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      • Sharjah Documentation and Archives Authority

        Sharjah Documentation and Archives Authority, earlier Sharjah Centre for Documentation and Research, was established by resolution no. (4) of 2010, issued by His Highness Sheikh Dr. Sultan Bin Muhammad AL Qassimi, member of the Supreme Council, the Ruler of Sharjah. In 2016, H.H. Ruler of Sharjah issued resolution no. (4) of 2016, on the establishment of Sharjah Documentation and Archives Authority. The objectives were set to collecting and preserving documents related to the emirate, as well as the development of the documentation and archive system. Furthermore, the Authority shall oversee the management of current documents and mediate documents with concerned parties. The Authority represents the local body concerned with all matters of documents and archiving and it abides by the best international standards for preserving and maintaining documents. The Authority works to strengthen cultural and historical awareness and encourage scientific researches and intellectual creativity.

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      • Bach Doctor Press

        Darin Dance started his own publishing and photography business in 2014: The Bach Doctor Press after researching and taking photographs for many book projects while working collaboratively with fellow Ngāi Tahu writers.  He firmly believes that with the retrenchment of the main publishing houses back to Australia, America and Europe, our remarkable “Kiwi” voices and stories will be lost and unheard unless new publishing ventures are prepared to fill this void.  This has become his mission to promote our unique kōrero and pakiwaitara (stories and legends).

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        Photography and documentary film in the making of modern Brazil
        The Arts
        October 2013

        Photography and documentary film in the making of modern Brazil

        by Luciana Martins, Amelia Jones, Marsha Meskimmon

        Photography and documentary film in the making of modern Brazil provides a major contribution to the field of visual culture through a study of still and moving images of Brazil in the first four decades of the twentieth century, when the camera played a key role in making Brazilian peoples and places visible to a variety of audiences. The book explores what is distinctive about the visual representation of Brazil in an era of modernisation, also attending to the significance of the different technical properties of film and photography for the writing of new histories of visual technologies. It offers new insights into the work of key writers, photographers, anthropologists and filmmakers, including Claude Lévi-Strauss, Mário de Andrade, Silvino Santos and Aloha Baker. Unearthing a wealth of materials from archives in the USA, Britain, and Brazil, the book seeks to contribute to the postcolonial theoretical project of pinpointing locally distinctive histories of visual technologies and practices. ;

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        Watching the World
        The Arts
        June 2012

        Watching the World

        Screen documentary and audiences

        by Thomas Austin

        Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Être et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary. ;

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        The looking machine
        Humanities & Social Sciences
        July 2022

        The looking machine

        Essays on cinema, anthropology and documentary filmmaking

        by David MacDougall

        This new collection of essays presents the latest thoughts of one of the world's leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

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        Genre and performance: film and television
        The Arts
        June 2021

        Genre and performance: film and television

        by Christine Cornea

        Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.

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        The documentary diaries
        The Arts
        June 2016

        The documentary diaries

        by Alan Rosenthal

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        Agnes Varda
        The Arts
        January 2019

        Agnes Varda

        by Alison Smith

        The first introduction in English devoted wholly to Varda and aimed at a general and student audience. Places Varda's major films in the context of her whole oeuvre and follows the development of important themes across her work.

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        Chantal Akerman
        The Arts
        December 2010

        Chantal Akerman

        by Marion Schmid, Diana Holmes, Robert Ingram

        Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women's and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director's career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films. ;

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        The loneliness room
        The Arts
        March 2024

        The loneliness room

        A creative ethnography of loneliness

        by Sean Redmond

        This remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today.

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        Alain Resnais
        The Arts
        October 2009

        Alain Resnais

        by Emma Wilson, Diana Holmes, Robert Ingram

        Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty. ;

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        Ireland's Magdalen laundries and the nation's architecture of containment
        Humanities & Social Sciences
        February 2008

        Ireland's Magdalen laundries and the nation's architecture of containment

        by James M. Smith

        Ireland's Magdalen Laundries and the Nation's Architecture of Containment connects Ireland's Magdalen laundries and the nation-state's nativist politics in the post-independence era, while critically evaluating cultural representations of the Magdalen laundries that have, over the past fifteen years, recovered these institutions from the amnesia at the center of state politics. The book interrogates available archival resources, including government reports, legislative debates, and court cases, to assert that the state was always an active agent in the operation and function of the nation's Magdalen homes. The second half of the book considers a wide range of creative works that help imagine and give narrative form to the Magdalen experience: commercial, independent documentaries, photography and literary representations. Ultimately, the book contends that Ireland's Magdalen institutions chiefly exist in the public mind at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). This fascinating study will be invaluable to those interested in Irish History, Gender History and Social History. ;

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        Jean Epstein
        The Arts
        May 2016

        Jean Epstein

        by Christophe Wall-Romana, Diana Holmes, Robert Ingram

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        Jean Vigo
        The Arts
        January 2019

        Jean Vigo

        by Michael Temple

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        Michael Winterbottom
        The Arts
        January 2019

        Michael Winterbottom

        by Brian McFarlane, Deane Williams, Brian McFarlane, Neil Sinyard

        This is the first book-length study of the most prolific and most critically acclaimed director working in British cinema today. Michael Winterbottom has also established himself, and his company, Revolution Films, as a dynamic force in world cinema. No other British director can claim such an impressive body of work in such a variety of genres, from road movie to literary adaptation, from musical to sex film, to stories of contemporary political significance. The authors of this book use a range of critical approaches to analyse the filmmaker's eclectic interests in cinema and the world at large. With this in mind, the realist elements of such films as Welcome to Sarajevo are examined in the light of a long history of cinema's dealings with realism, as far back as post-war Italian neo-realist filmmaking; whereas Jude and The claim are approached as both literary adaptations (a continuing strand in British cinema history) and examples of other reworked genres (the road movie, the western). This lively study of his work, written in a wholly accessible style, will engage all those who have followed his career as well as those with a wide-ranging interest in British cinema.

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        Coline Serreau
        The Arts
        January 2019

        Coline Serreau

        by Brigitte Rollet

        Coline Serreau became famous in 1985 when her third film, Trois hommes et un couffin (Three Men and a Baby), the most successful French film of the 1980s. She was already known in France for her major contribution to feminist documentaries with the acclaimed Mais qu'est-ce qu'elles veulent?, a series of interviews with French women made between 1975 and 1977. She is now a key figure in French cinema and drama, with international hits including Romuald et Juliette (1989) and La Crise (1992). This appraisal of her work situates her films within the social, cultural and political context of France since May 1968, and assesses th emajor impact of the women's movement on French society and culture. Politics and sexual politics, two key aspects of Serreau's films and plays, are thoroughly examined. This book also considers the cultural influences of her work, and provides an overview of her films and filmic skills. Special attention is given to comedy, the cinematographic genre favoured by Serreau and the French audience, which is apprehended from a historical and gendered perspective. The clarity of the style and the wide-ranging analysis of Serreau's films and filming techniques make this book relevant both to students of film and film enthusiasts.

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        Border images, border narratives
        Humanities & Social Sciences
        June 2023

        Border images, border narratives

        The political aesthetics of boundaries and crossings

        by Johan Schimanski, Jopi Nyman

        This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.

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        Screening songs in Hispanic and Lusophone cinema
        Film, TV & radio
        May 2012

        Screening songs in Hispanic and Lusophone cinema

        by Edited by Lisa Shaw and Robert Stone

        In this volume, eighteen experts from a variety of academic backgrounds explore the use of songs in films from the Spanish- and Portuguese-speaking worlds. This volume illustrates how - rather than simply helping to tell the story of - songs in Hispanic and Lusophone cinema commonly upset the hierarchy of the visual over the aural, thereby rendering their hearing a complex and rich subject for analysis. Screening songs... constitutes a ground-breaking, interdisciplinary collection. Of particular interest to scholars and academics in the areas of Film Studies, Hispanic Studies, Lusophone Studies and Musicology, this volume opens up the study of Hispanic and Lusophone cinema to vital, new, critical approaches. The soundtracks of films as varied as City of God, All About My Mother, Bad Education and Buena Vista Social Club are analysed alongside those of lesser-known works that range from the melodramas of Mexican cinema's golden age to Brazilian and Portuguese musical comedies from the 1940s and 1950s. Fiction films are studied alongside documentaries, the work of established directors like Pedro Almodóvar, Carlos Saura and Nelson Pereira dos Santos alongside that of emerging filmmakers, and performances by iconic stars like Caetano Veloso and Chavela Vargas alongside the songs of Spanish Gypsy groups, Mexican folk songs and contemporary Brazilian rap.

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        The looking machine
        Humanities & Social Sciences
        January 2019

        The looking machine

        by David MacDougall, Paul Henley, Andrew Irving

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        The Cinema of Cecilia Bartolomé
        The Arts
        September 2024

        The Cinema of Cecilia Bartolomé

        Feminism and Francoism

        by Sally Faulkner

        Were it not for authoritarian state censorship, Cecilia Bartolomé's name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé's extant filmography, and speculative about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-1990s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.

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