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      • Rights Expert

        Rights Expert Literary and Licensing Agency is representing in Romania, directly or through other agents, more than 45 publishing houses and imprints (mainly from UK and USA). Part of the publishers represented in Romania agreed to give us the international representation for other CEE territories: Poland, Czech Republic, Slovakia, Hungary, Croatia, Slovenia, Serbia, Bulgaria. Rights Expert Literary and Licensing Agency is having a portfolio of creative, independent and flexible publishers from domains like: Children and Young Adult books (non-fiction): activity books, color and stickers books. Children and Young Adult books (fiction): picture books (trendy in all the markets); story books; novels; comic magazines and books. Adult non-fiction: Self-help, Health, Body, Mind & Spirit etc. Adult fiction

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      • DeA Planeta Libri S.r.l.

        DeA Planeta Libri’s products include books for children (fairy tales, boardbooks, novelties, non fiction, ativity etc.),  MG& YA fiction, non ficton and  essays and it operates with the brands DeA, De Agostini, DeA Planeta, UTET, AMZ, Abracadabra. Our foreign righst catalogues are available on: https://www.deaplanetalibri.it/aiuto/foreign-rights

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        December 2013

        Ich bin die Nacht

        Thriller

        by Cross, Ethan

      • Trusted Partner
        November 2014

        Ich bin die Angst

        Thriller

        by Cross, Ethan

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        February 2021

        Die Stimme der Rache

        Thriller

        by Ethan Cross

      • Trusted Partner
        February 2023

        Die Stimme der Lüge

        Thriller

        by Ethan Cross

      • Trusted Partner
        January 2022

        Die Stimme des Wahns

        Thriller

        by Ethan Cross

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        Literature & Literary Studies
        January 2004

        Steven Berkoff and the theatre of self-performance

        by Robert Cross

        This book is the first substantial study of Steven Berkoff's career, examining the construction and projection of his notorious public persona through his plays and writings. ;

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        Humanities & Social Sciences
        July 2025

        Unhappy mothers

        Women, motherhood and social change in postwar Britain

        by Sarah Crook

        In the decades following the Second World War, mothers' experiences of loneliness, boredom and unhappiness were increasingly widely acknowledged. The language of postnatal depression came to be attached to this, but mothers organised around their own discontent in ways that challenged the medical model. Unhappy mothers draws attention to the social, political, and professional contexts within which knowledge about unhappy mothering developed. Drawing upon an extensive range of archival material, the book addresses themes around expertise, feminism, and the value given to lived experience.

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        Humanities & Social Sciences
        February 2022

        Psychoanalysis and the family in twentieth-century France

        Françoise Dolto and her legacy

        by Richard Bates, David Hopkin, Maire Cross, Jennifer Sessions

        In the last quarter of the twentieth century, if French people had a parenting problem or dilemma there was one person they consulted above all: Françoise Dolto (1908-88). But who was Dolto? How did she achieve a position of such influence? What ideas did she communicate to the French public? This book connects the story of Dolto's rise to two broader histories: the dramatic growth of psychoanalysis in postwar France and the long-running debate over the family and the proper role of women in society. It shows that Dolto's continued reputation in France as a liberal and enlightened educational thinker is at best only partially deserved and that conservative and anti-feminist ideas often underpinned her prominent public interventions. While Dolto retains the status of a national treasure, her career has had far-reaching and sometimes harmful repercussions for French society, particularly in the treatment of autism.

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        Humanities & Social Sciences
        August 2023

        Picturing the Western Front

        Photography, practices and experiences in First World War France

        by Beatriz Pichel

        Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.

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