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        Literature & Literary Studies
        March 2023

        Sleep and its spaces in Middle English literature

        Emotions, ethics, dreams

        by Megan Leitch

        Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.

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        Humanities & Social Sciences
        March 2022

        Out of his mind

        by Amy Milne-Smith, Lynn Abrams

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        Teaching, Language & Reference
        August 2024

        The Northern Ireland peace process

        by Eamonn O'Kane

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        Humanities & Social Sciences
        August 1999

        British Politics in an Age of Reform

        by Michael J. Turner, Mark Greengrass

        This work is a detailed examination of principal themes in the political history of late 18th- and early 19th-century Britain. It evaluates much recent research, links the politics of the elite with the politics of the people and seeks to explain significant developments with reference to both their long- and short-term causes. Among the issues addressed are the relative powers of crown, cabinet and parliament between 1760 and 1832; the impact on domestic politics of revolution and war abroad; the growth of radicalism and popular political activity; agitation for reform and the responses of government; the rise of party; the connections between extra-parliamentary pressure and instability; at the centre of power. ;

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        Biography & True Stories
        May 2025

        Mrs Dalloway

        Biography of a novel

        by Mark Hussey

        A compelling biography of one of the most celebrated novels in the English language. The fourth and best-known of Virginia Woolf's novels, Mrs Dalloway is a modernist masterpiece that has remained popular since its publication in 1925. Its dual narratives follow a day in the life of wealthy housewife Clarissa Dalloway and shell-shocked war veteran Septimus Warren Smith, capturing their inner worlds with a vividness that has rarely been equalled. Mrs Dalloway: Biography of a novel offers new readers a lively introduction to this enduring classic, while providing Woolf lovers with a wealth of information about the novel's writing, publication and reception. It follows Woolf's process from the first stirrings in her diary through her struggles to create what was quickly recognised as a major advance in prose fiction. It then traces the novel's remarkable legacy to the present day. Woolf wrote in her diary that she wanted her novel 'to give life & death, sanity & insanity. to criticise the social system, & to show it at work, at its most intense.' Mrs Dalloway: Biography of a novel reveals how she achieved this ambition, creating a book that will be read by generations to come.

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        Humanities & Social Sciences
        August 2002

        The rise of the Nazis

        by Conan Fischer, Mark Greengrass

        How and why did the Nazis seize power in Germany? Nearly seventy years on, the question remains heated and important discoveries continue to challenge long standing assumptions. Beginmning with an overview of the historical context within which Nazism grew, looking at the foreign relations, politics and society of Weimar and in particular at the role of the elites in the rise of Nazism. The book questions the anatomy of Nazism itself: What lent Nazi ideology its coherence and credibility? What distinguished the Nazi's programme from their competitors' and how did they project it so effectively? How was Hitler able to put together and fund an organisation so quickly and effectively that it could launch a sustained assault on Weimar? Who supported the Nazis and what were their motives? Where, precisely, does Nazism belong in the history of Europe?. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text. ;

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        Humanities & Social Sciences
        November 2024

        Culture is bad for you

        by Orian Brook, Dave O'Brien, Mark Taylor

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        Humanities & Social Sciences
        January 1998

        Neville Chamberlain, appeasement and the British road to war

        by Frank McDonough, Mark Greengrass

        Re-examines the controversial policy of appeasement. The text suggests that the mood of the age in British society served to support appeasement, by analyzing the cluster of military, strategic, imperial and economic forces which served to justify it. The book argues that, when Neville Chamberlain came to power, appeasement was part of a broad consensus in British society to avoid a second world war. It provides an interpretation of Chamberlain's conduct by showing how he used and abused the mood of the age to justify a selfish and ambitious policy which was idealogically prejudiced. Yet, when Hitler entered Prague in March 1939, the public mood changed, and Chamberlain found himself a prisoner of a new mood which forced him to make a tactical and half-hearted attempt to stand up to Hitler for which he had no enthusiasm. ;

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        Humanities & Social Sciences
        March 2023

        Love and revolution

        A politics for the deep commons

        by Matt York

        Based on award-winning research, Love and revolution brings classical and contemporary anarchist thought into a mutually beneficial dialogue with a global cross-section of ecological, anti-capitalist, feminist and anti-racist activists - discussing real-life examples of the loving-caring relations that underpin many contemporary struggles. Such a (r)evolutionary love is discovered to be a common embodied experience among the activists contributing to this collective vision, manifested as a radical solidarity, as political direct action, as long-term processes of struggle, and as a deeply relational more-than-human ethics. This book provides an essential resource for all those interested in building a free society grounded in solidarity and care, and offers a timely contribution to contemporary movement discourse.

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        The Arts
        September 2024

        The renewal of post-war Manchester

        Planning, architecture and the state

        by Richard Brook

        A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.

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        Humanities & Social Sciences
        July 2022

        Bodies complexioned

        by Mark Dawson

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        The Arts
        April 2011

        Screen/Space

        The projected image in contemporary art

        by Amelia Jones, Tamara Trodd, Marsha Meskimmon

        Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. ;

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