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We combine gadgets and books together and created a new fairy tale world, involving children in an extraordinary adventure
View Rights PortalWe combine gadgets and books together and created a new fairy tale world, involving children in an extraordinary adventure
View Rights PortalThe National Academies Press (NAP)publish the reports of the National Academies of Sciences, Engineering and Medicine. They published more than 200 books a year on a wide range of topics.
View Rights PortalA moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism. Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestoes of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance. Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the dark, he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death. Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.
A rich and revealing examination of the legendary pop duo Soft Cell. Soft Cell are not your average pop band. Marc Almond and Dave Ball may be best known for the string of hits they released in 1981, but the powerful first phase of their collaboration embraced a staggering array of sounds, influences and innovations that would change the face of music to come. In Bedsit land, Patrick Clarke plunges into the archives and interviews more than sixty contributors, including the band members themselves, to follow Soft Cell through the many strange and sprawling worlds that shaped their extraordinary career. They lead him from the faded camp glamour of the British seaside to the dizzying thrills of the New York club scene. From transgressive student performance art to the sleaze and squalor of pre-gentrified Soho. From the glitz of British showbiz to the drug-addled chaos of post-Franco Spain. He emerges on the other side with the most in-depth, innovative and entertaining account of the duo ever written.
From the late 1800s to the early 1900s, Australian settler colonists mobilised their unique settler experiences to develop their own vision of what 'empire' was and could be. Reinterpreting their histories and attempting to divine their futures with a much heavier concentration on racialized visions of humanity, white Australian settlers came to believe that their whiteness as well as their Britishness qualified them for an equal voice in the running of Britain's imperial project. Through asserting their case, many soon claimed that, as newly minted citizens of a progressive and exemplary Australian Commonwealth, white settlers such as themselves were actually better suited to the modern task of empire. Such a settler political cosmology with empire at its center ultimately led Australians to claim an empire of their own in the Pacific Islands, complete with its own, unique imperial governmentality.
Apfelbäume, so weit das Auge reicht, idyllische Fachwerkdörfer hinter dem Deich und am Horizont die Elbe: Das Alte Land ist eine uralte Kulturlandschaft am Wasser, die ihren eigenen Charakter bewahrt hat. Prächtige Bauernhöfe und Backsteinkirchen mit kostbaren Barockorgeln zeugen noch heute vom frühen Wohlstand der Altländer. Birgit Haustedt erzählt von den Anfängen im Mittelalter, von Deichbau und Sturmfluten, vom Alltag der kleinen Leute und von großer Handwerkskunst, von stolzen Bauern und mutigen Schiffern. Dazu ein Exkurs, welche Rolle das Alte Land in Lessings Leben und Goethes Faust spielte.
The labour movement in Lebanon: Power on hold narrates the history of the Lebanese labour movement from the early twentieth century to today. Bou Khater demonstrates that trade unionism in the country has largely been a failure, for reasons including state interference, tactical co-optation, and the strategic use of sectarianism by an oligarchic elite, together with the structural weakness of a service-based laissez-faire economy. Drawing on a vast body of Arabic-language primary sources and difficult-to-access archives, the book's conclusions are significant not only for trade unionism, but also for new forms of workers' organisations and social movements in Lebanon and beyond. The Lebanese case study presented here holds significant implications for the wider Arab world and for comparative studies of labour. This authoritative history of the labour movement in Lebanon is vital reading for scholars of trade unionism, Lebanese politics, and political economy.
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
On 25 January 1474, Charles the Bold, duke of Burgundy, appeared before his subjects in Dijon. Robed in silk, gold and precious jewels and wearing a headpiece that gave the illusion of a crown, he made a speech in which he cryptically expressed his desire to become a king. Three years later, Charles was killed at the battle of Nancy, an event that plunged the Great Principality of Burgundy into chaos. This book, innovative and essential, not only explores Burgundian history and historiography but offers a complete synthesis about the nature of politics in this region, considered both from the north and the south. Focusing on political ideologies, a number of important issues are raised relating to the medieval state, the signification of the nation under the 'Ancien Regime', the role of warfare in the creation of political power and the impact of political loyalties in the exercise of government. In doing so, the book challenges a number of existing ideas about the Burgundian state.
Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.
Land and labour provides the first full-length history of the Potters' Emigration Society, the controversial trade union scheme designed to solve the problems of surplus labour by changing workers into farmers on land acquired in frontier Wisconsin. The book is based on intensive research into British and American newspapers, passenger lists, census, manuscript, and genealogical sources. After tracing the scheme's industrial origins and founding in the Potteries, it examines the migration and settlement process, expansion to other trades and areas, and finally the circumstances that led to its demise in 1851. Despite the Society's failure, the history offers unique insight into working-class dreams of landed independence in the American West and into the complex and contingent character of nineteenth-century emigration.
In Straight Nation, Pavan Mano reveals the logic of straightness that sits at the heart of postcolonial nationalism in Singapore. Mano rejects the romantic notion of the nation as a haven of belonging, showing it to be a relentless force that is allied with heteronormativity to create a host of minoritized and xenologized figures. Through meticulous exploration and close reading of a swathe of texts, Mano unveils the instrumental role of sexuality in structuring the national imaginary. The book adroitly demonstrates how queerness is rendered foreign in postcolonial Singapore and functions alongside technologies of "race", gender, and class. A provocative critique of narrow contemporary identity politics and its concomitant stymying of a more ambitious political critique, Straight Nation sets out an argument that moves beyond the negativity of traditional critique into a space of (re)thinking, (re)building and (re)imagining.
Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
This book sets out to answer what it means to hold a formal title as one of the eight 'Arctic states'; is there such a thing as an Arctic state identity, and if so, what does this mean for state personnel? It charts the thoughtful reflections and stories of state personnel from three Arctic states: Norway, Iceland, and Canada, alongside analysis of documents and discourses. This book shows how state identities are narrated as both geographical and temporal - understood through environments, territories, pasts and futures - and that any identity is always relational and contextual. As such, demonstrating that to understand Arctic geopolitics we need to pay attention to the people whose job it is to represent the state on a daily basis. And more broadly, it offers a 'peopled' view of geopolitics, introducing the concept and framework of 'state identity'.
Edward Bond wurde 1934 in der Londoner Vorstadt Holloway geboren. 1956 schrieb er erste Gedichte und Stückentwürfe und trat 1960 einer Dramatikergruppe um John Osborne, Arnold Wesker und John Arden bei. 1962 wurde Bonds erstes Stück, The Pope's Wedding (Die Hochzeit des Papstes), in London uraufgeführt. Sein zweites Theaterstück, Saved (Gerettet), provozierte einen der größten Skandale der britischen Theatergeschichte: Das Stück wurde kurz nach seiner Premiere im November 1965 im Royal Court Theatre aufgrund von expliziter Gewaltdarstellung von der Zensur verboten. Die sich anschließende Diskussion um Freiheit der Kunst bewirkte 1968 das Ende der britischen Theaterzensur. Große Erfolge wurden Anfang der 1970er Jahre seine Lear-Bearbeitung und das Stück The Sea (Die See). In den kommenden Jahrzehnten zahlreiche Stücke, Opernlibretti für Hans Werner Henze, Arbeit an Theatern, für den Film (u.a. Mitarbeit am Drehbuch zu Antonionis Film Blow up) und das Fernsehen. Edward Bond lebt in der Nähe von Cambridge. Brigitte Landes, geboren 1946 in Frankfurt/Main. Sie arbeitet freiberuflich als Dramaturgin, Regisseurin und Autorin.
Presenting a case study of British colonial rule and its aftermath in Sri Lanka, this book explores the collision of competing ontologies in the making of the modern state system. It develops a decolonial theoretical framework informed by the idea of a 'pluriverse' to reveal the empirical and imperial avenues through which the idea of the modern/colonial state became normalised in Ceylon. The book contributes to three areas of scholarly discussion: the politics of ontology as related to sovereignty, postcolonial and decolonial international relations, and globalisation through the colonial encounter. It argues that in order to understand contemporary postcolonial crises rooted in territorial conflicts, we must first understand the historical and conceptual processes that depoliticised and universalised the norm of 'total territorial rule' rather than treating the modern state as a territorial and developmental inevitability.
Die Vernunft ist ein vielfältiges Vermögen. Ein vernünftiges Wesen erkennt, wie die Dinge sind; zugleich kann es sich vorstellen, was sein soll, und entsprechend handeln. Wie aber können zwei scheinbar so verschiedene Fähigkeiten – Erkennen und Handeln – als Teile desselben Vermögens begriffen werden? Lea Ypi geht der Einheit der Vernunft in einem oft vernachlässigten Kapitel von Kants Hauptwerk nach: der »Architektonik der reinen Vernunft«. Die Vernunft gleicht hier einem Bauwerk, dem ein Plan zugrunde liegt, der jedem Bestandteil seinen festen Platz zuweist. Doch ihr theoretischer und ihr praktischer Teil werden von einem fragilen Bindeglied zusammengehalten, an dem sich die Stabilität des Ganzen entscheidet. Diesem spürt dieses meisterhafte Buch nach.
Land in Sicht! Die „Hoppetosse“ von Kapitän Langstrumpf sticht in See – und mit an Bord sind Pippi und ihre Freunde. Das Ziel heißt natürlich Taka-Tuka-Land, wo alle gemeinsam viele tolle Sachen erleben. Kaum zurück, entschließt Pippi sich, niemals erwachsen zu werden. Wie sie das wohl anstellen will? Aufwendig produziertes Hörspiel mit hinreißender Musik von Dieter Faber und Frank Oberpichler. Entdecke Oetinger Kinder-Hörbücher zum Mitfiebern und Träumen! Mit unseren Hörspielen für Kinder von 4 bis 8 Jahren werden die schönsten Kinderbuch-Klassiker von Astrid Lindgren lebendig wie nie zuvor, von Michel aus Lönneberga bis hin zu Lotta aus der Krachmacherstraße. Ob als Hörspiel oder als musikalisch unterlegte Lesung, mit unseren Hör-CDs tauchen Kinder in die kunterbunte Welt der berühmten schwedischen Kinderbuch-Autorin ein. Renommierte Sprecher*innen und eine sorgfältige Komposition machen jede unserer Audio-CDs zum Erlebnis für junge und jung gebliebene Hörer*innen. Dabei regen Hörbücher für Kinder die Fantasie an, erweitern den Wortschatz und fördern ganz nebenbei die Konzentration. Vom ersten Sonnenstrahl bis zum Einschlafen – ob zu Hause oder als Kinderbeschäftigung auf Reisen: Astrid Lindgrens Hörspiel-Geschichten begleiten Kinder jeden Tag aufs Neue dabei, die Welt für sich zu erobern!