Buttercup Publishing, a UK-based publishing company, is a distinguished and prominent name in the publishing industry. We work towards our mission of 'cultivating reading habits' in children, with our distinctive and exceptional range of books, available for different age groups.
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Karl Dedecius, 1921 in Lodz geboren, galt als bedeutendster Mittler polnischer Literatur und Kultur in Deutschland. Als Übersetzer hunderter Bücher, Autor zahlloser Reden und Aufsätze, Herausgeber der Polnischen Bibliothek, Gründer des Deutschen Polen-Instituts in Darmstadt wurde er vielfach gewürdigt und ausgezeichnet, u.a. mit dem Friedenspreis des Deutschen Buchhandels (1990), dem Orden des Weißen Adlers (1999) in Polen und dem Deutschen Nationalpreis (2010). Karl Dedecius starb am 26. Februar 2016 im Alter von 94 Jahren in Frankfurt am Main. Karl Dedecius, 1921 in Lodz geboren, galt als bedeutendster Mittler polnischer Literatur und Kultur in Deutschland. Als Übersetzer hunderter Bücher, Autor zahlloser Reden und Aufsätze, Herausgeber der Polnischen Bibliothek, Gründer des Deutschen Polen-Instituts in Darmstadt wurde er vielfach gewürdigt und ausgezeichnet, u.a. mit dem Friedenspreis des Deutschen Buchhandels (1990), dem Orden des Weißen Adlers (1999) in Polen und dem Deutschen Nationalpreis (2010). Karl Dedecius starb am 26. Februar 2016 im Alter von 94 Jahren in Frankfurt am Main.
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Justifying (in)justice reveals how processes of ignorance are vital to legitimising punitive and discriminatory criminal justice policy and practices. Focusing on the state's startlingly harsh response to the English 'riots' of 2011, the book draws together unique insights from interviews with prosecutors, sentencers, defence lawyers and policymakers at the heart of the response, alongside analysis of media and political debates. Peacock explores the forms of unknowing that were mobilised to justify and normalise the harsh and inequitable punishment of the 'rioters', from amnesia about police racism and Britain's long history of unrest, to widespread denial about the violence of the prison system. Looking to recent events in Britain and beyond, the book offers timely insight into the cultural processes underpinning the punitive systems that disproportionately harm marginalised and racially minoritised communities.
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Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage.
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Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage.
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Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
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Love and anti-Judaism is a new examination of medieval romance for the questions it poses of the most significant events in Christian history. Providing new readings of Sir Gawain and the Green Knight, Sir Orfeo, Sir Gowther and Sir Amadace, the book argues that romance explores depictions of love-and the sacrifices it may necessitate-in the Hebrew Bible, especially where they do not easily fit into interpretations asserting that this history must prefigure Christ and the crucifixion. An examination of anti-Judaism as a discourse of violence and desire that could be turned inwardly to expose the irresolution in Christianity, this book will provoke new investigations into the religious crises of medieval romance.
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Not a single soul as far as the eye can see. Just sea, cliffs and the beach. And a lighthouse. It’s a wondrously beautiful place – not that Airin has a chance to enjoy it. The lighthouse has been converted into a cosy living space available for rent, and 24-year-old Airin has to look after the property while at the same time running her own bed and breakfast in Castledunn. It’s a lot of work for one person, but normally everything runs smoothly. Until Joshua, the nephew of the lighthouse owner, moves in. Arrogant and priggish, he complains ceaselessly about everything. Airin feels like strangling him. Or kissing him. Who cares, just as long as he stops talking! 16+ years The third volume of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately! Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
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Take Some Time Out! The headline grabs Liv’s attention as she browses, depressed, through the job ads. Although she’s only 22 and just starting out in journalism, a recent disastrous interview cost her a new job. The ad sounds like a dream come true: someone needs a house-sitter to mind a lighthouse on the Irish coast for six months! Taking time out is exactly what Liv needs to clear her head and recharge her batteries. She sends off her application and a few weeks later finds herself standing in front of her new home. Next to a good-looking Irishman who makes her heart beat faster. She doesn’t know it yet, but he’ll break her heart, too… 16+ years The beginning of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately. Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
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After a terrible blow of fate throws her life into confusion, Seanna needs desperately to get away from it all. She’s come to the village of Castledunn in the hope of getting her life back in order. The wild countryside of Ireland’s west coast and the slow pace of rural life give her new energy. Her job behind the bar in the village’s only pub provides a comforting sense of routine. Then the pub changes hands, bought by the attractive, but stubborn Neall Kennan, who throws Seanna’s feelings into turmoil. Not only is she attracted to him, she’s also reminded of her own past. It’s more than Seanna can bear. 16+ years The second volume of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately! Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
