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      • Cultural Relics Press

        Cultural Relics Press was established in 1957, and is the only press dedicated to publishing archeology related books. It is committed to salvaging and protecting China’s cultural heritage and publicizing the content and artistic charm of traditional Chinese culture. Over the past 60 years, it has published about 7000 kinds of books on culture and archeology”. Its publications on traditional Chinese culture are well received across the world. It is the first press to engage in cultural exchange abroad and cooperate with counterparts in Europe, the United States, Hong Kong and Taiwan. It has collaborated with partners in UK, USA, Italy, Japan, former Yugoslavia, Taiwan. More than 300 awards has been received at home and abroad, including, among others, National Book Award, China Book Award, and “Most Beautiful Books in the World” (Leipzig).

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      • Relish Books

        Kate B. Gordon publishes middle grade fiction under the imprint Relish Books. The first book in the Unicorn King series, Lily and the Unicorn King, blends the unicorns of European mythology with Maori myths and lore, a trio of brave friends and their ponies. The second book in the series, Sasha and the Warrior Unicorn, will be out late in 2020 with the third book in 2021.

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      • Trusted Partner
        The matter of miracles
        The Arts
        February 2021

        The matter of miracles

        by Amelia Jones, Helen Hills, Marsha Meskimmon

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      • Trusted Partner
        The matter of miracles
        Art & design styles: Baroque
        October 2016

        The matter of miracles

        Neapolitan baroque architecture and sanctity

        by Series edited by Amelia Jones, Helen Hills, Marsha Meskimmon

        This book investigates baroque architecture through the lens of San Gennaro's miraculously liquefying blood in Naples. This vantage point allows a bracing and thoroughly original rethink of the power of baroque relics and reliquaries. It shows how a focus on miracles produces original interpretations of architecture, sanctity and place which will engage architectural historians everywhere. The matter of the baroque miracle extends into a rigorous engagement with natural history, telluric philosophy, new materialism, theory and philosophy. The study will transform our understanding of baroque art and architecture, sanctity and Naples. Bristling with new archival materials and historical insights, this study lifts the baroque from its previous marginalisation to engage fiercely with materiality and potentiality and thus unleash baroque art and architecture as productive and transformational.

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      • Trusted Partner
        Relic
        November 2007

        Relic

        Museum der Angst. Lesung

        by Child, Lincoln; Preston, Douglas / Gelesen von Piper, Thomas

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      • Trusted Partner
        Relic
        May 1995

        Relic

        Museum der Angst

        by Preston, Douglas; Child, Lincoln

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      • Trusted Partner
        The relic state
        Colonialism & imperialism
        January 2015

        The relic state

        by Pamila Gupta

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      • Trusted Partner
        The relic state
        Humanities & Social Sciences
        May 2016

        The relic state

        by Pamila Gupta, Andrew Thompson, John M. MacKenzie

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      • Trusted Partner
        Taking travel home
        Humanities & Social Sciences
        April 2022

        Taking travel home

        by Emma Gleadhill, Julie Hardwick

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      • Trusted Partner
        After 1851
        History of Art / Art & Design Styles
        February 2017

        After 1851

        The material and visual cultures of the Crystal Palace at Sydenham

        by Edited by Kate Nichols, Sarah Victoria Turner

        Echoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.

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