Hobby Japan Co., Ltd.
We release over 300 publications of various genres and formats every year
View Rights PortalWe release over 300 publications of various genres and formats every year
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View Rights PortalIn 'Digging up stories', James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or 'story' is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss: - participatory theatre in refugee camps - theatre workshop and stories of a massacre - traditional dance-dramas in an insurgent controlled village - 'Forum' theatre with the Mahabharata - ethical issues - the struggle to teach the author to dance 'Digging up stories' documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson's research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting. ;
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
»Das Japan, von welchem diese Geschichten erzählen, existiert heute nicht mehr. Die Ideale, auf welchen der Bau jener überaus kraftvollen, dabei so schönheitsfrohen Kultur errichtet war, sind heute zum Teil schon veraltet und vergessen, zum Teil bestehen sie noch als Reste der Vergangenheit, deren Macht täglich mehr schwindet. … Die Geschichten unsres Buches zeigen das alte, vergangene, schöne Japan, wie es einmal war, das Japan der adligen, kriegerischen, aristokratischen Ideale.« Hermann Hesse
Die vorliegende Arbeit gilt in Japan seit ihrer Veröffentlichung im Jahre 1957 als eine der wichtigsten kritischen Untersuchungen der intellektuellen Struktur des modernen Japan und ist gleichzeitig selbst ein bedeutendes Dokument der japanischen Geistesgeschichte nach dem Kriege.
In the new world order mapped out by Japanese and Western imperialism in East Asia after the mid-nineteenth century opium wars, communities of merchants and settlers took root in China and Korea. New identities were constructed, new modes of collaboration formed and new boundaries between the indigenous and foreign communities were literally and figuratively established. Newly available in paperback, this pioneering and comparative study of Western and Japanese imperialism examines European, American and Japanese communities in China and Korea, and challenges received notions of agency and collaboration by also looking at the roles in China of British and Japanese colonial subjects from Korea, Taiwan and India, and at Chinese Christians and White Russian refugees. This volume will be of interest to students and scholars of the history and anthropology of imperialism, colonialism's culture and East Asian history, as well as contemporary Asian affairs.
Im August 1945 lag das japanische Kaiserreich am Boden zerstört und hatte keine andere Wahl, als sich in die (fast) bedingungslose Kapitulation zu fügen. 50 Jahre später, am Ende des 20. Jahrhunderts, stand Japan im Zenit seines wirtschaftlichen Erfolges, und die USA, ebenso wie Europa, sah sich erneut der »japanischen Herausforderung« ausgesetzt. Wie war dieser welthistorisch so bemerkenswerte Aufstieg im Schatten des Siegers möglich? Was sind seine kulturellen, politischen und sozialen Grundlagen?
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
This textbook covers over three centuries of British business history from 1720 to the present day. Wilson argues that company culture has been the most important component in the evolution of business organisations and management practices. The influence of business culture on firms' structure, sources of finance, and the background and training of senior managers are investigated to show its pivotal importance in determining business performance. The book also examines how British business adapted to changing economic, institutional and socio-cultural environments yet failed to develop the kind of managerial hierarchies typified by American and German corporations. Wilson uses an extensive number of case studies to support his conclusions. The book covers the subject chronologically with an extra chapter comparing Britain's experience with the USA, Germany and Japan. ;
One wrong word, one perceived insult – a small matter may begin a chain of events resulting in tragedy. This was the case with Anothai S., who died in a brawl in Hamburg in September 2014. A quote from the circumstances of this death, reconstructed by Bruno Schrep for the SPIEGEL magazine, has given this book its title. “At Night, Everyone is an Enemy” compiles true stories of people who have been torn from their normal lives and plunged into despair from one moment to the next. In one case, it is a rumour that destroys all plans – the accusation of having abused children. Likewise, the information that your father and mother, who raised you, are not your biological parents, can turn your life upside down. And many an accident destroys not only the life of the victim, but also that of the person who caused the accident. As an accurate observer, Bruno Schrep describes human tragedies with empathy, but also with a keen eye for structural problems.
A bold, new history of British Jewish life since the Second World War. Historian Gavin Schaffer wrestles Jewish history away from the question of what others have thought about Jews, focusing instead on the experiences of Jewish people themselves. Exploring the complexities of inclusion and exclusion, he shines a light on groups that have been marginalised within Jewish history and culture, such as queer Jews, Jews married to non-Jews, Israel-critical Jews and even Messianic Jews, while offering a fresh look at Jewish activism, Jewish religiosity and Zionism. Weaving these stories together, Schaffer argues that there are good reasons to consider Jewish Britons as a unitary whole, even as debates rage about who is entitled to call themselves a Jew. Challenging the idea that British Jewish life is in terminal decline. An unorthodox history demonstrates that Jewish Britain is thriving and that Jewishness is deeply embedded in the country's history and culture.
How Japanese is Ishiguro? What role does memory and unreliability play in his narratives? Why was The Unconsoled (1995) perceived to be such a radical break from the earlier novels?. The first complete study to consider all of Ishiguro's work from A pale view of the hills (1982) to When we were Orphans (2000), including his short stories and television plays. Explores the centrality of dignity and displacement in Ishiguro's vision, and teases out the connotations of home and homelessness in his fictions. Invaluable for students at all levels, especially as The Remains of the Day by Ishiguro is a set text at GCSE and A Level. ;
Even at a primary school age, children can suffer from anxiety and stress with symptoms ranging from feeling tense to problems concentrating or sleeping. The stories of Captain Nemo help children relax and learn to let go of their anxiety and restlessness. The relaxation stories, written for children ages 5-12, can be either read aloud to the child or by the children themselves. The main character, Captain Nemo, invites the children to come along for his adventures on his submarine the Nautilus. The stories take the children to visit a coral forest, ride a giant tortoise, or explore the lost city of Atlantis. Through the stories, the children learn strategies to calm themselves and relax which they can then re-use in difficult situations in their daily lives. This widely successful book can be used at home, by teachers, social workers, school psychologists, child and adolescentpsychotherapists, and psychiatrists. For:• child and adolescent psycho-therapistsand psychiatrists,social workers, school psychologists,teachers, parents
This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.
Narrative art Narrating is an art that is gifted to everyone. Narrative, for Hermann Bausinger, begins from the moment we wait together for the bus. When we complain of it being late again and the stories that emerge about travel by bus. The well-known cultural academic is also luckily a gifted narrator. His book is an extremely vivid and descriptive account of the multiple varieties of narrative. He takes us into the rich world of storytelling of fairy tales and fables, invoking the wit of language, focusing on narrative theory and the special significance of narrative in the online age. Full of variety and wonderful examples, Bausinger lets the narrative, and the stories shine. Because for him storytelling, our relationship with language, is what defines us as human beings.