Final Arts&Culture Publishing was founded in 2009 as a sub-brand of Final Private Coeducational Schools. Our publishing perspective ranges from literary unique picture books to practical non-fiction titles both from global and local collections.
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Everything's Fine is a small independent press based in Manila that seeks to build a community around practices that will make publishing and bookmaking kinder and more sustainable for local authors. By treating our authors as partners, and operating with transparency throughout the bookmaking process, we hope to create the best conditions for continued creativity and productivity. Founded in 2019, we aim to publish well-made books with ambitious and thought-provoking content. As such, we choose our publications and book projects thoughtfully, keeping in mind not just what the reader seeks, but how publications can perhaps contribute to making a better world possible.
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Substantially revised and updated, this fourth edition of The UK financial system presents a comprehensive explanation of the workings of the institutions and markets which make up the UK financial system, and discusses the issues affecting them. It presents key theoretical developments such as asymmetric information, the efficient markets hypothesis, behavioural economics and the term structure of interest rates, thus providing an analytical framework to aid understanding of the institutional structure. Several case studies are provided throughout the book looking at the failure of various financial firms and the lessons that can be learned from these. Examples include Equitable Life, Barings Bank, the Bank of International Credit and Commerce (BCCI) and Long Term Capital Management. ;
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This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
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Can You Believe Your Eyes? Dorian has been living on the streets since running away from home, and has always managed to fend for himself pretty well. But when he wakes up one morning beside a dead homeless man who has evidently been murdered, Dorian panics – he can’t remember anything of what happened the previous night. Is he responsible for the man’s murder? Then a stranger appears with an unexpected offer of help, and Dorian seizes the opportunity with both hands – this is his chance to hide from the police. The stranger works with young people in need, and he takes Dorian to a villa where he is given food, new clothes and even schooling.But Dorian soon learns that you get nothing for free in this life. In return for being looked after at the villa, Dorian is expected to distribute mysterious free gifts – gifts which are very carefully sealed. And when an unexpected turn of events results in him keeping one of the gifts, he finds himself being hunted by merciless pursuers. After the international YA-bestseller Erebos, Saeculum and The Eleria-Trilogy Ursula Poznanski now presents her new thriller: Layers Awarded with the Hans-Jörg-Martin Prize 2016 for the best YA-Thriller! More information also available under: www.layers-buch.de
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— By the expert in ethical business — Once you have finished this, you will never fall for green financial lies again — Global Ethic Institute (Weltethos- Institut) network And suddenly every bank is sustainable. This truly necessary "debate book" explains in a wellfounded way what green-washing means in the financial sector, and why banks, insurance companies, asset managers, stockbrokers and other financial players clothe themselves in their allegedly so green-and-friendly cloak. It provides an easy-to-understand explanation of the various forms of greenwashing, how we can recognise the different "varieties" and – above all – how we can avoid them. This is also important because the entire financial and capital system is an important part of a sustainable future – and this can only succeed if it is honest, transparent and impact-orientated.
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"LAST CHANCE." Nika looks in the mirror one Sunday morning, feeling rather hungover, to see this message daubed on the glass. Who wrote it? And what does it mean? Where are Nika’s house keys and her phone? Where’s Jenny, her flatmate? And why does she feel so terrible this morning – surely she didn’t have that much to drink last night? It’s only when she turns on the TV and sees the morning news that Nika realises it’s not Sunday at all – it’s Tuesday. Two whole days have gone by, and she has no memory of them. During those two days something terrible must have happened. But what?With Aquila, Ursula Poznanski has produced a true psychological thriller. She tells the story almost entirely in reverse, keeping the reader on tenterhooks until the very last page. Not until the shocking twist at the end of the book do we find out what really happened to Nika during those two lost days.
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This book provides an important intervention into social reproduction theory and the politics of water. Presenting an incorporated comparison, it analyses the conjuncture following the 2007 financial crisis through the lens of water expropriation and resistance. This brings into view the way that transnational capital has made use of and been facilitated by the strategic selectivities of both the Irish and the Australian state, as well as the particular class formations that emerged in resistance to such water grabs. What is revealed is a crisis-ridden system that is marked by increasing reproductive unrest - class understood through the lens of social reproduction theory. As an important analysis of two significant water struggles, the book makes a compelling argument for integrating the study of social movements within critical political economy.
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Where do we go when Nowhere is the only destination left? Kerrybrook is Jana‘s favourite virtual escape. An idyllic fishing village with beautiful nature and, every now and then, a breeze of fresh air from the nearby sea. Jana, is this world‘s designer and person in power, she’s satisfied with her masterpiece. Best job so far. Until one day, a dead body is found, in both, ’Virtual Reality‘ and the real world. In times of climate change, VR is the only safe place for humankind. That‘s why Jana needs to solve the crime, she’s responsible for stopping the destruction. • CliFi Thriller (Climate Fiction): Climate change & virtual reality • For fans of Black Mirror (Netflix) • All age readers • Strong, female protagonist • Highly relevant topic WHITE RAVENS recommendation (2021): "In the not too distant future, the world is an inhospitable place: droughts, storms, floods. That’s why world designers construct »alternative realities«, such as landscapes populated by dinosaurs, life at court in the Middle Ages, and surfing and chilling out on a beach. People can switch between these worlds at will and, when they die there, they are not truly dead; instead, they merely return to the »real world« – same as at night when they sleep. Then they are reunited with their body, which is lying inside a capsule. In »Cryptos«, Ursula Poznanski pulls out all the stops of storytelling: She embeds numerous references to human and intellectual history in an action-packed and extremely suspenseful thriller plot. In the process, she raises central existential and ontological questions that result from the interplay between the real and the virtual worlds. This complex dystopian novel is narrated in such an enjoyable way that readers will hardly notice their brains going into overdrive as they devour it."
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Jess Rothenbergs "The Kingdom" entführt Leser in einen atemberaubenden Erlebnispark der Zukunft, in dem Träume scheinbar Wirklichkeit werden. Im Zentrum steht der Vergnügungspark "The Kingdom", eine Welt voller Wunder und Magie, in der biomechanische Lebewesen – die sieben Prinzessinnen – die Hauptattraktionen sind. Diese Wesen, an der Grenze zwischen Technologie und Menschlichkeit, sind programmiert, um den Besuchern jeden Wunsch zu erfüllen. Doch die perfekte Fassade beginnt zu bröckeln, als Prinzessin Ana, eine der Prinzessinnen, vor Gericht steht, angeklagt, einen Parkangestellten aus Liebe ermordet zu haben. Diese Anklage wirft grundlegende Fragen auf: Kann eine künstliche Intelligenz Gefühle wie Liebe empfinden? Und ist sie fähig, aus Liebe zu töten? Die Geschichte ist nicht nur ein spannender Thriller, sondern berührt auch tiefgründige Themen wie die Natur der Liebe, die Grenzen künstlicher Intelligenz und die ethischen Implikationen menschlichen Schaffens. Leser werden in eine Welt gezogen, die zugleich faszinierend und beunruhigend ist, und dazu angeregt, über die Konsequenzen nachzudenken, die unser Streben nach Perfektion und Kontrolle mit sich bringt. Atemberaubender Fantasy-Erlebnispark: Tauche ein in eine Welt, in der Träume Wirklichkeit werden, mit biomechanischen Wesen, die jeden Wunsch erfüllen. Spannender Thriller mit Tiefgang: Folge der packenden Geschichte von Prinzessin Ana, die vor Gericht steht, angeklagt einen Mord aus Liebe begangen zu haben. Aktuelle Themen in einer faszinierenden Welt: Erforsche Fragen um künstliche Intelligenz, Ethik, und die Grenzen zwischen Mensch und Technologie. Einzigartige Charaktere und Wendungen: Begegne den sieben Prinzessinnen und entdecke eine Welt voller Geheimnisse, Liebe und Verrat. Zum Nachdenken anregende Fragen: Was bedeutet es, Mensch zu sein? Kann eine Maschine Gefühle haben und moralische Entscheidungen treffen? Für Fans von Black Mirror und Westworld: Ideal für Leser, die fesselnde Geschichten über die Schattenseiten technologischer Fortschritte lieben. Romantik trifft auf Wissenschaft: Eine ungewöhnliche Liebesgeschichte in einem Setting, das Romantikfans und Technikbegeisterte gleichermaßen fesselt. Moralische Dilemmata und ethische Fragen: Ein Buch, das zum Diskutieren über Perfektion, Kontrolle und die Konsequenzen unseres Handelns einlädt.
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What if you created your own conspiracy theory - and suddenly, everyone believed in it?What happens when a party gets so out of hand that some hungover students come up with a crazy idea? On a whim, Benny and his friends invent a harebrained story about the visit of aliens. They make up a secret symbol that they spray all over town and post them under fake social media accounts. Benny, Nando, Till, Darya and Liv are mostly curious to see what will happen and if people will believe their conspiracy theory - Liv is also excited to have a topic for her bachelor's thesis in psychology. But to their own surprise, more and more people believe in the story, especially when an anonymous user called "Octavio" starts dropping mysterious hints. Benny’s attempt to clear everything up soon puts his life in danger.Bestselling author (#1 for German YA) Ursula Poznanski's new thriller is a vigilant analysis of the mechanisms of modern superstition and a shocking thriller about a prank that becomes confusing reality.
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Sam Kornberg liebt Trash-Filme, Hochliteratur und seine Frau Lala. Als die ihn verlässt, bricht für Sam eine Welt zusammen. Um sie wiederzugewinnen, ist er zum Äußersten bereit – er sucht sich einen Job. Den erstbesten, den er kriegen kann: Assistent eines Privatdetektivs. Sein Chef ist Solar Lonsky, ein kränkliches, fettleibiges Genie, das sein Haus nicht verlassen kann. Sams erster Auftrag ist die Beschattung einer mysteriösen Frau. Eigentlich muss er nichts weiter tun, als ihr durch Los Angeles zu folgen, doch schon bald verfällt er ihr hoffnungslos und wird in einen Mordfall verwickelt, in dem Satanisten, Succubi, Untergrundfilmer, Hollywoodstars und mexikanische Gangster eine nicht unbedeutende Rolle spielen. Mystery Girl ist ein Thriller über die Gefahren von Kunst und Liebe, ein Schnellkurs in »Verfall der westlichen Zivilisation« und ein durchgeknallter Trip durch L.A. Und, ach ja, es ist eine irre spannende, wahnsinnig gewiefte und brutal komische Geschichte.
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The practical quick reference book for dementia support workers, who inspire, support, and care for people with dementia in their daily lives in their own homes and in residential care. With a clear, specific, and professional approach, Sylke Werner explains the responsibilities that dementia support work entails and the forms and symptoms of dementia. She provides detailed descriptions of activities and ways of life for people with dementia, as well as work on the patient’s life story, care, and activities in the patient’s own home, care homes, and palliative care environments. Challenging behavior, the importance of care workers’ being attentive to their own needs, and legal principles are also covered in this practical handbook for dementia support workers. Target Group: Dementia support workers, geriatric nurses, activity and enrichment specialists, nursing assistants/direct care workers
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Julius Caesar presents a performance history of a controversial play, moving from its 1599 opening all the way into the new millennium with particular emphasis on its twentieth- and twenty-first-century incarnations on stage and screen. The book tracks the play's evolution from being a play about the oratorical skill of noble Romans to its recent manifestations as a dark political thriller. Chapters in this theoretically savvy and global study consider productions such as Orson Welles's groundbreaking examination of European Fascism, Joseph Mankeiwicz's Oscar winning 1953 film, politically complex productions at the Royal Shakespeare Company, and shows from around the world which interrogate their own cultural and educational context as well as pressing contemporary concerns such as the reach of mass media.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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