »Arier« errichten will. Ganz Doomsday Prepper will er hier den erwarteten Untergang der übrigen Menschheit aussitzen. Unter seinen bis an die Zähne bewaffneten Helfershelfern ist ein besonders fieses Scheusal, das Nick Chester und seine Kollegin aus dem Spiel nehmen müssen. Aber dann taucht eine Leiche auf, die auf einen cold case verweist oder vielmehr auf mehrere ungelöste Mordfälle …
Why did dustmen exercise an extended hold over the imagination of many Regency and Victorian artists and writers, including George Cruikshank, Henry Mayhew, Charles Dickens as well as numerous little known dramatists, caricaturists, print makers, journalists and novelists? This book, the first study of the cultural representation of the dust trade, provides many varied answers to this question by showing the ways in which London dustmen were associated with ideas of contamination, dirt, noise, violence, wealth, consumerism and threat. Drawing on an extraordinary range of sources, including plays, novels, reportage and, especially, visual culture, Dusty Bob describes the ways in which dustmen were perceived and mythologised in the first seventy years of the nineteenth century. Although Dusty Bob centrally comprises a detailed and original piece of research of interest to scholars and advanced students of Victorian culture, it has been written with a broader readership in mind. ;
This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.
De-centering queer theory seeks to reorient queer theory to a different conception of bodies and sexuality derived from Eastern European Marxism. The book articulates a contrast between the concept of the productive body, which draws its epistemology from Soviet and avant-garde theorists, and Cold War gender, which is defined as the social construction of the body. The first part of the book concentrates on the theoretical and visual production of Eastern European Marxism, which proposed an alternative version of sexuality to that of western liberalism. In doing so it offers a historical angle to understand the emergence not only of an alternative epistemology, but also of queer theory's vocabulary. The second part of the book provides a Marxist, anti-capitalist archive for queer studies, which often neglects to engage critically with its liberal and Cold War underpinnings.
After the End argues that the cultural imaginaries and practices of the Cold War continue to deeply shape the present in profound but largely unnoticed ways across the global North and in the global South. The argument draws examples from literature and literary criticism, film, music, the historical and social scientific record and past and present physical sites to consider the bunker as a material form, an image and as a fantasy that took shape in the global North in the 1960s and that spread globally into the twenty-first century. After the End reminds us not only that most of the world's peoples have lived with or died from apocalyptic conditions for centuries, but that the Cold War imaginaries that grew from and fed those conditions, continue to survive as well.
For a long time, Corinna von Bassewitz believed her father was a soldier, later on that he was a diplomat. Then, at the age of 16, she learnt something unbelievable: he had been a secret agent for the Bundesnachrichtendienst (BND, Germany's Federal Intelligence Service). Once the secret had been at least partly uncovered, she became something of a spy herself and eventually found some confidential documents in her parents' attic. Later, she realised that her father had been living as a double agent for the FRG and the GDR. So what effect does it have on a girl if her father conceals his true identity and eventually disappears without trace? Along with her family history, the author provides multi-layered and exciting insights into the historical context of the Cold War. A very personal book, intriguingly told and emotionally touching.
The first comprehensive account of the public and cultural diplomacy campaigns carried out by the US in Yugoslavia during the height of the Cold War, this book examines the political role of culture in US-Yugoslav bilateral relations and the fluid links between information and propaganda. Tito allowed the US Information Agency and the State Department's cultural programmes to enter Yugoslavia, liberated from Soviet control. The exchange of intellectual and political personnel helped foster the US-Yugoslav relationship, yet it posed severe ideological challenges for both sides. By providing new insights into porous borders between freedom and coercion in Tito's regime, this book shows how public diplomacy acted as an external input for Yugoslav liberalisation and dissident movements. Using extensive archival research and interviews, Konta analyses the links between information and propaganda, and the unintended effects of propaganda beyond the control of producers and receivers.
This book analyses the international phenomenon of private peace entrepreneurs. These are private citizens with no official authority who initiate channels of communication with official representatives from the other side of a conflict in order to promote a conflict resolution process. It combines theoretical discussion with historical analysis, examining four cases from different conflicts: Norman Cousins and Suzanne Massie in the Cold War, Brendan Duddy in the Northern Ireland conflict and Uri Avnery in the Israeli-Palestinian conflict. The book defines the phenomenon, examines the resources and activities of private peace entrepreneurs and their impact on the official diplomacy, and examines the conditions under which they can play an effective role in peace-making processes. This book is relevant to United Nations Sustainable Development Goal 16, Peace, justice and strong institutions.
Doing psychiatry engages with the history of European psychiatry in the second half of the twentieth century through a close and fresh look at the practices that contributed to reshape the mental health field. Case studies from across Europe allow readers to appreciate how new 'ways of doing' contributed to transform the field, beyond the watchwords of deinstitutionalisation, the prescription of neuroleptics, centrality of patients and overcoming of asylum-era habits. Through a variety of sources and often adopting a small-scale perspective, the chapters take a close look at the way new practices emerged and at how they installed themselves, eventually facing resistance, injecting new purposes and contributing to enlarging psychiatry's fields of expertise, therefore blurring its once-more-defined boundaries.
The Blue Mountains are calling! When Lilly’s grandma’s favourite cow falls ill, the Bear family immediately decide to pay them a visit – but without the Little Lady. Mother and Father Bear are worried that her chameleon-like behaviour might upset Grandma Annie. But Lilly, Charley and the Little Lady won’t accept such thinking. With a zip and a zoom the Little Lady opens her umbrella and up and away they go on the greatest mountain “salafari” of all time! But then something weird happens to the Little Lady: first her feet start to tickle, then her fine hiking boots start to pinch, and her jacket seems to be shrinking! She sees with horror that she is starting to grow. What can Lilly, Charley and she do to stop it?
Accessible and original analysis of all Jean Renoir's sound films, including those he made in Hollywood - this is the first major study to appear for a number of years and brings new light on some of the director's most celebrated films.. Illuminating account of critical debates concerning Renoir, and focusing on hitherto neglected areas such as gender, nation and ethnicity the book asks us to rethink our understanding of Renoir's political commitment.. Traces his output from the silent period to the age of television, tying his work into a fast-shifting, socio-historical context.. Detailed analyses of his sound films map his evolving style while individual chapters cover Renoir's career and writings, critical debates, the silent and early sound films, the Popular Front period, Renoir amèricain and the later films.
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Ein Vampir liebt seinen Jäger… Während des entscheidenden Kampfes in den Katakomben Neapels ist es den Vampirjägern gelungen, ein Mitglied des verfeindeten Clans gefangen zu nehmen. Ausgerechnet Luc, der seine Schwester vor vielen Jahren an die bluthungrigen Sangua verloren hat, soll den rebellischen Gefangenen Cas beaufsichtigen und dessen Willen brechen. Doch je mehr Zeit die beiden miteinander verbringen, desto deutlicher wird, dass sie nicht so grundverschieden sind, wie zunächst gedacht. Luc beginnt zum ersten Mal an den Motiven der Jäger zu zweifeln und sieht in seinem Gegenüber mehr als bloß eine Bestie. Zwischen den beiden entwickelt sich eine zarte Liebe, die sie um jeden Preis geheim halten müssen. Aber ist ihre Zuneigung stark genug, um ihre Verschiedenheiten zu überwinden? Band 2 der mitreißenden Fantasy-Reihe „Blood Rival“ rund um Vampire in der Unterwelt von Neapel überzeugt mit viel Tempo, queeren Charakteren und jeder Menge Spice! Der LGBTQIA+-Roman mit dem beliebten Trope „Enemies-to-Lovers“ erzählt die prickelnde Romance zwischen zwei schwulen Protagonisten – einem Vampir und seinem Jäger, die sich erst bis aufs Blut hassen. Ein Must-Read für Leser*innen ab 16 Jahren, die Vampire und queere Bücher lieben. Blood Rival: Eine spicy LGBTQIA+-Romantasy Fantasy trifft LGBTQIA+: Eine fesselnde Vampire Romance voller Spice, Magie und Blutjägern in der faszinierenden Unterwelt Neapels für New Adult Fans ab 16 Jahren. Voll angesagt: Die packende Romantasy mit dem beliebten Trope „Enemies-to-Lovers“ feiert die Vielfalt der Liebe in all ihren Formen. Spicy: Prickelnde Romance mit starken und queeren Charakteren, die über sich hinauswachsen und den Mut finden, für ihre Liebe einzustehen. Fesselnd erzählt: Der Pageturner von Darcy Crimson entführt die Leser*innen in die düstere und mystische Atmosphäre Neapels. Trendig ausgestattet in der Erstauflage: Softcover mit Klappen, trendig illustriertem Buchschnitt und coolem Lesezeichen zum Abtrennen. Die queere Romantasy steckt voller Emotionen, Spannung und Liebe. Eine fesselnde Lektüre für Fans der Crave-Reihe von Tracy Wolff und junge Leser*innen ab 16 Jahren, die sich für Vampire Romance und LGBTQIA+-Geschichten begeistern!