Award Publications is an award-winning independent children’s publisher, producing exciting, creative and best-selling books for children from birth to 12 in more than 70 countries around the world since 1972. From picture books to board books, junior learning to activity, gift to reference, our aim is to bring joy, and to encourage, entertain and inspire children, and those who read with them, to build a life-long love of books and reading
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The SZBA is presented to writers, intellectuals and publishers whose writings and translations of humanities have enriched Arab cultural, literary and social life.
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Sexual politics in revolutionary England recounts a dramatic transformation in English sexual polemic that unfolded during the kingdom's mid-seventeenth-century civil wars. In early Stuart England, explicit sexual language was largely confined to manuscript and oral forms by the combined regulatory pressures of ecclesiastical press licensing and powerful cultural notions of civility and decorum. During the early 1640s, however, graphic sex-talk exploded into polemical print for the first time in English history. Over the next two decades, sexual politics evolved into a vital component of public discourse, as contemporaries utilized sexual satire to reframe the English Revolution as a battle between licentious Stuart tyrants and their lecherous puritan enemies. By the time that Charles II regained the throne in 1660, this book argues, sex was already a routine element of English political culture.
Das Werk gilt als unübersetzbar, und dennoch, oder gerade deshalb, hat es immer wieder Übersetzer und Schriftsteller, Außenseiter und Fachleute gereizt, Übersetzungen zu probieren. Gerade die Unterschiedlichkeit der übersetzerischen Ansätze - vom genauen Zusammentragen der einzelnen Sinnschichten bis hin zu einem eleganten Darüberhinhuschen - vermag einen Eindruck dieses rätselhaften Buches zu vermitteln.
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First in a series designed to situate and explain the films of French directors. A concise, accessible and original reading of Truffaut's films. A timely evaluation of the films of a popular director whose work features on most A-level French syllabuses and on the majority of University French Studies programmes both in the UK and the USA .
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Teenage Intimacies offers a new account of 'sexual revolution' in mid-twentieth century England. Rather than focusing on 'Swinging London', the book reveals the transformations in social life that took place in school playgrounds, local cinemas, and suburban bedrooms. Based on over 300 personal testimonies, Teenage Intimacies traces the everyday experiences of teenage girls, illuminating how romance, sex and intimacy shaped their young lives. The book shows how sex became embedded in ideas about 'growing up' and explores how heterosexuality influenced young women's social lives and vice versa. It offers new explanations of why sexual mores shifted in this period, revealing the pivotal role that young women played in changing sexual values, cultures and practices in the 1950s, 1960s and 1970s.
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Colonial governments, institutions and companies recognised that in many ways the effective operation of the Empire depended upon sexual arrangements. For example, nuclear families serving agricultural colonization, and prostitutes working for single men who powered armies and plantations, mines and bureaucracies. For this reason they devised elaborate systems of sexual governance, such as attending to marriage and the family. However, they also devoted disproportionate energy to marking and policing the sexual margins. In Sex, Politics and Empire, Richard Phillips investigates controversies surrounding prostitution, homosexuality and the age of consent in the British Empire, and revolutionises our notions about the importance of sex as a nexus of imperial power relations.
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A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
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Lust, a mortal sin? These times are over. In today's public perception, it is more likely for a boring sex life to be categorised as that. In statistical terms, people have never had as little sex with each other as they do today. And yet tips for a good sex life are to be found on every (digital) corner. Sex has mutated into a lifestyle product, and terms like 'fuckability' and 'MILF' trip lightly off our tongues. Henriette Hell takes a closer look at the thing about sex. She traces the history and genesis of 'sexual liberation', and sheds light on the 'cheating gene' and the #metoo debate. The author asks (and answers) the question of whether sex is becoming more and more antisocial and what actually still turns us on today. In doing so, she focuses on the former mortal sin of lust, which is inseparably linked to the systematic suppression of female lust (and its liberation).
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Tensions in the struggle for sexual minority rights in Europe, newly available in paperback, is the first queer and poststructuralist reading of political rights concepts in the specific European transnational context. In the last thirty years Europe has seen the rise of gay, lesbian, bisexual and transgender movements fighting nationally and transnationally for participation rights in society. In addition academic theorists have increasingly paid attention to the epistemological and ontological roles gender and sexuality play in modern politics. However, in the political process of arguing for rights the centrality of those roles is mostly hidden from view in official institutional and movement discourses. This book investigates the conceptual themes of lesbian, gay and transgender rights and lobby politics in Europe and their open and hidden relations to binary and hierarchical orders of dominance. It contributes to an understanding of the conditions upon which politics of inclusion, participation, social justice and equality rest and why struggles for sexual minority rights have been so difficult and slow. It illuminates how the paradigms of political discourse constitute, consolidate and contest the meaning and cultural significance of gender and sexuality on modern, democratic, capitalist European societies. ;
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
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This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.
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Colonial governments, institutions and companies recognised that in many ways the effective operation of the Empire depended upon sexual arrangements. For example, nuclear families serving agricultural colonization, and prostitutes working for single men who powered armies and plantations, mines and bureaucracies. For this reason they devised elaborate systems of sexual governance, such as attending to marriage and the family. However, they also devoted disproportionate energy to marking and policing the sexual margins. In Sex, Politics and Empire, Richard Phillips investigates controversies surrounding prostitution, homosexuality and the age of consent in the British Empire, and revolutionises our notions about the importance of sex as a nexus of imperial power relations. ;
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Puma - disentangled from the three-part structure of The End of the World News and published here for the first time in its intended format - is Anthony Burgess's lost science fiction novel. Set some way into the future, the story details the crushing of the planet Earth by a heavyweight intruder from a distant galaxy - the dreaded Puma. It is a visceral book about the end of history as man has known it. Despite its apocalyptic theme, its earthquakes and tidal waves, murder and madness, Puma is a gloriously-comic novel, steeped in the rich literary heritage of a world soon to be extinguished and celebrating humanity in all its squalid glory. In Burgess's hands this meditation on destruction, mitigated by the hope of salvation for a select few, becomes powerful exploration of friendship, violence, literature and science at the end of the world.
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This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.
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Penises are clever guys, sensitive and touchy. At least that’s what Michael Sztenc says. And as a sex and couples’ therapist who has worked on male sexuality for over 25 years, he should know. With practical exercises that have been tried and tested for years, he helps the men who come to him with their problems to develop a sense for their bodies and their own eroticism.
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This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
