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      • Reading Luxembourg

        Reading Luxembourg is Luxembourg's export programme. Beyond the annual national stand at Frankfurt Book Fair, Reading Luxembourg is in charge of various missions, such as the presence at other fairs, festivals and literary events, a training offer for professionals of the book and publishing sector and strategic support to foreign rights sales. Reading Luxembourg is linking up publishers and authors from Luxembourg with stakeholders on an international level and providing information on available translation and publication grants.

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      • Trusted Partner
        Genre and performance: film and television
        The Arts
        June 2021

        Genre and performance: film and television

        by Christine Cornea

        Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.

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        Public issue television
        Humanities & Social Sciences
        November 2007

        Public issue television

        World in Action' 1963–98

        by Peter Goddard, John Corner, Kay Richardson

        Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;

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        A new genre for television?
        The Arts
        May 2025

        A new genre for television?

        Creativity in historical drama documentary

        by Justin Hardy

        In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.

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        Fictional television and American politics
        Humanities & Social Sciences
        June 2020

        Fictional television and American politics

        by Jack Holland

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      • Trusted Partner
        Public issue television
        Popular culture
        November 2007

        Public issue television

        by Peter Goddard, John Corner, Kay Richardson

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        Eclipsing the West
        Humanities & Social Sciences
        September 2025

        Eclipsing the West

        China, India and the forging of a new world

        by Vince Cable

        As the international order begins to crumble, this incisive book asks what the rise of the Asian superstates means for the future. The Western-dominated world we have known for the past three hundred years is coming to an end. As America withdraws from its role as enforcer of the international order, other countries are moving in to fill the void. Among them are two rising Asian 'superstates'. Accounting for almost half of the world's population, China and India have the potential to wield enormous economic and political power. China is already vying with the US for the top spot in the global economy, and on some measures has surpassed it. By the middle of the century India may be number two. How will these countries navigate their growing roles on the world stage? What are the implications for commerce, international law and the fight against climate change? Vince Cable has followed China and India for decades, first as a professional economist and later as a senior government minister. In Eclipsing the West he draws on the latest data and a lifetime of political and economic experience to offer a compelling account of what the rise of the Asian superstates means for the future.

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        Entertaining television
        The Arts
        September 2008

        Entertaining television

        The BBC and popular television culture in the 1950s

        by Su Holmes

        Entertaining television challenges the idea that the BBC in the 1950s was elitist and 'staid', upholding Reithian values in a paternalistic, even patronising way. By focusing on a number of (often controversial) programme case studies - such as the soap opera, the quiz/ game show, the 'problem' show and programmes dealing with celebrity culture - Su Holmes demonstrates how BBC television surprisingly explored popular interests and desires. She also uncovers a number of remarkable connections with programmes and topics at the forefront of television today, ranging from talk shows, 'Reality TV', even to our contemporary obsession with celebrity. The book is iconclastic, percipient and grounded in archival research, and will be of use to anyone studying television history. ;

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        Video
        April 2005

        Video

        Das reflexive Medium

        by Yvonne Spielmann

        Vom Aufkommen der Videotechnik Mitte der sechziger Jahre bis heute hat sich ein breitgefächertes Feld der Videopraxis etabliert. Es nimmt seinen Ausgang in der Auseinandersetzung mit den Parallelmedien Fernsehen und Performance und entwickelt im Rahmen der Formatvorgaben von Videoband, Videoinstallation und Videoperformance ein eigenes ästhetisches Vokabular. Dieses zeichnet sich durch Übergänge zur Installation, zum Happening und zu multimedialen, hypermedialen und interaktiven Präsentationsformen aus. Yvonne Spielmann fragt in ihrer detaillierten Studie nach dem Stellenwert von Video in technologischer, ästhetischer und medienkultureller Perspektive und vertritt die These, daß Video ein eigenständiges Medium darstellt und nicht etwa ein Zwischenstadium, das mit der Einführung digitaler Technologien obsolet würde. Der vorliegende Band bietet einen Überblick über die Theorie und Geschichte der Videokunst und stellt daher ein Kompendium dieser für die Kunst der Gegenwart maßgeblichen Medienform dar.

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        Popular television in authoritarian Europe
        The Arts
        November 2013

        Popular television in authoritarian Europe

        by Peter Goddard

        This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered. ;

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        Popular television drama
        The Arts
        August 2005

        Popular television drama

        Critical perspectives

        by Jonathan Bignell, Stephen Lacey, Susan Williams

        'Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves. ;

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      • Trusted Partner
        Mothers on American television
        The Arts
        June 2025

        Mothers on American television

        by Kim Akass

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      • Trusted Partner
        Counter-realism
        The Arts
        December 2025

        Counter-realism

        Art and subjectivity in contemporary capitalism

        by Tamara Trodd

        Counter-Realism: Art and subjectivity in contemporary capitalism is an ambitious and original study of key works of film and video art made since 2008 by leading contemporary artists, including William Kentridge, Amalia Ulman, Melanie Gilligan, Lizzie Fitch/Ryan Trecartin and Elizabeth Price. It argues their work should be understood as a reconfigured form of 'realism', expressing economic forces and political pressures across contexts ranging from post-apartheid South Africa, through austerity-era Spain, to contemporary Britain and North America. Supported by original artist interviews and detailed visual analysis of individual works of art, as well as a wide-ranging research base, which synthesises arguments from a variety of disciplines including art history, literary, film and political studies, the book is clearly written, and makes legible the ways in which some of the most vivid and compelling works of contemporary moving-image art engage with historical and contemporary political debates.

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      • Trusted Partner
        Experimental British television
        Popular culture
        July 2015

        Experimental British television

        by Martin Hargreaves

        Throughout its history, British television has found a place, if only in its margins, for programmes that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television history, its experimental tradition has generally either been approached generically or been lost within the assumption that television is simply a mass medium. Avaible for the first time in paperback, Experimental British television uncovers the history of experimental television, bringing back forgotten programmes in addition to looking at relatively more privileged artists or programme strands from fresh perspectives. The book therefore goes against the grain of dominant television studies, which tends to place the medium within the flow of the 'everyday', in order to scrutinise those productions that attempted to make more serious interventions within the medium.

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      • Trusted Partner
        Experimental British television
        Humanities & Social Sciences
        May 2015

        Experimental British television

        by Laura Mulvey, Martin Hargreaves, Jamie Sexton

        Throughout its history, British television has found a place, if only in its margins, for programmes that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television history, its experimental tradition has generally either been approached generically or been lost within the assumption that television is simply a mass medium. Avaible for the first time in paperback, Experimental British television uncovers the history of experimental television, bringing back forgotten programmes in addition to looking at relatively more privileged artists or programme strands from fresh perspectives. The book therefore goes against the grain of dominant television studies, which tends to place the medium within the flow of the 'everyday', in order to scrutinise those productions that attempted to make more serious interventions within the medium. ;

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      • Trusted Partner
        Place, Television, and the Real Orange County
        February 2012

        Place, Television, and the Real Orange County

        by Fletchall, Ann; Lukinbeal, Christopher; McHugh, Kevin

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      • Trusted Partner
        Sally Wainwright
        The Arts
        July 2025

        Sally Wainwright

        by Kristyn Gorton, Beth Johnson

        The first and only book length study of British screenwriter, director and producer Sally Wainwright. Authors Gorton and Johnson brings together Wainwright's key television series and television films with theoretical work on the concept of emotion and feminist television criticism, exploring Wainwright's contributions to British television through the heroic female characters she creates. The book covers a wide range of theoretical work on melodrama, genre and emotion to explore Wainwright's televisual texts, offering analysis of globally recognised television series such as Happy Valley, Last Tango in Halifax, and Gentleman Jack.

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      • Trusted Partner
        You’re nicked
        The Arts
        July 2023

        You’re nicked

        Investigating British television police series

        by Ben Lamb

        You're nicked is the first comprehensive study of television police series in the UK. It reveals how British television's most popular genre has developed stylistically, politically and philosophically from 1955 to the present. Each chapter focuses on a particular decade, investigating how the most-watched series represent the inner workings of the police station, the civilian life of criminals and the private lives of police officers. This new approach unearths the complex ideology underpinning each series and discerns the key insights the genre can provide into the breakdown of the post-war settlement. Offering insightful readings of police series from Dixon of Dock Green to Happy Valley via The Sweeney, The Bill and Cracker, the book is a must-read for crime-drama enthusiasts worldwide. This new paperback edition features an extensive epilogue on Line of Duty and other Jed Mercurio creations.

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      • Trusted Partner
        Screening Sherlock
        The Arts
        February 2025

        Screening Sherlock

        A cultural history of the Great Detective on film and television

        by James Chapman

        Screening Sherlock is the first book-length academic study of the film and television career of the most famous detective in fiction. Chapman explores the contexts, adaptation strategies and critical reception of Sherlock Holmes (and Dr Watson) on film and television in Britain and the United States. The book includes case studies of such famous Holmes impersonators as William Gillette, Basil Rathbone, Peter Cushing, Jeremy Brett and Benedict Cumberbatch, as well as charting a path through many lesser-known productions. From early cinema to the Hollywood studio system, and from heritage drama to contemporary postmodern television, Screening Sherlock is an indispensible work for all aficionados of Arthur Conan Doyle's consulting detective of Baker Street.

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