Stories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
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In the book's lead essay, Sungmoon Kim offers a comprehensive analysis of Confucian power. Through a blend of philosophical, political, and historical analysis, Kim challenges the dominant idea that Confucianism is primarily centred on virtue ethics. Instead, he argues that Confucianism perceives power through the prism of responsibility. Kim not only traces this perspective throughout history but also demonstrates its relevance to contemporary society. He contrasts this Confucian perspective with Western political theory's view of power as control. Political theorists and philosophers will offer essay responses to Sungmoon Kim's provocation, offering a dialogue approach to provide a comprehensive analysis of the Confucian conception of power.
In this accessible and sophisticated exploration of the nature and workings of social and political power, Haugaard examines the interrelation between domination and empowerment. Building upon the perspectives of Steven Lukes, Michel Foucault, Amy Allen, Hannah Arendt, Anthony Giddens, Pierre Bourdieu and others, he offers a clear theoretical framework, delineating power in four interrelated dimensions. The first and second dimensions of power entail two different types of social conflict. The third dimension concerns tacit knowledge, uses of truth and reification. Drawing upon genealogical theory and accounts of slavery as social death, the fourth dimension of power concerns the power to create social subjects. The book concludes with an original normative pragmatist power-based account of democracy. Offering lucid and entertaining illustrations of complex theoretical perspectives, this book is essential reading for scholars and activists.
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Writing power radically rethinks the place of the canon and canonicity as objects and concepts in contemporary academia and the everyday intellectual practices of academics. It is distinctive in its demonstration of how academics' engagements with canons shape their writing practices but also how scholars' writing practices, spaces, proclivities, and desires shape the canon and changing ideas of value in canonicity. The book thinks through frequently discussed problems of legitimacy and knowledge production from fresh perspectives of lived experience and the everyday to offer new insights into the politics of knowledge in contemporary social sciences.
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The unorthodox imagination in late medieval Britain explores how medieval people responded to images, stories, beliefs and practices which were at odds with the normative world view, from the heretical and subversive to the marvellous and exotic. The chapter by Jean-Claude Schmitt examines why some unorthodox images were viewed as provocative and threatening and explores how successfully ecclesiastical authorities contained their impact. The power of unorthodoxy to provoke wonder, scepticism or disapproval provides an opportunity to view medieval culture from fresh perspectives. The essays in this volume show that unorthodoxy was embedded in mainstream medieval culture, from stories of fairies and witches which promoted orthodox moral values to the social conformity of practitioners of ritual magic. This book provides a guide to understanding medieval unorthodoxy and the roles played by experience and imagination in medieval encounters with the unorthodox. It will be essential reading for anyone interested in the exotic, provocative and deviant in medieval culture. ;
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This book is about power in welfare encounters. Present-day citizens are no longer the passive clients of the bureaucracy and welfare workers are no longer automatically the powerful party of the encounter. Instead, citizens are expected to engage in active, responsible and coproducing relationships with welfare workers. However, other factors impact these interactions; factors which often pull in different directions. Welfare encounters are thus influenced by bureaucratic principles and market values as well. Consequently, this book engages with both Weberian (bureaucracy) and Foucauldian (market values/NPM) studies when investigating the powerful welfare encounter. The book is targeted Academics, post-graduates, and undergraduates within sociology, anthropology and political science.
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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Environments of power provides unique case studies of environmental inclusion and exclusion across the Americas, Africa, Japan, India, and the South-Pacific. Using more-than-human and Indigenist approaches, chapters focus on Indigenous environmental resistance, marginalisation across social and physical environments, ecology as art, and how local communities are caught up in and resist development and infrastructure projects. The book demonstrates how environments influence which bodies and other matter belong (or not) in certain places.
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In this book Kauppi develops a structural constructivist theory of the European Union and critically analyses, through French and Finnish empirical cases, the political practices that maintain the Union's 'democratic deficit'. Kauppi conceptualises the European Union as both an arena for political contention and a nascent political order. In this evolving, multi-levelled European political field, individuals and groups construct material and symbolic structures of political power, grounded in a variety of social resources such as nationality, culture, and gender. The author shows how the dominance of both executive political resources and domestic political cultures has prevented the development of European democracy. Supranational executive networks have become more autonomous, reinforcing the dominance of the resources they control. At the same time, national political cultures condition the political status of elected institutions such as the European parliament. The book is particularly suited for undergraduate and graduate students in the fields of European Politics, European Union Studies and International Relations. ;
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In the aftermath of the greed vs. grievance debate and the new wars paradigm, the focus of conflict studies shifted decisively to understanding "predatory" behaviours as the raison d'etre of contemporary conflict. Conflict was viewed as a continuum in which the more you engage in criminal behaviour, the less political you are.This approach has been robustly criticised over the past 15 years; however, in the process, we have been left with unsuitable concepts to handle the complex interactions between civil war, political power and criminality. The departure point here is the understanding of politics and criminality as two historically differentiated domains of human activity. Different, but interrelated, often co-constitutive and overlapping. Here, we empirically and theoretically explore their interactions, connections, and convergences, not focusing solely on irregular actors, thus bringing back the State and elites into this debate.
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This book focuses on current policy discourse in Higher Education, with special reference to Europe. It discusses globalisation, Lifelong Learning, the EU's Higher Education discourse, this discourse's regional ramifications and alternative practices in Higher Education from both the minority and majority worlds with their different learning traditions and epistemologies. It argues that these alternative practices could well provide the germs for the shape of a public good oriented Higher Education for the future. It theoretically expounds on important elements to consider when engaging Higher Education and communities, discussing the nature of the term 'community' itself. Special reference is accorded to the difference that lies at the core of these ever-changing communities. It then provides an analysis of an 'on the ground project' in University community engagement, before suggesting signposts for further action at the level of policy and provision. This book is relevant to United Nations Sustainable Development Goal 4, Quality education
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Imagery rescripting is an experiential technique for the reduction of negative feelings, which are presumably related to biographical experiences. Based on the current problematic feeling, memory images are processed in such a way that the associated negative feelings are replaced by desired feelings. Thus, trauma-associated memory images, such as flashbacks, which are associated with memories of physical or sexual abuse and which occur for example in post-traumatic stress disorder and borderline personality disorders, can be processed. It can also help treat negative emotions such as shame, anger, guilt, or fear, which are presumably related to previous experiences. This book informs about the historical background and the theoretical assumptions on the mechanisms of action. Numerous examples illustrate the practical implementation and handling of typical problems when using imagery rescripting. For:• medical and psychologicalpsychotherapists• specialists in psychiatry andpsychotherapy• specialists in psychosomaticmedicine and psychotherapy• clinical psychologists,psychologicalcounselors• students and teachers inpsychotherapeutictrainingand continuing education
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Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature.
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"Patchwork Power!" von Marita Strubelt ist ein wegweisender Ratgeber für Eltern in Patchworkfamilien, der praktische Lösungen und Strategien für den Umgang mit den Herausforderungen des Patchwork-Lebens bietet. Strubelt, selbst eine erfahrene Patchwork-Familien-Expertin, teilt ihr umfassendes Wissen und persönliche Erfahrungen, um Leserinnen und Lesern zu helfen, die Dynamiken ihrer eigenen Patchworkfamilien besser zu verstehen und positiv zu gestalten. Das Buch legt einen starken Fokus auf die Selbstfürsorge, den Perspektivwechsel und die Wertschätzung aller Familienmitglieder. Es leitet dazu an, aus Problemen Kraft zu schöpfen und die einzigartige Struktur einer Patchworkfamilie als echten Bonus zu begreifen. Durch seine enge Anbindung an das Magazin "Leben & erziehen" und eine aktive Facebook-Gruppe bietet es eine kontinuierliche Unterstützung und Gemeinschaft für Leserinnen und Leser. "Patchwork Power!" richtet sich an Patchwork-Eltern, die nach einem modernen, empathischen und praxisnahen Ansatz suchen, um ihr Familienleben zu bereichern und zu harmonisieren. Modern und praxisnah: Bietet einen zeitgemäßen Ratgeber, der auf den neuesten Erkenntnissen und realen Erfahrungen basiert. Lösungsorientierte Ansätze: Stellt konkrete, umsetzbare Strategien zur Verfügung, die aus dem Alltag einer Patchwork-Coachin stammen. Fokus auf Selbstfürsorge und Empathie: Betont die Bedeutung von Selbstfürsorge und einem empathischen Umgang innerhalb der Familie. Unterstützung durch eine aktive Community: Zugang zu einer hilfreichen Facebook-Gruppe und der Expertise einer Patchwork-Familien-Expertin. Vielseitig einsetzbar: Bietet wertvolle Einsichten und Tipps, die über die Patchwork-Thematik hinaus in vielen Lebensbereichen anwendbar sind. Empathische und wertschätzende Sprache: Spricht Leserinnen und Leser auf eine persönliche und respektvolle Weise an. Bewältigung spezifischer Herausforderungen: Geht gezielt auf typische Fallstricke und Lösungswege in Patchworkfamilien ein. Für verschiedene Familienmodelle geeignet: Das Buch bietet einen soliden Grundstock an Rat und Unterstützung für viele Konstellationen innerhalb der Patchwork-Dynamik.
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This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.
