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Silke Heiss (Give Your Writing The Edge)
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Humanities & Social SciencesSeptember 2025Writing power
Intellectuals, legitimacy, and the making of knowledge
by Sarah Victoria Alexandra Burton
Writing power radically rethinks the place of the canon and canonicity as objects and concepts in contemporary academia and the everyday intellectual practices of academics. It is distinctive in its demonstration of how academics' engagements with canons shape their writing practices but also how scholars' writing practices, spaces, proclivities, and desires shape the canon and changing ideas of value in canonicity. The book thinks through frequently discussed problems of legitimacy and knowledge production from fresh perspectives of lived experience and the everyday to offer new insights into the politics of knowledge in contemporary social sciences.
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Literature & Literary StudiesOctober 2025The emotions in liberal writing, c.1790–c.1920
by Jock Macleod, Peter Denney, William Christie
This volume of essays from a selection of distinguished international scholars is the first of its kind to explore in depth the emotional dimensions of liberal writing in Britain over the long nineteenth century. Addressing liberal writing in the public sphere rather than high political or parliamentary liberalism, it comprises a clear, context-setting introduction and eleven substantive chapters. The chapters analyse key texts and figures from the 1790s through to the 1920s and offer several different approaches to the central concern with the emotions and liberalism. These include examining the place of the emotions in the 'good life'; the social and political function of the emotions; emotional rhetoric in liberal writing; and liberal theories of the emotions. Both individually and as a collection, the essays provide an essential foundation for further scholarly work in this emerging field.
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Humanities & Social SciencesJanuary 2013The annals of St-Bertin
Ninth-century histories, volume I
by Janet L. Nelson
The Annals of St-Bertin, covering the years 830 to 882, are the main narrative source for the Carolingian world in the ninth century. This richly-annotated translation by a leading British specialist makes these Carolingian histories accessible in English for the first time, encouraging readers to reassess and evaluate a crucially formative period of European history. Produced in the 830s in the imperial palace of Louis the Pious, The Annals of St-Bertin were continued away from the Court, first by Bishop Prudentius of Troyes, then by the great scholar-politician Archbishop Hinemar of Rheims. The authors' distinctive voices and interests give the work a personal tone rarely found in medieval annals. They also contain uniquely detailed information on Carolingian politics, especially the reign of the West Frankish king, Charles the Bald (840-877). No other source offers so much evidence on the Continental activities of the Vikings. Janet L. Nelson offers in this volume both an entrée to a crucial Carolingian source and an introduction to the historical setting of teh Annals and possible ways of reading the evidence. The Annals of St-Bertin will be valuable reading for academics, research students and undergraduates in medieval history, archaeology and medieval languages. It will also fascinate any general reader with an interest in the development of European culture and society.
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Literature & Literary StudiesMarch 2007On the uses of history in recent Irish writing
by Bernhard Klein
This book offers a critical reassessment of the uses of history in contemporary Irish literature and culture. It argues that in much recent Irish writing, history is approached not as the proverbial 'nightmare' from which Joyce's Stephen Dedalus tried to awake, but as a rich, imaginative resource. Drawing on recent debates in Irish literary and cultural criticism, On the uses of history in recent Irish writing explores the varied, creative, and often critically challenging forms of rewriting Ireland's troubled past in contemporary prose, drama and poetry. Individual chapters focus on literary treatments of the Tudor reconquest, the Famine, the Northern Irish Troubles and other key events in Irish history, highlighting in a series of close readings the unique forms of historical thought enabled by different literary forms and genres. Canonical works by authors such as Seamus Heaney, Derek Mahon, Tom Paulin, Brian Friel, Stewart Parker and Frank McGuinness are considered alongside lesser known writers and texts, placing each in their wider social, cultural and historical contexts. ;
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Literature & Literary StudiesJanuary 2026Mid-century women's writing
by Melissa Dinsman, Megan Faragher, Ravenel Richardson
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The ArtsApril 2025Beautiful doom
The work of Dennis Kelly on stage and screen
by Jacqueline Bolton, Nicholas Holden
Dennis Kelly's award-winning plays have been translated into over thirty languages and produced on six continents. His endlessly inventive vision has produced a diverse body of work for a variety of audiences across a range of forms, genres, and media, from the Olivier and Tony Award-winning Matilda the Musical (2010), to the Channel Four cult-classic series Utopia. His 2008 play DNA, written for National Theatre Connections, is a set text on the AQA GCSE English Literature syllabus. This collection of essays written by leading scholars, teachers, and practitioners of theatre provides the first multi-authored study of Kelly's critically acclaimed oeuvre. Featuring an original interview with Kelly himself, this volume captures the full range and scope of his writing for stage and screen, from the quirky fringe debut Debris (2003) to the globally-distributed film adaptation of Matilda the Musical (2022).
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The ArtsJanuary 2019Contemporary Spanish cinema
by Barry Jordan, Rikki Morgan-Tamosunas
Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.
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Literary studies: from c 1900 -July 2013Women’s writing in contemporary France
by Edited by Gill Rye and Michael Worton
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Literature & Literary StudiesJuly 2018Women’s writing in contemporary France
by Gill Rye, Michael Worton
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Literature: history & criticismMarch 2010Reading, writing and the influence of Harold Bloom
by Alan Rawes and Jonathon Shears
Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.
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Literature & Literary StudiesFebruary 1994Italian women writing
by Sharon Wood
How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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Humanities & Social SciencesJune 2026Letter writing in the Northumbrian Kingdom, 625–786
by Peter Darby
Letter writing in the Northumbrian Kingdom offers the first comprehensive study of Northumbria's vibrant epistolary culture in the seventh and eighth centuries. Through a close examination of more than fifty surviving Latin letters-many written by or to figures such as Bede, Acca of Hexham, Ælfflæd of Whitby, and Alcuin -this book uncovers the literary, political, and spiritual dimensions of early medieval correspondence. From royal diplomacy to theological debate, these letters reveal a world where communication was both a practical necessity and a refined art. Drawing on previously underexamined texts and placing Northumbria in its broader European context, this groundbreaking study sheds new light on the role of letter writing in shaping a Christian kingdom's identity, influence, and intellectual legacy.
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Biography & True StoriesMarch 2022Body Work
The Radical Power of Personal Narrative
by Melissa Febos,
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
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Biography & True StoriesMarch 2022Body Work
The Radical Power of Personal Narrative
by Melissa Febos,
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
