Test Portal 2 Fischer Rowohlt
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View Rights PortalPortraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves. Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use. ;
The very smallest children can identify and name objects from their homes in this award-winning, large-format board book. Magdalena Skala’s fantastic illustrations use bright colours and clear forms to depict the most important objects from the nursery, kitchen, garden, lounge, bathroom – in short from children’s everyday worlds: a great start into the world of words – and books! Magdalena Skala was awarded the 2019 Meefisch Prize and the Marktheidenfeld Prize for picture book illustration for THINGS. MY 200-PICTURE BOOK.
People think and remember in images, images influence our feelings and our perception, they shape our interpersonal communication and interaction. Coaches, supervisors,trainers, consultants, and therapists can use picture cards as a creative method to initiate learning and change processes among their clients. The card set can be used when working with groups and teams as well as in individual settings. Using the picture cards and the detailed exercise descriptions, processes ofprofessional and personal reorientation and further development of clients can be effectively supported. The enclosed booklet gives numerous suggestions for the use of the picture cards in practice. For: • coaches• supervisors• consultants• group leaders• psychotherapists• psychologists• teachers, educators, personnel developers
The book outlines the sociological arguments and political activities of the US pragmatist sociologist, Herbert Adolphus Miller (1875-1951). Miller was part of the milieu of Chicago sociology and involved in its studies of race and immigration. He took a distinctly more radical approach and developed a novel political sociology of domination in which he set out a critique of empires, the plight of subject minorities and the risks associated with the inevitable nationalist responses. Where others have identified with the 'internationalisation' of nationalism, Miller sought to make the nation 'international'. He was actively involved in movements for racial justice, Czechoslovakian independence, the formation of the Mid-European Union of subject peoples, as well as support for Korean and Indian independence. He was dismissed by Ohio State University for his activism in 1932.
What does money really stand for? How can the abstractions of high finance be made visible? Show me the money documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. It tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money, from the South Sea Bubble to our current crisis. Show me the money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts and electronic trading systems.
The Subject of Love: Hélène Cixous and the Feminine Divine is about abundant, generous, other-regarding love. In the history of Western ideas of love, such a configuration has been inseparable from our ideas about divinity and the sacred; often reserved only for God; and rarely thought of as a human achievement. This book is a substantial engagement with her philosophies of love, inviting the reader to reflect on the conditions of subjectivity that just might open us to something like a divine love of the other. Renshaw follows this thread in this genealogy of abundant love: the thread that connects the subject of love from 5th century B.C.E. Greece and Plato, to the 20th century protestant theology of agapic love of Anders Nygren, to the late 20th century poetico-philosophy of Hélène Cixous. This study will be of particular interest to academics and students of the history of gender, cultural studies, criticism and gender studies ;
This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'
Take Some Time Out! The headline grabs Liv’s attention as she browses, depressed, through the job ads. Although she’s only 22 and just starting out in journalism, a recent disastrous interview cost her a new job. The ad sounds like a dream come true: someone needs a house-sitter to mind a lighthouse on the Irish coast for six months! Taking time out is exactly what Liv needs to clear her head and recharge her batteries. She sends off her application and a few weeks later finds herself standing in front of her new home. Next to a good-looking Irishman who makes her heart beat faster. She doesn’t know it yet, but he’ll break her heart, too… 16+ years The beginning of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately. Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
Drawing on the recent ontological turn in critical theory, Spectral Dickens explores an aspect of literary character that is neither real nor fictional, but spectral. This work thus provides an in-depth study of the inimitable characters populating Dickens' illustrated novels using three hauntological concepts: the Freudian uncanny, Derridean spectrality, and the Lacanian real. Thus, while the current discourse on character studies, which revolves around values like realism, depth, and lifelikeness, tends to see characters as mimetic of persons, this book invents new critical concepts to account for non-mimetic forms of characterization. These spectral forms bring to light the important influence of developments in nineteenth-century visual culture, such as the lithography and caricature of Daumier and J.J. Grandville. The spectrality of novelistic characters developed here paves the way for a new understanding of fictional characters in general.