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National Academies Press
The National Academies Press (NAP)publish the reports of the National Academies of Sciences, Engineering and Medicine. They published more than 200 books a year on a wide range of topics.
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Promoted Content
Humanities & Social SciencesApril 2016Debating nationhood and government in Britain, 1885–1939
by Duncan Tanner, Chris Williams, Andrew Edwards, W.P. Griffith
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Promoted Content
Literature & Literary StudiesFebruary 2024Literatures of the Hundred Years War
by Daniel Davies, R. D. Perry
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Trusted Partner
Art treatments & subjectsAugust 2009Understanding the politics of heritage
by Rodney Harrison
Written by an interdisciplinary team of scholars, this authoritative text presents an engaging narrative of the way politics features in heritage conservation and management. New international case studies illustrate how notions of identity, social class and nationhood may be woven into the provision of official heritage, and how heritage may be seen to be less about upholding truth or authenticity and more about delivering political objectives. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
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Trusted Partner
Humanities & Social SciencesSeptember 2018Race and the Yugoslav region
Postsocialist, post-conflict, postcolonial?
by Catherine Baker, Gurminder Bhambra
This is the first book to situate the territories and collective identities of former Yugoslavia within the politics of race - not just ethnicity - and the history of how ideas of racialised difference have been translated globally. The book connects critical race scholarship, global historical sociologies of 'race in translation' and south-east European cultural critique to show that the Yugoslav region is deeply embedded in global formations of race. In doing this, it considers the everyday geopolitical imagination of popular culture; the history of ethnicity, nationhood and migration; transnational formations of race before and during state socialism, including the Non-Aligned Movement; and post-Yugoslav discourses of security, migration, terrorism and international intervention, including the War on Terror and the present refugee crisis.
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Trusted Partner
Humanities & Social SciencesApril 2022A new naval history
by Quintin Colville, James Davey, Katherine Parker, Elaine Chalus, Evan Wilson, Barbara Korte, Cicely Robinson, Cindy McCreery, Ellie Miles, Mary A. Conley, Jonathan Rayner, Daniel Spence, Emma Hanna, Ulrike Zimmerman, Max Jones, Jan Rüger
A New Naval History brings together the most significant and interdisciplinary approaches to contemporary naval history. The last few decades have witnessed a transformation in how this field is researched and understood and this volume captures the state of a field that continues to develop apace. It examines - through the prism of naval affairs - issues of nationhood and imperialism; the legacy of Nelson; the socio-cultural realities of life in ships and naval bases; and the processes of commemoration, journalism and stage-managed pageantry that plotted the interrelationship of ship and shore. This bold and original publication will be essential for undergraduate and postgraduate students of naval and maritime history. Beyond that, though, it marks an important intervention into wider historiographies that will be read by scholars from across the spectrum of social history, cultural studies and the analysis of national identity.
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Trusted Partner
The ArtsFebruary 2019Contemporary Korean cinema
Culture, identity and politics
by Hyangjin Lee
The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
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Trusted Partner
Film theory & criticismDecember 2014Cinematic countrysides
by Edited by Robert Fish
Recent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.
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Trusted Partner
Humanities & Social SciencesMarch 2017Acts of supremacy
by Richard Cave, Brendan Gregory, Michael Pickering, J. Bratton
At the height of the British Empire's fortunes, the stage represented the most influential form of popular entertainment. Acts of supremacy looks at the way in which this medium was utilised to mould popular concepts of empire and nationhood and the authors convey the significance of all levels of entertainment in shaping English identity and perception of other ethnic groups. The authors go beyond the traditional interpretation of politicians' blatant inculcation of patriotic fervour through plays and jingoistic songs. Additionally, they reveal the complex cultural negotiations that gave ordinary people a sense of their part in the imperial structure. Focusing upon minstrel shows, melodramas, comic routines and songs, the book shows that the public were encouraged to identify themselves with and to internalise the qualities required for empire builders and natural leaders. It concludes that the average British man, whatever his class or country, could come to think of himself as a member of a superior race fit to rule the world. Only Irish drama of the period significantly challenged this pattern. Acts of supremacy should be of interest to students of drama and cultural history as well as social and political historians.
