Our passion is to show kids, how colourful and fascinating the world is. There is not only one way to live but so many. We love curious children and we do the books they need to explore the world. So we do travel books for kids and novels for the journey in a hammock.
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WE BELIEVE THAT THE GOOD TRIUMPHS Where did the idea to make children’s educational tales that are different from the rest come from? One day, we decided to create a character who would be loved by thousands of children. We looked at our youngest and realised how much depends on us, adults. It dawned on us that if we bring up our children to become good and noble people, there is a big chance that they will do the same in the future. They will pass the love they got from us on to their children, who will then do the same, and so on…
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Medicine for the relief of pain has made little progress in the last 50 years. 16% of our population claim to suffer from chronic pain, for which no lasting help can be found, despite years of treatment by different doctors. Trigger point therapy experts have integrated myofascial techniques into their everyday therapy in recent decades and through this they have achieved good results even with complex and chronic problems. In this book, instructors from the Interest Group for Myofascial Trigger Point Therapy (IMTT) in Switzerland present 33 complex cases of patients with chronic pain, whose pain they were able to relieve permanently with manual trigger point therapy and dry needling. Using these case studies, doublepage spreads with an educational, uniform layout clearly present the diagnosis, pathophysiology and chronifcation of myofascial pain syndromes and, in conclusion, describe encouraging and surprising successes despite previous therapy resistance.
This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
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Rosengarten explores the narrative operations of Rego's work by mobilising both psychoanalytic theory and social history. She confronts, as case studies, three complex figure paintings from different moments in Rego's oeuvre: The Policeman's Daughter (1987), The Interrogator's Garden (2000), and The First Mass in Brazil (1993). The content of the three specimen paintings links them to the political context of the Estado Novo, the fascist-inspired regime that dominated Rego's childhood. Plotting links between the spheres of the political and the personal, Rosengarten throws light on the complex intertwining of state power and parental authority in Rego's work, focusing on the "labour of socialisation and resistance" that Rego's work evinces in relation to the Freudian model of the family romance. Rosengarten unveils the political context of Portugal under Salazar, and the workings of colonial fantasy, Catholic ideology and gender construction. In prodding the inalienable link between love and authority, this study offers a reading of Rego's work that interrogates, rather than subverts, the Oedipal model structuring the patriarchal family.
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Rosengarten explores the narrative operations of Rego's work by mobilising both psychoanalytic theory and social history. She confronts, as case studies, three complex figure paintings from different moments in Rego's oeuvre: The Policeman's Daughter (1987), The Interrogator's Garden (2000), and The First Mass in Brazil (1993). The content of the three specimen paintings links them to the political context of the Estado Novo, the fascist-inspired regime that dominated Rego's childhood. Plotting links between the spheres of the political and the personal, Rosengarten throws light on the complex intertwining of state power and parental authority in Rego's work, focusing on the "labour of socialisation and resistance" that Rego's work evinces in relation to the Freudian model of the family romance. Rosengarten unveils the political context of Portugal under Salazar, and the workings of colonial fantasy, Catholic ideology and gender construction. In prodding the inalienable link between love and authority, this study offers a reading of Rego's work that interrogates, rather than subverts, the Oedipal model structuring the patriarchal family. ;
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Devolution to Scotland and Wales represented the most fundamental reform of the British state for almost a century. Ten years on, how successful has the reform been? Drawing on the views of citizens, elected representatives and interest groups in Scotland and Wales, this book provides an answer. The book is based on a wide ranging programme of research, involving dedicated surveys and interviews across Scotland, Wales and England. The results provide important new evidence on how devolution has been seen to have performed. What are its perceived achievements? What are its shortcomings? Is the new devolution 'settlement' stable, or is there a demand for further reform? By bringing together perspectives from the public, members of the devolved legislatures and representatives of civil society, the book establishes a unique picture of where devolution in Britain stands today. The book is accessibly written, and contains a wide range of useful primary data. It is ideal for undergraduate and postgraduate students studying devolution in Britain, as well as for general readers with an interest in constitutional reform and territorial politics. ;
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Die gelungenste Weltausstellung aller Zeiten war die Exposition Universelle de Paris von 1889. Weit über 32 Millionen Menschen besuchten das gigantische Spektakel mit knapp 62.000 Ausstellern aus 54 Nationen und 17 französischen Kolonien. Das Wahrzeichen der Schau, der Eiffelturm, blieb Paris bis heute erhalten. Einen legendären Ruf erwarb sich auch das offizielle, wöchentlich erscheinende Journal der Weltausstellung. Auf großformatigen, mit Stahlstichen üppig illustrierten Seiten berichtete es von den Sensationen vor Ort, von dreirädrigen selbstfahrenden Karren und ethnologischen Dörfern, in denen es Kamelreiten für die Kinder und Bauchtänze für die Herren gab. Der Schweizer Kunsthistoriker Beat Wyss hat die hundert originellsten Abbildungen ausgewählt. Sie illustrieren, wie die Expo den Erdball auf ein »Weltdorf« zwischen Trocadéro und Champ de Mars schrumpfen lässt, wie räumliche Distanzen abgebaut und dabei kulturelle Differenzen freigelegt werden. Das späte 20. Jahrhundert wird dafür den Begriff der Globalisierung prägen. Beat Wyss zeigt, wie die Gesellschaften seit dem 19. Jahrhundert mit diesem Prozeß umgehen und mit der Verwestlichung der Welt eine Orientalisierung des Westens einhergeht. Dem Leser als Flaneur über die Bühne der Weltausstellung wird klar: Die Expo 1889 belegt nicht nur den aktuellen Zustand einer Zeit, sondern bietet über die spektakuläre Anordnung ihrer Exponate den Vorschein einer gesellschaftlichen Utopie.
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Not all council estates are the same. A detailed historical account of the birth and social evolution of the Whitley council estate in Reading, Working-Class Suburb challenges many of the more depressing images and cultural stereotypes about council housing in twentieth and twenty-first century England. Key areas covered by the study are housing and politics; community campaigns; women and the corporate life of council estates; the uses of leisure; the relationships between tenants, residents and the local authority, and continuities in working-class life despite economic, demographic and political change. The book will be of interest to anyone studying urban history and social history, to professionals working in the fields of housing policy and housing studies, and to the growing number of academics interested in suburban studies. ;
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After the fall of the Ben Ali regime in 2011, Tunisia swiftly began dealing with its authoritarian past and initiated a comprehensive transitional justice process, with the Truth and Dignity Commission as its central institution. However, instead of bringing about peace and justice, transitional justice soon became an arena of contention. Through a process lens, the book explores why and how the process evolved, and explains how it relates to the country's political transition. Based on extensive field research in Tunisia and the US, and interviews with a broad range of international stakeholders and decision-makers, this is the first book to comprehensively study the Tunisian transitional justice process. It provides an in-depth analysis of a crucial period, examining the role of justice professionals in different stages, as well as the alliances and frictions between different actor groups that cut across the often-assumed local-international divide.
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Peter Weiss wurde am 8. November 1916 in Nowawes bei Berlin geboren und starb am 10. Mai 1982 in Stockholm. Zwischen 1918 und 1929 lebte er in Bremen, wo er das Gymnasium besuchte. 1929 kehrte die Familie Weiss nach Berlin zurück, musste jedoch 1934 emigrieren. Die erste Station bildete London, darauf folgte 1936 die SR. In diesen Jahren widmete sich Peter Weiss vorwiegend der Malerei – 1937/1938 studierte er Malerei an der Kunstakademie in Prag. In dieser Zeit besuchte er Hermann Hesse während zweier längerer Aufenthalte in der Schweiz. Die dritte und letzte Emigrationsstation bildete 1939 Schweden, wo Peter Weiss zunächst in Alingsås, ab 1940 in Stockholm wohnte. Hier setzte er seine Tätigkeit als Maler fort. 1947 hielt er sich als Korrespondent einer schwedischen Tagesszeitung in Berlin auf. Seine Artikel versammelte er 1948 zu seiner ersten Buchpublikation. Der Band erschien posthum 1985 unter dem Titel Die Besiegten. Ab diesem Zeitraum entstanden, in schwedischer Sprache, die ersten Prosaarbeiten, Gedichte, und Dramen. Zu den wichtigsten Erzählungen aus dieser Schaffensperiode zählen Die Situation aus dem Jahre 1956 sowie das 1980 unter dem Autorenpseudonym Sinclair veröffentlichte Buch Der Fremde. Keines seiner Manuskripte wurde jedoch von einem schwedischen Verlag zur Publikation angenommen. Mitte der fünfziger Jahre begann Peter Weiss in deutscher Sprache zu schreiben. 1960 erschien sein erstes Prosabuch Der Schatten des Körpers des Kutschers. Zu Beginn der siebziger Jahre wand sich Peter Weiss wieder der Prosa zu. Zwischen 1975 und 1981 erschien der dreibändige Roman Die Ästhetik des Widerstands, deren letzter Band begleitet wird von Notizbücher 1971 – 1980. Ihm wurde posthum der Georg-Büchner-Preis für das Jahr 1982 zuerkannt. Beat Mazenauer, geboren 1958, Germanist und Historiker, lebt als Literaturkritiker und freier Autor in Luzern.
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This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.
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This book examines the working lives of musicians over the past 120 years via the history of the Musicians' Union. The union has been at the centre of all major agreements covering the employment of musicians across the UK's music industries for this period and its role to date has largely been ignored by historians of the music profession, the music industries and trade unions. This book remedies that oversight, providing fresh insight to musicians' working lives, the industries in which they work and wider British social life. It explores a history of confrontation, coercion and compromise played out across the nation's studios, performance spaces and airwaves.
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An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.
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Capitalising on developments in the field over the past decade, Riddles at work provides an up-to-date microcosm of research on the early medieval riddle tradition. The book presents a wide range of traditional and experimental methodologies. The contributors treat the riddles both as individual poems and as parts of a tradition, but, most importantly, they address Latin and Old English riddles side-by-side, bringing together texts that originally developed in conversation with each other but have often been separated by scholarship. Together, the chapters reveal that there is no single, right way to read these texts but rather a multitude of productive paths. This book will appeal to students and scholars of early medieval studies. It contains new as well as established voices, including Jonathan Wilcox, Mercedes Salvador-Bello and Jennifer Neville.
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