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    • Trusted Partner
      European Film Noir
      The Arts
      January 2019

      European Film Noir

      by Andrew Spicer

      European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

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      Medieval film
      The Arts
      June 2021

      Medieval film

      by Anke Bernau, Bettina Bildhauer

      Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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    • Trusted Partner
      Medieval film
      The Arts
      January 2019

      Medieval film

      by Anke Bernau, Bettina Bildhauer

      Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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    • Trusted Partner
      Does Movement Really Make Us Smart?

      Does Movement Really Make Us Smart?

      by Petra Jansen, Stefanie Richter

      Media reports often praise movement as a cure-all. But apart from its undisputed positive effect on health, does movement really make us smarter? Consider a national football team, for example – are these excessively sports-driven players automatically the smartest people? Should we simply replace all school subjects with sports? The authors provide a detailed summary of the latest scientific findings on the influence of movement on cognitive ability. They describe the effects of movement, on old age, embodiment, emotion, school as well as other factors that influence cognition. Target Group: teachers, lecturers, psychologists, psychiatrists, neurologists, psychotherapists, movement therapists.

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    • Trusted Partner
      Realist film theory and cinema
      The Arts
      January 2019

      Realist film theory and cinema

      The nineteenth-century Lukácsian and intuitionist realist traditions

      by Ian Aitken

      'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.

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    • Trusted Partner
      Lukácsian film theory and cinema
      The Arts
      June 2021

      Lukácsian film theory and cinema

      A study of Georg Lukács' writing on film 1913–1971

      by Ian Aitken

      Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).

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    • Trusted Partner
      Consumerism and the Co-operative movement in modern British history
      Humanities & Social Sciences
      May 2009

      Consumerism and the Co-operative movement in modern British history

      Taking stock

      by Lawrence Black, Nicole Robertson

      Despite the abundance and quality of recent historical writing on consumerism, it cannot be said that the modern Co-operative movement (Co-op) has been well served. It has also been by-passed in studies that locate Britons' identity in their consumption. The reasons for this can be found in the widely perceived decline of the Co-op since the 1950s, but also in various historiographical agendas that have resulted in its relative invisibility in modern British history. This book, by demonstrating the variety of broader issues that can be addressed through the Co-op and the vibrancy of new historical research into consumption, seeks to remedy this. Taking stock, both of the Co-op in a broader context and of new approaches to the history of consumption, combines the work of leading authorities on the Co-op with recent scholarly research. It explores the Co-op's distinctive interface between everyday issues and grander idealistic concerns. The chapters intersect to examine a broad range of themes, notably: the politics of consumerism including consumer protection, ethical and fair trading and alternatives to corporate commerce; design and advertising; the Co-op's relations with other components of the labour movement; and its ideology, image and memory. The collection looks at the Co-operative movement locally (through specific case studies), nationally and also in comparison to the European movement. This collection will appeal to academics, researchers, teachers and students of the economic, cultural and political history of twentieth-century Britain. It will also be of interest to academics and students of business studies, and co-operative members themselves. ;

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    • Trusted Partner
      The labour movement in Lebanon
      Business, Economics & Law
      February 2022

      The labour movement in Lebanon

      by Lea Bou Khater, Simon Mabon

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    • Trusted Partner
      Women art workers and the Arts and Crafts movement
      Humanities & Social Sciences
      February 2022

      Women art workers and the Arts and Crafts movement

      by Zoë Thomas, Lynn Abrams

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    • Trusted Partner
      Picturing the Western Front
      Humanities & Social Sciences
      August 2023

      Picturing the Western Front

      Photography, practices and experiences in First World War France

      by Beatriz Pichel

      Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.

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    • Trusted Partner
      Frau an der Front
      April 2012

      Frau an der Front

      Ein Bericht

      by Alaine Polcz, Laszlo Kornitzer

      Klausenburg/Siebenbürgen, März 1944. Die Stadt, die seit kurzem wieder ungarisch Kolozsvár heißt, ist von den Deutschen besetzt, Deportationen sind in vollem Gang. Alaine, Kind aus einer ungarisch-protestantischen Familie, versucht, jüdischen Bekannten zu helfen. Sie ist ein offenes, unerschrockenes junges Mädchen, verliebt in János, mit dem sie sich im Herbst, als die Front naht, zur Flucht entschließt. Westlich von Budapest gerät die kleine Flüchtlingsgruppe mitten in die ungarisch-deutsch-russischen Kriegshandlungen hinein. János wird von Rotarmisten abgeführt, Alaine fällt der systematischen Vergewaltigung zum Opfer. Was ihr widerfuhr und wie sie überlebt hat, darüber kann sie erst Jahrzehnte später sprechen. Als das Buch 1991 erschien, löste es ungläubiges Entsetzen aus. In elf Sprachen übersetzt, zählt es heute zu den bedeutendsten Lebenszeugnissen von Frauen aus den Jahren des Zweiten Weltkriegs in Mitteleuropa.

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    • Trusted Partner
      Film audiences
      The Arts
      December 2022

      Film audiences

      by Bridgette Wessels, Peter Merrington, Matthew Hanchard, David Forrest, the Beyond the Multiplex Team

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    • Trusted Partner
      Counterfactual Romanticism
      Literature & Literary Studies
      May 2023

      Counterfactual Romanticism

      by Damian Walford Davies

      Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.

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    • Trusted Partner
      The futures of feminism
      Humanities & Social Sciences
      March 2021

      The futures of feminism

      by Valerie Bryson

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    • Trusted Partner
      The cultural politics of contemporary Hollywood film
      The Arts
      January 2019

      The cultural politics of contemporary Hollywood film

      by Chris Beasley, Heather Brook

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    • Trusted Partner
      Surrealism and film after 1945
      The Arts
      July 2024

      Surrealism and film after 1945

      by Kristoffer Noheden, Abigail Susik

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    • Trusted Partner
      On the far Western front
      Humanities & Social Sciences
      April 2010

      On the far Western front

      Britain's First World War in South America

      by Phillip A. Dehne

      This book uncovers a forgotten campaign of the First World War, the fight to dominate South America. Propelled by the fear of British businessmen, Britain created a complex economic war against local Germans, with the aim of permanently overturning German dominance in lucrative avenues of international trade. By utilizing archives in Britain and South America, Dehne produces a lively account of the way the campaign was conducted on both sides of the Atlantic. This book will persuade anyone interested in the First World War that the conflict must be examined beyond the battlefields of Europe. It comprises a significant contribution to the new field of the history of globalization, and it will appeal to anyone interested in the economic, diplomatic, and imperial history of the twentieth century. Suggesting new reasons for the emergence of anti-foreign populism in South American states, it will also be of interest to Latin American history students. ;

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    • Trusted Partner
      The Encyclopedia of British Film
      The Arts
      March 2021

      The Encyclopedia of British Film

      by Brian McFarlane, Anthony Slide

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