Narrative Landscape Press Ltd
Narrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
View Rights PortalNarrative Landscape Press is an independent publisher and a provider of publishing services and independent authors in Nigeria.
View Rights PortalRights Expert Literary and Licensing Agency is representing in Romania, directly or through other agents, more than 45 publishing houses and imprints (mainly from UK and USA). Part of the publishers represented in Romania agreed to give us the international representation for other CEE territories: Poland, Czech Republic, Slovakia, Hungary, Croatia, Slovenia, Serbia, Bulgaria. Rights Expert Literary and Licensing Agency is having a portfolio of creative, independent and flexible publishers from domains like: Children and Young Adult books (non-fiction): activity books, color and stickers books. Children and Young Adult books (fiction): picture books (trendy in all the markets); story books; novels; comic magazines and books. Adult non-fiction: Self-help, Health, Body, Mind & Spirit etc. Adult fiction
View Rights PortalIn the 1970s, Nestlé became a lightning rod for criticism against the food industry's negative impacts on humans and their environment, especially in the Global South. But what has so far eluded historical scrutiny is that the picture was more nuanced. This book tells the exclusive story of how the Swiss food giant, and more broadly corporate capitalism, have shaped the aid industry since the late nineteenth century. It follows Nestlé's bid for a share of the humanitarian market brokered by the Red Cross in wartime Europe, of its clinical trials in Swiss and Senegalese maternities, and of its agricultural modernisation schemes in Mexico, India, and the Ivory Coast. Based on extensive research in the firm's own historical archives and the records of national and international aid agencies, the volume interrogates the legacies of this long history for international development today.
This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
This literary detective story throws light on the problem of what Shakespeare was doing between leaving school and appearing as an actor and playwright in London. Bringing forward historic and documentary evidence, this text argues that Shakespeare worked as a schoolmaster and player for a wealthy Catholic landowner in Lancashire and later for the Earl of Derby. One of the book's conclusions is that Shakespeare was probably a Roman Catholic. Step by step, this story of patronage, recusancy and aspiring talent is pursued through complex family relationships. ;
Rent sharks, financial speculators, businesses running on exploitative practices – all of them are motivated by greed. They want to make a profit, regardless of the cost. But it’s not only the “fat cats” that always want more. Everyone has the capacity for the deadly sin of avarice. People in the Global North live at the expense of the population in the Global South. We know this and yet we carry on. Why? Because we can. Because it’s normal for us to have plenty and to continually want more. This book shines a light on our greed: where it comes from, where we encounter it, what it does to us and how we can overcome it – if we want to at all ...
This training program helps teenagers between the ages of 13 and 20 years to practice competent work and social behavior in their daily routines, reducing aggressive, antisocial and unsafe behavior and raising the teenagers’ self-confidence. The training can be used both in school and therapeutic settings, and may also be used as an additional tool in centers for vocational training and juvenile detention. The book includes a CD-Rom that contains all materials needed in the training program. Target Group: For psychologists, educators, school psychologists, counselors, child and adolescent psychologists and psychotherapists, and pedagogues working with teenagers with social behavioral issues.
This book offers insights into some of the digital innovations, structural adaptations and analogue solutions that enabled live performance in the UK to survive through the COVID-19 pandemic. It provides evidence of values-led policies and practices that have improved the wellbeing of the creative workforce and have increased access to live performance. Through sections that address digital innovations, workforce resilience and programming live performances outdoors and in community settings, this book provides practical insights into the challenges live performance faced during the pandemic. It shows how, in order to survive, individuals and companies within the sector drew on the creativity and resourcefulness of its workforce, and on new and existing networks. In these accounts, the pandemic functioned as catalyst for technological innovations, stock-taking regarding exploitative industry structures, and a re-valuing of the role of live performance for community-building.
Michaelmas Term is one of five satiric city comedies that the young playwright Thomas Middleton wrote for the boy players of St Paul's Cathedral, sometime before 1607. Set in a vividly detailed, realistic urban milieu at the start of London's social season, the play comes alive through the central contest between Ephestian Quomodo, an ambitious, land-hungry city merchant, and Richard Easy, a naive landowning gallant just arrived in the city. Easy is soon deep in debt and his struggle to recoup his debts and reclaim his land from Quomodo takes places against a sharply drawn set of London types - Quomodo's socially and sexually ambitious wife and daughter, the Scottish upstart Andrew Lethe, and his mistress the Country Wench, eager to exchange her virginity for an elegant new wardrobe. With its witty, bawdy dialogue and complex gulling action, the play offers an unusually cynical assessment of the social and familial displacements, and of the alienation and loss of cultural memory, so characteristic of life in the great metropolis of early modern London. In this sense, the play is an early satiric diagnosis of urban modernity. This edition, newly collated and edited, features complete explanations of the play's often bawdy exchanges and the complex stage action of the gulling and secondary plots. It will be invaluable for advanced students of the Middleton canon as well as all those interested in early modern London and its vibrant theatrical culture, especially the tradition of boy choristers as professional actors. ;
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
This jointly authored book extends understanding of the use of sport to address global development agendas by offering an important departure from prevailing theoretical and methodological approaches in the field. Drawing on nearly a decade of wide-ranging multidisciplinary research undertaken with young people and adults living and working in urban communities in Zambia, the book presents a localised account that locates sport for development in historical, political, economic and social context. A key feature of the book is its detailed examination of the lives, experiences and responses of young people involved in sport for development activities, drawn from their own accounts. The book's unique approach and content will be highly relevant to academic researchers and post-graduate students studying sport and development in across many different contexts.