Hobby Japan Co., Ltd.
We release over 300 publications of various genres and formats every year
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Promoted Content
October 2021Hobby Horsing
Ich liebe mein Steckenpferd
by Christine Stahr
"Hobby Horsing. Ich liebe mein Steckenpferd" ist ein lebendiges und inspirierendes Buch, das Kinder in die spannende Welt des Hobby Horsings einführt. Diese Trendsportart aus Finnland kombiniert körperliche Aktivität mit kreativem Spiel und der Möglichkeit, eigene Steckenpferde zu gestalten und zu basteln. Kinder ab 6 Jahren können lernen, wie sie mit ihren Steckenpferden Dressurfiguren ausführen oder über Hindernisse springen, wodurch Sport und Gymnastik mit einer großen Portion Spaß verbunden werden. Das Buch bietet einen umfassenden Einblick in den Sport, inklusive Anleitungen zum Basteln eines eigenen Steckenpferds, und ist in enger Zusammenarbeit mit der Hobby-Horsing-Community entstanden. Es vermittelt nicht nur die Grundlagen des Sports, sondern auch dessen Faszination und Vielfältigkeit auf eine kurzweilige und interaktive Art. Einsteigerfreundlich: Ideal für Kinder ab 6 Jahren, um in die Welt des Hobby Horsings einzusteigen, mit leicht verständlichen Anleitungen und Tipps. Community-getrieben: Entwickelt mit und für Hobby-Horser, spiegelt es authentisch die Leidenschaft und Kreativität der Szene wider. Kreatives und aktives Spiel: Fördert sowohl die körperliche Aktivität durch Sport- und Gymnastikelemente als auch die Kreativität durch das Basteln von Steckenpferden. Interaktive Elemente: Mit Quiz, Pferdesteckbriefen und anderen interaktiven Aspekten, die das Lesen und Lernen unterhaltsam machen. Abwechslungsreich und bunt: Ein farbenfrohes und lebhaftes Buch, das Kinder motiviert, sich mit der Sportart auseinanderzusetzen und eigene Ideen zu entwickeln. Do-it-yourself-Idee: Inspiriert Kinder, ihr eigenes Steckenpferd zu gestalten, was das Buch zu einem besonderen Erlebnis macht. Faszination Steckenpferdreiten: Vermittelt tiefergehendes Wissen über den Sport und seine vielfältigen Möglichkeiten, weit über das reine Reiten hinaus.
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The ArtsAugust 2010Women artists between the Wars
'A fair field and no favour'
by Katy Deepwell
Starting with a critique of existing methodologies and histories of the period, this book examines the production of women artists, looking at different areas and aspects of their activities, and particularly contrasting the lives of different generations of women artists. Many of these women's names or their works are not familiar in art histories of the twentieth century. The book analyses how women artists' presence which was consistently one third of the artists in many major exhibiting groups became less than 10% of the museum purchases and in art historical texts for this period. Comparisons are made between the opportunities presented to women artists and those of their male peers in the light of considerable change and restructuring within the art world in Britain during this period, principally due to the growing influence of modernism in the art market. ;
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Literature & Literary StudiesJune 2024Rochester and the pursuit of pleasure
by Larry D Carver
Rochester and the pursuit of pleasure provides a reading of Rochester's poems, dramatic works, and letters in a biographical context. In doing so, it sheds light on a central vexed issue in Rochester criticism, the relationship of the poet to his speaker. It also reveals that Rochester's work clusters about a central theme, the pursuit of pleasure, a pursuit motivated by a courtship of purity that grew out of Rochester's Christian and God-fearing upbringing. This rhetoric of courtship, in turn, reveals the unity of Rochester's work as the courtier and his various personae try to persuade his audiences, secular and divine, of his worth.
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The ArtsMarch 1905Concerning the Spiritual in Art
by Wassily Kandinsky
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
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The ArtsJanuary 2012Art, ethnography and the life of objects
Paris, c.1925–35
by Julia Kelly, Marsha Meskimmon, Shearer West, Tim Barringer
In the 1920s and 1930s, anthropology and ethnography provided new and striking ways of rethinking what art could be and the forms which it could take. This book examines the impact of these emergent disciplines on the artistic avant-garde in Paris. The reception by European artists of objects arriving from colonial territories in the first half of the twentieth century is generally understood through the artistic appropriation of the forms of African or Oceanic sculpture. The author reveals how anthropological approaches to this intriguing material began to affect the ways in which artists, theorists, critics and curators thought about three-dimensional objects and their changing status as 'art', 'artefacts' or 'ethnographic evidence'. This book analyses texts, photographs and art works that cross disciplinary boundaries, through case studies including the Dakar to Djibouti expedition of 1931-33, the Trocadéro Ethnographic Museum, and the two art periodicals Documents and Minotaure. Through its interdisciplinary and contextual approach, it provides an important corrective to histories of modern art and the European avant-garde. ;
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Children's & YASilver Flood (1). The Mystery of Ray´s Rock
by Alex Falkner/ Torben Weit
The seven children are completely cut off from civilisation, mobile phones don’t work anymore and there’s no sign of help. Strange things happen on the island. Plants and animals grow unnaturally fast, their supplies are raided ... And as other groups of school children emerge, a life and death race begins for Eddie, Milla and their classmates to be rescued from the island. The first instalment of the ‘Silver Flood’ duology: a dangerous adventure with exciting plot twists and scare-factor. For all readers of survival and adventure stories aged 10+. Fast-paced reading for boys and girls, for outdoor kids and all those on their way! The final volume 2, GONE MISSING ON RAY’S ROCK, will be published on 7th April 2020!
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Gender studies: menNovember 2007Representing Renaissance art, c.1500–c.1600
by Catherine E. King
Representing Renaissance art, c.1500-c.1600 is a study of change and continuity in the iconographies of art and the visual representation of artists during the sixteenth century, especially in Italy and the Netherlands. The issue of how, and how far, artists obtained higher status for their profession during the Renaissance is a key question for the study of the early modern period. This book considers the maintenance of well-established traditions for the visual representation of artists, and also examines the new iconographies that emerged in the sixteenth century. By highlighting art and architecture that artists designed for their personal use, including the decoration of their houses, this study provides insight into the tastes and 'ways of looking' specific to artists. By examining the visual evidence we see the opinions both of artists who expressed their views in literary texts, and additionally those of artists who did not publish their ideas in written form.
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The ArtsJuly 2024Lifework
On the autobiographical impulse in contemporary art, writing, and theory
by Moran Sheleg
Following the critical scepticism surrounding the notion of the 'self' as a singular entity during the 1960s, many artists and writers sought to test the apparent problem posed by autobiography as both a traditional genre and as a way of working. Considering the consequent emergence of autotheory, Lifework traces this shift in artistic and literary production during the late twentieth century and beyond, examining a set of diverse practices that mine the line between what it is to make art and what it is to live life. The book's chapters connect a variety of artistic strategies that cut across medium, geography and time, uncovering how the historical marginalisation of first-person experience has taken on larger social, cultural and political implications in the contemporary moment and how the work of living might still relate to the work of art.
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Art: Financial AspectsThe rise of the modern art market in London
1850–1939
by Edited by Pamela Fletcher and Anne Helmreich
Now available in paperback for the first time, this study of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods. This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.
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The ArtsJanuary 2019Medieval film
by Anke Bernau, Bettina Bildhauer
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
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The ArtsMarch 2018Art versus industry?
New perspectives on visual and industrial cultures in nineteenth-century Britain
by Christopher Breward, Kate Nichols, Bill Sherman, Rebecca Wade, Gabriel Williams
This book is about encounters between art and industry in nineteenth-century Britain. It looks beyond the oppositions established by later interpretations of the work of John Ruskin, William Morris and the Arts and Crafts movement to reveal surprising examples of collaboration - between artists, craftspeople, designers, inventors, curators, engineers and educators - during a crucial period in the formation of the cultural and commercial identity of Britain and its colonies. Across thirteen chapters by fourteen contributors, Art versus industry? explores such diverse subjects as the production of lace, the mechanical translation of sculpture, the display of stained glass, the use of the kaleidoscope in painting and pattern design, the emergence of domestic electric lighting and the development of art and design education and international exhibitions in India.
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The ArtsFebruary 2022"I am Jugoslovenka!"
Feminist performance politics during and after Yugoslav Socialism
by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
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The ArtsDecember 2024Engendering an avant-garde
The unsettled landscapes of Vancouver photo-conceptualism
by Leah Modigliani
Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists' creation of 'defeatured landscapes' between 1968-71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership.
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The ArtsJune 2021Medieval film
by Anke Bernau, Bettina Bildhauer
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
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Humanities & Social SciencesJune 2023
Border images, border narratives
The political aesthetics of boundaries and crossings
by Johan Schimanski, Jopi Nyman
This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.
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Literature & Literary StudiesOctober 2012Art and Literature of the Second Empire
by David Baguley
This volume explores the characteristics of the art and literature of the Second Empire in France; it examines the attitudes and positioning of artists and writers of the period in relation to a regime of dubious legitimacy, and the ways in which that regime exploited to its advantage the artistic capital available to it. ;
