Publishing house from Spain working since 2015. We publish all kind of books and lately we are trying to improve our non-fiction line. Here we would like to show a very small sample of our books, for the complete catalogue, please visit us here. Open to new proposals, business and dreams.
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Justifying (in)justice reveals how processes of ignorance are vital to legitimising punitive and discriminatory criminal justice policy and practices. Focusing on the state's startlingly harsh response to the English 'riots' of 2011, the book draws together unique insights from interviews with prosecutors, sentencers, defence lawyers and policymakers at the heart of the response, alongside analysis of media and political debates. Peacock explores the forms of unknowing that were mobilised to justify and normalise the harsh and inequitable punishment of the 'rioters', from amnesia about police racism and Britain's long history of unrest, to widespread denial about the violence of the prison system. Looking to recent events in Britain and beyond, the book offers timely insight into the cultural processes underpinning the punitive systems that disproportionately harm marginalised and racially minoritised communities.
Cue & Cut is a 'practical approach to working in television studios' for anyone who might want to work in that medium. It's full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTV The book is firmly based in first-hand teaching experience and experience of producing, direction, floor managing (and so on) and on working with top flight Actors, Writers, Musicians, Designers of all disciplines and Sound and Camera crews, both at the BBC and in ITV. The book will certainly cover multi-camera aspects of Undergraduate, HND and B.Tech courses and should be useful to those on short courses, whether practical or post-graduate.
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Cue & Cut is a 'practical approach to working in television studios' for anyone who might want to work in that medium. It's full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTV The book is firmly based in first-hand teaching experience and experience of producing, direction, floor managing (and so on) and on working with top flight Actors, Writers, Musicians, Designers of all disciplines and Sound and Camera crews, both at the BBC and in ITV. The book will certainly cover multi-camera aspects of Undergraduate, HND and B.Tech courses and should be useful to those on short courses, whether practical or post-graduate.
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Despite the scholarship and political activism devoted to keeping the memory of the Paris Commune alive, there still remains much ignorance both in France and elsewhere, about the traumatic civil war of 1871; some 20,000 to 35,000 people were killed on the streets of Paris in just the final week of the conflict. Colette Wilson identifies a critical blind-spot in French studies and employs new critical approaches to neglected texts, marginalised aspects of the illustrated press, early photography and a selection of novels by Emile Zola. This book will be of interest to students and academics studying France in the nineteenth century from a number of different perspectives war and revolution studies, cultural studies, history and cultural memory, literature, art history, photography, the illustrated press, city studies and human geography. The book will appeal equally to all lovers of Paris who wish to know and understand more about the city's turbulent past. ;
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Despite the scholarship and political activism devoted to keeping the memory of the Paris Commune alive, there still remains much ignorance both in France and elsewhere, about the traumatic civil war of 1871; some 20,000 to 35,000 people were killed on the streets of Paris in just the final week of the conflict. Colette Wilson identifies a critical blind-spot in French studies and employs new critical approaches to neglected texts, marginalised aspects of the illustrated press, early photography and a selection of novels by Emile Zola. This book will be of interest to students and academics studying France in the nineteenth century from a number of different perspectives war and revolution studies, cultural studies, history and cultural memory, literature, art history, photography, the illustrated press, city studies and human geography. The book will appeal equally to all lovers of Paris who wish to know and understand more about the city's turbulent past.
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Conducting a Lacanian-inspired psychoanalysis of some of the most candid interview materials ever gathered from former IRA members and loyalists, the author demonstrates through a careful examination of their slips of the tongue, jokes, rationalisations and contradictions, that it is the unconscious dynamics of socio-ideological fantasy, i.e. the unconscious pleasure people find in suffering, domination, submission, ignorance, failure and rivalry over jouissance, that lead to the reproduction of antagonism between the Catholic and Protestant communities in Northern Ireland. In the light of this, he concludes that traditional approaches to conflict resolution which overlook the unconscious are doomed to failure and that a Lacanian psychoanalytic understanding of socio-ideological fantasy has great potential for informing the way we understand and study all inter-religious and ethnic conflicts. Whether you find yourself agreeing with the arguments in this book or not, you are sure to find it a welcome change from both the existing, mainly conservative, analyses of the Northern Ireland conflict and traditional approaches to conflict resolution.
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We moderns were the inhabitants of an age of impetuous forward movement and voracious discontent. Our main virtue was to increase our reach. Increasing our having and accelerating our being were the signposts towards the future. We just could not get enough. Using the blinkers of ignorance and self-anaesthesia, however, we managed to forget the tremendous costs incurred by this intoxication. Now disillusionment has set in. We look to the future with anxiety. We know that we have long since crossed a line and that a revision of our lifestyle is imminent. We have a bad feeling, and doubts about progress often give way to anger and rebellion. Which stocks of the modern narrative should we defend; which would we do better to let go? How will we even "be able to stop"? The path to a different society needs an attractive goal, because without the prospect of a different, better life, we will not move forward. We should start practising immediately. There is no time to lose.
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Our lives and daily routine are full of science. But when it comes to gravity or quantum theory, DNA or black holes, a great many people feel like scientific illiterates – and indeed they are. “I don’t understand it anymore”, many say. Too many, according to Ernst Peter Fischer. His mission is to reawaken our curiosity with his exciting and challenging appeal to appreciate how important, fascinating and lively science is. Do we really want to be immature about science? Fischer’s book is an endeavour so the light of scientific reason can finally shine brightly.
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