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International literary agency with a distinguished list of fiction, non-fiction and children's authors, specializing in foreign rights.
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This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;
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This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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The very smallest children can identify and name objects from their homes in this award-winning, large-format board book. Magdalena Skala’s fantastic illustrations use bright colours and clear forms to depict the most important objects from the nursery, kitchen, garden, lounge, bathroom – in short from children’s everyday worlds: a great start into the world of words – and books! Magdalena Skala was awarded the 2019 Meefisch Prize and the Marktheidenfeld Prize for picture book illustration for THINGS. MY 200-PICTURE BOOK.
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Benny Beaver is involved in every adventure. Among other things, he’s a master builder. He’s always eager to learn something new – in the forest and anywhere else. There’s a lot to learn about our environment and Nature. This eventful tale about Benny Beaver and his friends Daisy Duck, Sally Squirrel and Manny Mole is great fun, as is the CD with its sounds of Nature. What happens in the forest? Who creeps, crawls and flies here? And what trees, bushes and fungi grow here? A lively tale about the environment and Nature for nursery school and first year primary school. A picture-book tale, exciting and entertaining – as is the CD with its sounds from Nature. Welcome to the world of Benny Beaver and his friends! Share their adventures in the forest and elsewhere!
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Tel Aviv, ein stickiger Sommerabend: Ein bekannter Schriftsteller ist zu einer Lesung eingeladen. Was werden seine Leser, was wird sein Publikum ihn fragen? Das Übliche? Warum schreiben Sie? Sind Ihre Bücher autobiographisch? Was wollten Sie uns mit Ihrem letzten Roman sagen? Was wird er antworten? Das Übliche? Oder wird er sich den Erwartungen widersetzen? Amos Oz erzählt in seinem neuen Roman von einem bekannten Schriftsteller an einem stickigen Sommerabend in Tel Aviv, von der Liebesnacht danach, von den Menschen, die ihm begegnen, bis die Geschichten, die sie alle haben oder haben könnten, sich entfalten und miteinander verknüpfen, bis das, was sich ereignet, und das, was sich hätte ereignen können, ununterscheidbar werden. Verse auf Leben und Tod ist die unkonventionelle Antwort des großen Erzählers Amos Oz auf die Frage nach dem subversiven Wechselspiel von Leben und Literatur.
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Der Ausbruch der Covid-Pandemie setzte im März 2020 einem Aufenthalt Maria Stepanovas im britischen Cambridge ein Ende. Zurück in Russland, verbrachte sie die folgenden Monate in einem Zustand der Erstarrung – die Welt hatte sich vor ihr zurückgezogen, die Zeit war »ertaubt«. Als sie aus diesem Zustand auftauchte, begann sie Ovid zu lesen. Motive fanden zueinander, die lange in ihr gewartet hatten. Wie schon in Der Körper kehrt wieder verwandelt sie historische und aktuelle Kataklysmen in ein ungemein feingliedriges, bewegliches Gebilde aus Rhythmen und Stimmen. Das Poem, das in einer rauschhaften poetischen Inspiration entstand, spricht vom Winter und vom Krieg, von Verbannung und Exil, von sozialer Isolation und existentieller Verlassenheit. Stepanova findet grandiose Bilder für das Verstummen: wenn etwa Worte, die wir einander zurufen, in der Luft gefrieren und unser Gegenüber nicht mehr erreichen. Das Werk verwebt Liebesbriefe und Reiseberichte, chinesische Verse und dänische Märchen in eine vielstimmige Beschwörung der gefrorenen und langsam auftauenden Zeit.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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“There is no Planet B!” More and more young people are worried about the future of Planet Earth. Climate change is heating not only the planet but also people’s emotions. But what exactly is climate? And why are the changes threatening the lives of both polar bears and us humans. In simple language but with solid science, the authors explain the most important aspects of climate, from the greenhouse effect to the Gulf Stream. Current developments are described as well, and the scientific background is supplemented by gripping reports. The book also offers a glimpse of the future: what will happen if we go on in the same way as now? How can climate change be halted? This makes for riveting reading – and not just for young activists.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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That's How Anger Flies Away in a Flash About releasing anger and giving comfortThe little hedgehog is terribly angry! The sparrow has just sat down in hedgehog's little house and that belongs to the hedgehog alone! He rages and cries from all the anger. Fortunately, the other animals know what to do: Bear brings a pillow for him to punch, Deer stomps the anger into the ground and Mouse shows how to catch his breath again. So even the biggest anger is quickly gone.• Loving illustrations with practical tips, which immediately help with feelings of anger• Developed with psychological advice: Using rituals and rhymes to comfort and calm• Bestselling and innovative ’Ritual‘ concept: Over 55,000 copies sold of the series and over 200,000 copies gifted to German families by the Ministry of Education
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— The book on men's health — Confessions from a urologist — Compact, competent, concise Men are often unwilling to seek medical advice when they have problems. However, a lot of diseases can only be treated if they are detected in time. This book contains comprehensible and entertaining information on all the important questions relating to men's health, from the erection and its disorders, fertility and prostate issues, to sexuality in old age. The author knows what matters to men: he speaks from his experience as a urologist.
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We all know that audio engineering is more than just acronyms. But what do they all mean? This practical textbook is designed to meet the special needs of events technicians. The textbook stands out from the crowd because it is designed specifically with the university curriculum and professional needs in mind, making it not only an excellent companion in the classroom, but a useful reference for on the job as well. The author, himself an instructor for special events technicians, covers the ground from physical fundamentals of acoustics and electronics to setting up mixing consoles and sound systems, providing a multitude of useful tips without confusing the reader with extraneous details. A chapter on video technology rounds off the book. Sample calculations put the material in a practical context, and sample problems at the end of each chapter (with solutions in the appendix) help review what has been learned and inspire further thought. Entertaining guest essays provide a broader perspective.
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This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. ;
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What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.
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Everything Will Be Fine Again Soon About small accidents and giving comfort Oh no! The little fox fell down while playing and hurt himself. Fortunately, other animals are on the spot right away and know exactly what to do: the bear takes the little fox in his arms, the hedgehog hums a comforting song, and the mouse brings a band-aid. And that’s how the little fox quickly gets quickly all right again! • Loving illustrations with rituals for comforting, which immediately help with everyday accidents.• Developed with psychological advice: Using rituals and rhymes to comfort and calm• Bestselling and innovative ’Ritual‘ concept: Over 50,000 copies sold of "Wenn am Himmel Sterne stehen" since 2019 and over 200,000 copies of “Der Mond ist aufgegangen” gifted to German families by the Ministry of Education
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Hans Carl Artmann, geboren 1921 in Wien und verstorben 2000 ebenfalls in Wien, geriet 1945 in amerikanische Kriegsgefangenschaft, wo er als Dolmetscher tätig war und zu schreiben begann. Klaus Reichert, geboren 1938, emeritierter Professor für Anglistik an der Johann Wolfgang Goethe-Universität Frankfurt am Main, 1964-1968 Lektor in den Verlagen Suhrkamp und Insel, 2002-2011 Präsident der Deutschen Akademie für Sprache und Dichtung in Darmstadt. Autor, Übersetzer und Herausgeber (u. a. der Joyce-Ausgabe des Suhrkamp Verlages).
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Bitte beachten Sie, dass die Gedichte von Mascha Kaléko nur originalgetreu, unverändert und ungekürzt abgedruckt werden dürfen. Außerdem gilt es, die alte Rechtschreibung und das Versmaß zu beachten. Autorenfotos müssen beim Literaturarchiv Marbach angefragt werden. Sofern Sie den gewünschten Text der Sammlung „Mascha Kaléko: Sämtliche Werke und Briefe“ entnommen haben, überprüfen Sie bitte anhand der dort vorhandenen Einteilung, in welchem Buch der Text ursprünglich erschienen ist. Wählen Sie dann den entsprechenden Band für Ihre Anfrage hier aus. Sollte der entsprechende Band nicht auf IPR gelistet sein, wenden Sie sich bitte direkt an lizenzen@dtv.de.
