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      • Dylan-Related-Books (Agentur für englishsprachige Dylan-Autoren und Literatur)

        Dylan-Related-Books is a literature agency only for books with a relation to the artist and the many different themes, which he´s able to connect with his songs. It´s about the aim to bring this special field in writing to a German readership, which might get the lyrics in a song, but have some struggle to get through a sophisticated analysis of a song. Dylan-Related-books is also a network of and for Dylan-authors and presents the new books of the Dylan-Kosmos in a series of musical readings, the ONE-MORE-CUP-OF-COFFEE-READINGS. To realize these projects, especially during the culture cutting times of Corona the agency is running a Crowdfunding-Campain which is explore on startnext.com/one-more-cup-of-coffee-reading

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      • Relish Books

        Kate B. Gordon publishes middle grade fiction under the imprint Relish Books. The first book in the Unicorn King series, Lily and the Unicorn King, blends the unicorns of European mythology with Maori myths and lore, a trio of brave friends and their ponies. The second book in the series, Sasha and the Warrior Unicorn, will be out late in 2020 with the third book in 2021.

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      • Trusted Partner
        The postsocialist contemporary
        The Arts
        November 2021

        The postsocialist contemporary

        by Octavian Esanu, Amelia Jones, Marsha Meskimmon

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      • Trusted Partner
        New slaveries in contemporary British literature and visual arts
        Literature & Literary Studies
        June 2021

        New slaveries in contemporary British literature and visual arts

        by Pietro Deandrea

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      • Trusted Partner
        Incest in contemporary literature
        Literature & Literary Studies
        April 2020

        Incest in contemporary literature

        by Miles Leeson

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      • Trusted Partner
        Capitalism in contemporary Iran
        Business, Economics & Law
        January 2024

        Capitalism in contemporary Iran

        Capital accumulation, state formation and geopolitics

        by Kayhan Valadbaygi

        By situating Iran within the neoliberal global capitalism and resulting geopolitics, this book traces the patterns of capital accumulation and transformations in class and state formation emanating from it. It shows that Iranian neoliberalisation has brought about two capital fractions, namely the internationally-oriented capital fraction and the military-bonyad complex. It substantiates that the co-existence of these competing class fractions with different accumulation strategies has generated hybrid neoliberalism. The book further demonstrates how this new class formation has reorganised the function and operation of state institutions and transformed state ideology. By documenting the ways in which Iranian neoliberalisation has reshaped the subaltern classes and formed Iran's volatile foreign policy, it also provides a novel account of major events and processes in contemporary Iran, such as the post-2017 wave of uprisings, the nuclear programme and international sanctions.

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        The politics of male friendship in contemporary American fiction
        Literature & Literary Studies
        July 2021

        The politics of male friendship in contemporary American fiction

        by Michael Kalisch, Sharon Monteith, Nahem Yousaf

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        Lifelong learning, the arts and community cultural engagement in the contemporary university
        Humanities & Social Sciences
        September 2016

        Lifelong learning, the arts and community cultural engagement in the contemporary university

        by Michael Osborne, Darlene Clover, Kathy Sanford

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      • Trusted Partner
        Contemporary Korean cinema
        The Arts
        March 2001

        Contemporary Korean cinema

        Culture, identity and politics

        by Hyangjin Lee, Mary Norris

        The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea. ;

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        Queer cinema in contemporary France
        The Arts
        October 2024

        Queer cinema in contemporary France

        Five directors

        by Todd Reeser

        Jacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma. The films of these five major French directors exemplify queer cinema in the twenty-first century. Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors' careers, from their earliest, often unknown films to their later, major films with wide international release. Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring. Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject.

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        Bauman and contemporary sociology
        Humanities & Social Sciences
        August 2017

        Bauman and contemporary sociology

        by Ali Rattansi

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      • Trusted Partner
        The contemporary law of armed conflict
        Business, Economics & Law
        May 2008

        The contemporary law of armed conflict

        by Leslie C. Green, Iain Scobbie, Jean D'Aspremont, Dominic McGoldrick

        Green's The contemporary law of armed conflict has been acclaimed as one of the most significant works on the law of armed conflict to appear in recent years. The first edition was adopted as a basic text by military institutions and educational establishments throughout the world and is among the most comprehensive and readable works on the subject. This new edition brings the work up to date, examining the significance of the World Court's Opinion on the legality of the nuclear weapon. It also considers the importance of such matters as the laser weapon agreement, the mines treaty and the jurisprudence of the two war crimes tribunals, that for the former Yugoslavia as well as for Rwanda, and assesses the role of the proposed International Criminal Court as it may affect the law of armed conflict. The book applies a practical as well as a theoretical approach, and draws on an extensive range of national and international practice. It is thus an indispensable reference for the armed forces and government defence organizations, as well as academics and students interested in the modern law of war. ;

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      • Trusted Partner
        The elephant and the dragon in contemporary life sciences
        Science & Mathematics
        September 2024

        The elephant and the dragon in contemporary life sciences

        A call for decolonising global governance

        by Joy Y. Zhang, Saheli Datta Burton

        This book provides a powerful diagnosis of why the global governance of science struggles in the face of emerging powers. Through unpacking critical events in China and India over the past twenty years, it demonstrates that the 'subversiveness' assumed in the two countries' rise in the life sciences reflects many of the regulatory challenges that are shared worldwide. It points to a decolonial imperative for science governance to be responsive and effective in a cosmopolitan world. By highlighting epistemic injustice within contemporary science, the book extends theories of decolonisation.

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      • Trusted Partner
        Chinese religion in contemporary Singapore, Malaysia and Taiwan
        Humanities & Social Sciences
        April 2022

        Chinese religion in contemporary Singapore, Malaysia and Taiwan

        The cult of the Two Grand Elders

        by Fabian Graham

        In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.

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      • Trusted Partner
        The contemporary law of armed conflict (3rd edn)
        Business, Economics & Law
        July 2018

        The contemporary law of armed conflict (3rd edn)

        by Leslie C. Green, Iain Scobbie, Jean D'Aspremont, Dominic McGoldrick

        Green's The contemporary law of armed conflict has been acclaimed as one of the most significant works on the law of armed conflict to appear in recent years. The first edition was adopted as a basic text by military institutions and educational establishments throughout the world and is among the most comprehensive and readable works on the subject. This new edition brings the work up to date, examining the significance of the World Court's Opinion on the legality of the nuclear weapon. It also considers the importance of such matters as the laser weapon agreement, the mines treaty and the jurisprudence of the two war crimes tribunals, that for the former Yugoslavia as well as for Rwanda, and assesses the role of the proposed International Criminal Court as it may affect the law of armed conflict. The book applies a practical as well as a theoretical approach, and draws on an extensive range of national and international practice. It is thus an indispensable reference for the armed forces and government defence organizations, as well as academics and students interested in the modern law of war.

        More
      • Trusted Partner
        Recognition theory and contemporary French moral and political philosophy
        Humanities & Social Sciences
        July 2017

        Recognition theory and contemporary French moral and political philosophy

        Reopening the dialogue

        by Simon Tormey, Miriam Bankovsky, Jon Simons, Alice Le Goff

        The revival of recognition theory has brought new energy to critical theory. In general terms, recognition theory aims to critically evaluate social structures against a standard of social freedom identified with norms of interaction which are freely recognised by all parties. Until now, attention has primarily focused on the categories and forms of recognition theory. However, the influence of contemporary French theory upon the development of theories of recognition has not yet received the consideration it merits. This collection outlines the current state of recognition theory, studies the impact of French theory, and uses French thought to identity aspects of the recognitive process which are often overlooked. Exploring French accounts of agonistic identity construction, vulnerability, power, ethical obligation and reflexive theory construction, this book supports the intentions of critical theory with heightened attentiveness to oppression in all of its forms.

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      • Trusted Partner
        Recognition theory and contemporary French moral and political philosophy
        Humanities & Social Sciences
        January 2012

        Recognition theory and contemporary French moral and political philosophy

        Reopening the dialogue

        by Miriam Bankovsky, Simon Tormey, Alice Le Goff, Jon Simons

        The revival of recognition theory has brought new energy to critical theory. In general terms, recognition theory aims to critically evaluate social structures against a standard of social freedom identified with norms of interaction which are freely recognised by all parties. Until now, attention has primarily focused on the categories and forms of recognition theory. However, the influence of contemporary French theory upon the development of theories of recognition has not yet received the consideration it merits. The book takes up this task. With chapters by internationally recognised authors, the collection outlines the current state of recognition theory, studies the impact of French theory, and uses French thought to identity aspects of the recognitive process which are often overlooked. Exploring French accounts of agonistic identity construction, vulnerability, power, ethical obligation and reflexive theory construction, this book supports the intentions of critical theory with heightened attentiveness to oppression in all of its forms. ;

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      • Trusted Partner
        The new pornographies
        The Arts
        January 2019

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

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      • Trusted Partner
        The new pornographies
        The Arts
        June 2021

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

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      • Trusted Partner
        Contemporary Spanish cinema and genre
        The Arts
        January 2019

        Contemporary Spanish cinema and genre

        by Jay Beck, Vicente Rodríguez Ortega

        This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.

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