Patriots Publishing is the printed and electronic reading material publishing division of the renowned digital content writing group, The Patriots Asia. This publication is wholly owned by Patriots Holding Sdn Bhd. Starting with the TP Press brand in 2015, the publication then underwent a brand change with the new name Patriots Publication in 2017. Until 2019 after thriving, the publication is now known as Patriots Publishing Sdn Bhd.
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Songs of Protest, Songs of Love shows how songs can bring back voices from the past in a new way. The focus of the book is on rural Britain in a time of crisis. As the traditional rights of peasants were being jettisoned to enforce a new system of enclosure, rural labourers chanted out their concerns in songs of protest. These songs became increasingly strident and popular after the 1770s as rural life became even more precarious with fluctuating grain prices and uncertain employment opportunities. Many ballads in the eighteenth century were love songs. But these are also rich in social meaning. Many of these love songs celebrated the free and easy sexuality of rural workers, especially milkmaids and ploughmen, which was contrasted with the tepid and flaccid sex life attributed to urban aristocrats. The book will be of interest to scholars, advanced students and readers with an interest in cultural history and popular ballads. ;
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In this volume, eighteen experts from a variety of academic backgrounds explore the use of songs in films from the Spanish- and Portuguese-speaking worlds. This volume illustrates how - rather than simply helping to tell the story of - songs in Hispanic and Lusophone cinema commonly upset the hierarchy of the visual over the aural, thereby rendering their hearing a complex and rich subject for analysis. Screening songs... constitutes a ground-breaking, interdisciplinary collection. Of particular interest to scholars and academics in the areas of Film Studies, Hispanic Studies, Lusophone Studies and Musicology, this volume opens up the study of Hispanic and Lusophone cinema to vital, new, critical approaches. The soundtracks of films as varied as City of God, All About My Mother, Bad Education and Buena Vista Social Club are analysed alongside those of lesser-known works that range from the melodramas of Mexican cinema's golden age to Brazilian and Portuguese musical comedies from the 1940s and 1950s. Fiction films are studied alongside documentaries, the work of established directors like Pedro Almodóvar, Carlos Saura and Nelson Pereira dos Santos alongside that of emerging filmmakers, and performances by iconic stars like Caetano Veloso and Chavela Vargas alongside the songs of Spanish Gypsy groups, Mexican folk songs and contemporary Brazilian rap.
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This is the first full-length, published study of Beethoven's songs. All the composer's songs with piano are included, with full German texts and translations, together with comprehensive notes on the poetry and the music. The inclusion of unfinished songs gives a fascinating insight into Beethoven's compositional methods. An introductory essay considers reasons for the relative neglect of the songs, the significance of Beethoven's choice of texts, his crucial role in the development of German art-song and specific aspects such as choice of key. Throughout the book, poetic and musical texts are discussed in their historical context, and in the overall context of Beethoven's life and music. It is anticipated that this book, like its predecessor The Schubert Song Companion, will encourage the performance and study of an important but comparatively neglected aspect of the work of the world's most celebrated composer.
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At the height of the British Empire's fortunes, the stage represented the most influential form of popular entertainment. Acts of supremacy looks at the way in which this medium was utilised to mould popular concepts of empire and nationhood and the authors convey the significance of all levels of entertainment in shaping English identity and perception of other ethnic groups. The authors go beyond the traditional interpretation of politicians' blatant inculcation of patriotic fervour through plays and jingoistic songs. Additionally, they reveal the complex cultural negotiations that gave ordinary people a sense of their part in the imperial structure. Focusing upon minstrel shows, melodramas, comic routines and songs, the book shows that the public were encouraged to identify themselves with and to internalise the qualities required for empire builders and natural leaders. It concludes that the average British man, whatever his class or country, could come to think of himself as a member of a superior race fit to rule the world. Only Irish drama of the period significantly challenged this pattern. Acts of supremacy should be of interest to students of drama and cultural history as well as social and political historians.
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This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.
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Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Sing me your songs – show me your soul! Die Journalismus-Studentin Allie will ihr Praktikum bei der Irish Times erfolgreich abschließen. Doch dann schickt sie ihr Chef ausgerechnet mit einer Boyband auf Tour, deren Musik sie so gar nicht ausstehen kann – und deren Leadsänger sie neulich auch noch völlig ahnungslos im Club geküsst hat. Auch Conor ist alles andere als begeistert, dass ihn die Frau, die ihm zuvor gehörig den Kopf verdreht hat, nun auf Schritt und Tritt verfolgt. Immerhin könnte sie ihn schneller zu Fall bringen, als ihm lieb ist, sollte sie sein wohlgehütetes Geheimnis herausfinden. Erst als Conor entdeckt, dass auch Allie ein Geheimnis hat, öffnet er sich ihr langsam. Je mehr Zeit die beiden miteinander verbringen, desto bewusster wird ihnen, dass sie viel mehr verbindet, als sie auf den ersten Blick dachten. Und dass es häufig einen zweiten Blick braucht, um zu erkennen, welcher Mensch sich hinter seinen Geheimnissen verbirgt. Der romantische New-Adult-Roman lässt die Herzen von Romance-Fans ab 16 Jahren höher schlagen. Die emotionale Liebesgeschichte zwischen Allie und Conor steckt voller inspirierender Antworten auf die großen Fragen des Lebens. Eine gefühlvolle Enemies-to-Lovers-Geschichte, die junge Erwachsene auf ihrer Reise zu sich selbst begleitet. All your secret Songs: Wer bin ich, wer will ich sein und was bin ich bereit, dafür zu geben? Gefühle, Liebe und Musik: Eine aufregende Rockstar Romance für Leser*innen ab 16 Jahren. Mitreißend und emotional: Die packende Story erzählt, wie aus anfänglicher Abneigung eine tiefe Verbundenheit entstehen kann. Voll im Trend: Die beliebten Tropes „Enemies to Lovers“ und „Forced Proximity“ sorgen für prickelnde Spannung. Tolle Mischung: Die Welt der Musik und zwei Menschen auf der Suche nach ihrer eigenen Identität. Genial ausgestattet in der Erstauflage: Softcover mit Klappen, trendig illustriertem Buchschnitt und coolem Lesezeichen zum Abtrennen. Die New-Adult-Romance für junge Leser*innen ab 16 Jahren erzählt eine mitreißende Geschichte über wahre Liebe und den Mut, gegen alle Widerstände seinen eigenen Weg zu gehen. Und sich vielleicht nicht immer an die Regeln zu halten…
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This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
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In Miriam Körners "Ice Song" wird die Geschichte der 15-jährigen Emmylou entfaltet, die zunächst widerwillig in Churchill, Kanada, ankommt. Als Ort, der für seine Nähe zu Eisbären bekannt ist, bietet Churchill eine karge und eiskalte Umgebung, die Emmylou zunächst fremd ist. Ihre Sichtweise beginnt sich zu ändern, als sie Barnabas, einen jungen Inuk, trifft, der intensiv seine Schlittenhunde auf das anspruchsvolle Arctic Quest, ein herausforderndes Schlittenhunderennen, vorbereitet. Die Begegnung mit einem bezaubernden Welpen aus dem Rudel weckt nicht nur ihre Zuneigung für die Tiere, sondern auch tiefergehende Gefühle. Der Roman kombiniert Elemente der Romance mit dem aufregenden Kontext des Schlittenhundrennens und bietet Einblicke in die Kultur der Inuit. Durch Körners authentische Darstellung der arktischen Landschaft und die Verwendung ihrer persönlichen Erfahrungen, entsteht eine packende Lektüre, die sowohl bildend als auch unterhaltsam ist. Authentische Darstellung: Bietet fundierte Einblicke in die Inuit-Kultur und das Schlittenhunderennen, angereichert durch die realen Erfahrungen der Autorin. Fesselnde Handlung mit Romance: Verbindet das Abenteuer in der Arktis mit einer jugendlichen Liebesgeschichte, ideal für Leser*innen ab 12 Jahren. Resilienz und Selbstfindung: Inspiriert junge Leser*innen dazu, Herausforderungen zu meistern und sich selbst sowie neue Leidenschaften zu erkunden. Bildungswert: Bietet neben einer fesselnden Story auch wichtige Erkenntnisse über Umweltschutz und traditionelle Lebensweisen. Perfekt für Tier- und Naturfreunde: Ein Muss für junge Leser, die eine Leidenschaft für Tiere, insbesondere Schlittenhunde, und die Natur haben.
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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
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This is the first book to examine the relationship between English nationalism, Brexit and 'the Anglosphere' - a politically-contested term used to denote English-speaking countries sharing cultural and historical roots with the UK. In the aftermath of the UK's EU referendum some pointed to a 'revolt' of those 'left behind' by globalisation. Ben Wellings argues instead that Brexit was and is an elite project, firmly situated within the tradition of an expansive English nationalism. Far from being parochial 'Little Englanders', elite Brexiteers sought to replace the European Union with trade and security alliances between 'true friends' and 'traditional allies' in the Anglosphere. Brexit was thus reassuringly presented as a giant leap into the known. As the UK's future relationship with the rest of the world is negotiated, the need to understand this 'English moment' has never been more pressing.
