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This special issue of the Bulletin of the John Rylands Library is devoted to the Aldine edition of the Ancient Greek epistolographers. Published in Venice in 1499 by Aldus Manutius, the Aldine edition was the first printed edition of most of the thirty-six Greek letter collections that it contains. As such, it embodies the intersection between the medieval epistolary anthologies that predated it and the printed editions of Greek epistolographic collections that followed, which were primarily based on its text. In recent decades, the Aldien edition has been the subject of important works, which have sought to analyse its contents and sources. This issue explores the Aldine edition from three perspectives: its relationship to the epistolary collections found in medieval manuscripts, its relationship to the printed editions that followed it and its legacy and value for the modern scholar studying Ancient Greek epistolography.
Tristana is a novel where love, hate and power converge into a triangle of domination and frustration.Galdós', following the ideas of the Free Teaching Institution, intervened in the arena of the debate around the emancipation of women and their incorporation into the public sphere. Tristana, a young woman subjected to the rule of the tyrannical Don Lope, idealistically tries to find her purpose on life but she ends trapped by the rules of a world dominated by men who only see her as the object of their desire. Written in an experimental manner that defies the boundaries of theatre, epistolary and novel genres, Galdós' displays the purest nature of his characters by presenting their contradictions, weaknesses and virtues. He uses a deliberately ambiguous style that seeks to address fundamental questions regarding the unbalances of a Madrid in times of turbulence, but leaves the reader to draw their own meaning. ;
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Tristana is a novel where love, hate and power converge into a triangle of domination and frustration.Galdós', following the ideas of the Free Teaching Institution, intervened in the arena of the debate around the emancipation of women and their incorporation into the public sphere. Tristana, a young woman subjected to the rule of the tyrannical Don Lope, idealistically tries to find her purpose on life but she ends trapped by the rules of a world dominated by men who only see her as the object of their desire. Written in an experimental manner that defies the boundaries of theatre, epistolary and novel genres, Galdós' displays the purest nature of his characters by presenting their contradictions, weaknesses and virtues. He uses a deliberately ambiguous style that seeks to address fundamental questions regarding the unbalances of a Madrid in times of turbulence, but leaves the reader to draw their own meaning.
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