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Sharjah Documentation and Archives Authority
Sharjah Documentation and Archives Authority, earlier Sharjah Centre for Documentation and Research, was established by resolution no. (4) of 2010, issued by His Highness Sheikh Dr. Sultan Bin Muhammad AL Qassimi, member of the Supreme Council, the Ruler of Sharjah. In 2016, H.H. Ruler of Sharjah issued resolution no. (4) of 2016, on the establishment of Sharjah Documentation and Archives Authority. The objectives were set to collecting and preserving documents related to the emirate, as well as the development of the documentation and archive system. Furthermore, the Authority shall oversee the management of current documents and mediate documents with concerned parties. The Authority represents the local body concerned with all matters of documents and archiving and it abides by the best international standards for preserving and maintaining documents. The Authority works to strengthen cultural and historical awareness and encourage scientific researches and intellectual creativity.
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The ArtsJune 2017Gothic television
by Helen Wheatley
Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
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Literature & Literary StudiesJuly 2022Nordic Gothic
by Maria Holmgren Troy, Johan Hõglund, Yvonne Leffler, Sofia Wijkmark
Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
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Humanities & Social SciencesJune 2025Reassembling the social interior
Historical spaces from contemporary viewpoints
by Helen McCormack, Jennifer Gray, Anne Nellis Richter
At the intersection of heritage, design history and contemporary art, this book offers new perspectives on the way historical interiors are encountered by, and viewed and presented for, present-day audiences. Many studies have highlighted the historical significance and meanings embedded in the landscape, architecture, decoration and objects to be found within houses and homes. But what about the social meanings of these spaces? Central to this book is the idea that in reflecting, remaking and reimagining historical interiors, the contributions of artists, designers and craftspeople should be foregrounded in constructing ideas of authenticity, transparency, and materiality in the making process. The chapters present a range of case studies that reflect upon on how historical interiors are remade and reimagined by looking in and out; at how a reassembling of spaces ought to avoid 'a shrinking definition of the social itself' (Latour, 2005). Surveying a range of interior 'types' from a number of historical periods, the book includes contributions from practitioners, scholars and makers. From digital reconstructions of a seventeenth-century Belgian constcamer to the interior and exterior worlds of specific historical figures, including Charles Rennie Mackintosh and Beatrix Potter, the book considers how these spaces have powerful significance for contemporary audiences, particularly in ways that are relatable to shared experiences of work, leisure, family, community, power and politics. This book will be of interest to scholars of the history of interiors and collections, museology, archaeology, architectural history, art, and design history, as well as curators and caretakers of historical sites, spaces and objects.
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Literature & Literary StudiesDecember 2025The Gothic in times of crisis
by John Whatley
The Gothic in times of crisis reflects contemporary society, showing how the Gothic modes continually resets its own forms to encompass each new reality, each new apocalypse, each new plague or crisis. This collection expands oncurrent scholarship to show how the Gothic challenges our understanding of both older and recent crises and, in turn, disturbs all genre complacencies to expose and confront the problems and contradictions in what our world has been, has become, or is in danger of becoming. This collection explores Gothic's current relevance to the contestations of ideas and the underlying and visible conflicts it dramatizes across a wide range of media. In various ways, it reveals what happens to Gothic modes now they confront the increasingly Gothic realities of our times, sometimesby recalling earlier crises and ideological contestations leading up to them.
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Humanities & Social SciencesMarch 2017Cultural identities and the aesthetics of Britishness
by Dana Arnold
Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.
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Humanities & Social SciencesFebruary 2008Ireland's Magdalen laundries and the nation's architecture of containment
by James M. Smith
Ireland's Magdalen Laundries and the Nation's Architecture of Containment connects Ireland's Magdalen laundries and the nation-state's nativist politics in the post-independence era, while critically evaluating cultural representations of the Magdalen laundries that have, over the past fifteen years, recovered these institutions from the amnesia at the center of state politics. The book interrogates available archival resources, including government reports, legislative debates, and court cases, to assert that the state was always an active agent in the operation and function of the nation's Magdalen homes. The second half of the book considers a wide range of creative works that help imagine and give narrative form to the Magdalen experience: commercial, independent documentaries, photography and literary representations. Ultimately, the book contends that Ireland's Magdalen institutions chiefly exist in the public mind at the level of story (cultural representation and survivor testimony) rather than history (archival history and documentation). This fascinating study will be invaluable to those interested in Irish History, Gender History and Social History. ;
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Literature & Literary StudiesMay 2026Women’s Agency and the Gothic in Spain and the Americas
by Megan DeVirgilis, Sandra García Gutiérrez
This volume has emerged to fulfill two main purposes: Primarily, to constitute the first collaborative work that traces the relationship between the Gothic and Women in Spain and the Americas, but also, to surpass the term 'Female Gothic,' coined by Ellen Moers, by transferring the focus towards women and their agency as writers, readers and characters. This volume functions as a manifesto per se to open new avenues into understanding how women have interacted with the Gothic between the nineteenth and twenty-first centuries in Spain and the Americas. The question, we determine, is not simply about identity, but rather about agency. We define women's agency as the total capacity of characters, authors and readers to act freely within a social framework in relation to gothic texts. In our exploration of authorship, we reject the claim that the Gothic is a simplistic literary genre, instead sustaining that the plasticity of the Gothic has enabled it to survive for centuries; by shifting from a genre to a mode, it has surpassed literary forms and invaded all kinds of media: from film to music and merchandise such as clothing and pop culture collectables, fostering an authentic goth fandom.
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The ArtsDecember 2025New Basque Gothic
Trauma, screen media and transnationalism
by Rebecca Wynne-Walsh
This monograph addresses the twenty-first century upsurge in Gothic screen media emanating from the Autonomous Basque Community, Euskadi, in Northern Spain. The book focuses on online video sharing, streaming and social media platforms, demonstrating the impact of multi-national co-production and distribution on the development of Basque film production; looking to the future of regional production in the digital era. This monograph fills a critical gap, presenting Basque Gothic screen media as a regionalist challenge to national models of cinema and identity. Wynne-Walsh establishes Basque Gothic as an expression of transgenerational trauma engendered by a history of state-suppression and socio-political violence. This regional iteration of the mode is addressed as a window into community perception and projection. While this project centres a Basque case study, it establishes a model for the reimagination of critical approaches to global, twenty-first century screen cultures.
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Literature & Literary StudiesSeptember 2025Ghosts and the Gothic
by Ruth Heholt, Joanne Ella Parsons
Ghosts have long been connected with the Gothic, but until now there has not been a book dedicated to the subject. This collection examines ghostly presences (and absences) in both classic and lesser-known Gothic texts from the beginning of the genre to the present in a global context. Arguing that the undead, in the form of ghosts, are intrinsic to the Gothic mode, essays in the collection question the place of manifested spirits. The Gothic has always been 'political', and essays in this collection examine some of the most relevant issues facing us today: from the destruction of the natural environment, to questions of 'freedom', to gender politics.
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Literature: history & criticismFebruary 2017The Gothic and death
by Series edited by Elisabeth Bronfen. Edited by Carol Davison
The Gothic and death offers the first ever published study devoted to the subject of the Gothic and death across the centuries. It investigates how the multifarious strands of the Gothic and the concepts of death, dying, mourning and memorialisation ('the Death Question') - have intersected and been configured cross-culturally to diverse ends from the mid-eighteenth century to the present day. Drawing on recent scholarship in such fields as Gothic Studies, film theory, Women's and Gender Studies and Thanatology Studies, this interdisciplinary collection of fifteen essays by international scholars combines an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known. This area of enquiry is considered by way of such popular and uncanny figures as corpses, ghosts, zombies and vampires, and across various cultural and literary forms such as Graveyard Poetry, Romantic poetry, Victorian literature, nineteenth-century Italian and Russian literature, Anglo-American film and television, contemporary Young Adult fiction and Bollywood film noir.
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Literature & Literary StudiesMay 2023Suicide and the Gothic
by William Hughes, Andrew Smith
Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.
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Literature & Literary StudiesNovember 2021The gothic novel in Ireland, c. 1760–1829
by Christina Morin
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Humanities & Social SciencesJune 2017Stained glass and the Victorian Gothic revival
by Christopher Breward, Jim Cheshire, Bill Sherman
Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.
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The ArtsJune 2017Terry Gilliam
by Peter Marks
Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
