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Hanska Literary&Film Agency S.L.
Hanska Literary & Film Agency represents internationally Spanish writers and scriptwriters. Specializing in Spanish commercial and up-market commercial adult fiction: women's fiction, historical novel, crime, thriller, noir, romance, family saga.
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Promoted Content
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Promoted Content
January 2001Qualitative Forschung
Theorie, Methoden, Anwendung in Psychologie und Sozialwissenschaften
by Flick, Uwe
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September 2009Sozialforschung
Methoden und Anwendungen: Ein Überblick für die BA-Studiengänge
by Flick, Uwe
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Trusted Partner
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April 2006Qualitative Evaluationsforschung
Konzepte, Methoden, Umsetzung
by Herausgegeben von Flick, Uwe
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January 1995Psychologie des Sozialen
Repräsentationen in Wissen und Sprache
by Herausgegeben von Flick, Uwe
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April 2015Glaube, Gott und letztes Geleit
Unterrichtsmaterial zu jüdischen, christlichen und muslimischen Bestattungen
by Meyer, Karlo / Herausgeber (Film oder Video) Scitem Wissenschafts agentur GmbH M. Krischke Ramaswamy; Umschlaggestaltung von Meyer, Karlo
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May 2005Litora audio
Hör-CD mit nach pronuntiatus restitutus gelesenen Litora-Texten. Ca. 70 Minuten
by Müller, Hubert; Blank-Sangmeister, Ursula / Sprecher Hansen, Julia; Sprecher Jackenkroll, Michael; Herausgeber (Film oder Video) Kimmel, Frank Stefan
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April 2008Lumina audio
Hör-CD mit nach pronuntiatus restitutus gelesenen Lumina-Texten. Laufzeit: 72 Minuten
by Blank-Sangmeister, Ursula / Sprecher Jackenkroll, Michael; Sprecher Hansen, Julia; Herausgeber (Film oder Video) Kimmel, Frank Stefan; Zeichnungen von Dietmar Griese Griese Design
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March 2008Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio I
Hör-CD mit nach pronuntiatus restitutus gelesenen Intra-Texten
by Blank-Sangmeister, Ursula; Hubig, Silke; Mosebach-Kaufmann, Inge; Hille-Coates, Gabriele / Sprecher Jackenkroll, Michael; Sprecher Hansen, Julia; Herausgeber (Film oder Video) Kimmel, Frank Stefan Stefan
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January 2009Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra audio II
Hör-CD mit nach pronuntiatus restitutus gelesenen Intra-Texten
by Blank-Sangmeister, Ursula; Hille-Coates, Gabriele; Hubig, Silke; Mosebach-Kaufmann, Inge; Müller, Hubert / Redaktion Schweigert, Jutta; Sprecher Jackenkroll, Michael; Herausgeber (Film oder Video) Kimmel, Frank Stefan Stefan; Sprecher Hansen, Julia
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The ArtsJune 2021Genre and performance: film and television
by Christine Cornea
Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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October 2000Qualitative Forschung
Ein Handbuch
by Herausgegeben von Flick, Uwe; Herausgegeben von Kardorff, Ernst von; Herausgegeben von Steinke, Ines; Beiträge von Flick, Uwe; Beiträge von Kardorff, Ernst von; Beiträge von Steinke, Ines; Beiträge von Hildenbrand, Bruno; Beiträge von Willems, Herbert; Beiträge von Bergmann, Jörg R.; Beiträge von Lindner, Rolf; Beiträge von Nadig, Maya; Beiträge von Reichmayr, Johannes; Beiträge von Wolff, Stephan; Beiträge von Lincoln, Ivonna S.; Beiträge von Hitzler, Ronald; Beiträge von Eberle, Thomas S.; Beiträge von Denzin, Norman K.; Beiträge von Soeffner, Hans-Georg; Beiträge von Marotzki, Winfried; Beiträge von Bude, Heinz; Beiträge von Honer, Anne; Beiträge von Winter, Rainer; Beiträge von Gildemeister, Regine; Beiträge von Rosenstiel, Lutz von; Beiträge von Meinefeld, Werner; Beiträge von Reichertz, Jo; Beiträge von Merkens, Hans; Beiträge von Kelle, Udo; Beiträge von Erzberger, Christian; Beiträge von Hopf, Christel; Beiträge von Hermanns, Harry; Beiträge von Bohnsack, Ralf; Beiträge von Lüders, Christian; Beiträge von Harper, Douglas; Beiträge von Kowal, Sabine; Beiträge von O'Connell, Daniel C.; Beiträge von Schmidt, Christiane; Beiträge von Rosenthal, Gabriele; Beiträge von Fischer-Rosenthal, Wolfram; Beiträge von Mayring, Philipp; Beiträge von Böhm, Andreas; Beiträge von Knoblauch, Hubert; Beiträge von Luckmann, Thomas; Beiträge von Parker, Ian; Beiträge von König, Hans-Dieter; Beiträge von Matt, Eduard; Beiträge von Bauer, Martin; Beiträge von Métraux, Alexandre; Beiträge von Ohlbrecht, Heike
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May 2010Intra. Lehrgang für Latein ab Klasse 5 oder 6 / Intra Texte und Übungen I NRW
Lehrgang für Latein ab Klasse 5 oder 6
by Blank-Sangmeister, Ursula; Hille-Coates, Gabriele; Hubig, Silke; Mosebach-Kaufmann, Inge / Illustriert von akg-images GmbH Archiv für Kunst und Geschichte; Illustriert von Raurica, Augusta; Illustriert von Marti, Reto; Illustriert von Bentz, Martin; Illustriert von Römisch-Germanisches Museum; Illustriert von Schweigert, Hanna; Illustriert von Archäologisches Institut der Universität Göttingen; Illustriert von Archivi Alinari; Illustriert von Gießmann-Bindewald, Ulrike; Illustriert von Lotos Film, G.Thiem; Illustriert von Archäologische Staatssammlung Museum für Vor- und Frühgeschichte; Illustriert von Quint, Peter; Illustriert von Römische Villa Borg Herrn Gerd Schmitt; Illustriert von SCALA Istituto Fotografico Editoriale S.p.A.; Illustriert von Seiffert, Kaspar; Illustriert von Stader, Manfred; Illustriert von Kunstmuseum Bonn; Illustriert von Museum Roemervilla; Illustriert von Eidt, Markus; Illustriert von Schewe, Susanne; Illustriert von SchwabScantechnik
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsDecember 2022The cinema of Pedro Almodóvar
by Ana María Sanchez-Arce
This book offers a comprehensive film-by-film analysis of Spain's most famous living director, Pedro Almodóvar. It shows how Almodóvar's films draw on various national cinemas and genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir. It also argues that Almodóvar's work is a form of social critique, his films consistently engaging with and challenging stereotypes about traditional and contemporary Spain in order to address Spain's traumatic historical past and how it continues to inform the present. Drawing on scholarship in both English and Spanish, the book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, scholars of contemporary cinema and general readers with a passion for the films of Pedro Almodóvar.
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The ArtsJanuary 2019Contemporary Spanish cinema
by Barry Jordan, Rikki Morgan-Tamosunas
Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.
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The ArtsJanuary 2019Medieval film
by Anke Bernau, Bettina Bildhauer
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
