OB STARE is a Spanish publisher specialized in conscious maternity, early childhood education and development that supports knowledge and freedom of choice. We publish inspirational books for a new way of looking, including empowerment, gender equality, self-love and sexual diversity.
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For over 25 years No Starch Press has set editorial standards with the world's leading technical books on computer security, hacking, and programming.
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In the last quarter of the twentieth century, if French people had a parenting problem or dilemma there was one person they consulted above all: Françoise Dolto (1908-88). But who was Dolto? How did she achieve a position of such influence? What ideas did she communicate to the French public? This book connects the story of Dolto's rise to two broader histories: the dramatic growth of psychoanalysis in postwar France and the long-running debate over the family and the proper role of women in society. It shows that Dolto's continued reputation in France as a liberal and enlightened educational thinker is at best only partially deserved and that conservative and anti-feminist ideas often underpinned her prominent public interventions. While Dolto retains the status of a national treasure, her career has had far-reaching and sometimes harmful repercussions for French society, particularly in the treatment of autism.
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Die gelungenste Weltausstellung aller Zeiten war die Exposition Universelle de Paris von 1889. Weit über 32 Millionen Menschen besuchten das gigantische Spektakel mit knapp 62.000 Ausstellern aus 54 Nationen und 17 französischen Kolonien. Das Wahrzeichen der Schau, der Eiffelturm, blieb Paris bis heute erhalten. Einen legendären Ruf erwarb sich auch das offizielle, wöchentlich erscheinende Journal der Weltausstellung. Auf großformatigen, mit Stahlstichen üppig illustrierten Seiten berichtete es von den Sensationen vor Ort, von dreirädrigen selbstfahrenden Karren und ethnologischen Dörfern, in denen es Kamelreiten für die Kinder und Bauchtänze für die Herren gab. Der Schweizer Kunsthistoriker Beat Wyss hat die hundert originellsten Abbildungen ausgewählt. Sie illustrieren, wie die Expo den Erdball auf ein »Weltdorf« zwischen Trocadéro und Champ de Mars schrumpfen lässt, wie räumliche Distanzen abgebaut und dabei kulturelle Differenzen freigelegt werden. Das späte 20. Jahrhundert wird dafür den Begriff der Globalisierung prägen. Beat Wyss zeigt, wie die Gesellschaften seit dem 19. Jahrhundert mit diesem Prozeß umgehen und mit der Verwestlichung der Welt eine Orientalisierung des Westens einhergeht. Dem Leser als Flaneur über die Bühne der Weltausstellung wird klar: Die Expo 1889 belegt nicht nur den aktuellen Zustand einer Zeit, sondern bietet über die spektakuläre Anordnung ihrer Exponate den Vorschein einer gesellschaftlichen Utopie.
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Medicine for the relief of pain has made little progress in the last 50 years. 16% of our population claim to suffer from chronic pain, for which no lasting help can be found, despite years of treatment by different doctors. Trigger point therapy experts have integrated myofascial techniques into their everyday therapy in recent decades and through this they have achieved good results even with complex and chronic problems. In this book, instructors from the Interest Group for Myofascial Trigger Point Therapy (IMTT) in Switzerland present 33 complex cases of patients with chronic pain, whose pain they were able to relieve permanently with manual trigger point therapy and dry needling. Using these case studies, doublepage spreads with an educational, uniform layout clearly present the diagnosis, pathophysiology and chronifcation of myofascial pain syndromes and, in conclusion, describe encouraging and surprising successes despite previous therapy resistance.
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The years between 1830 and 1852 were turbulent ones in French politics - but were also a golden age for French political caricature. Caricature was wielded as a political weapon, so much so that in 1835 the French politician Adolphe Thiers claimed that 'nothing was more dangerous' than graphic satire. This book is the first full study of French political caricature during the critical years of the July Monarchy (1830-48) and the Second Republic (1848-52). Focusing on the crucial question of republicanism, it shows how caricature was used - by both republicans and anti-republicans - to discuss, define and articulate notions of republican identity during this highly significant period in modern French and European history. ;
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Peter Weiss wurde am 8. November 1916 in Nowawes bei Berlin geboren und starb am 10. Mai 1982 in Stockholm. Zwischen 1918 und 1929 lebte er in Bremen, wo er das Gymnasium besuchte. 1929 kehrte die Familie Weiss nach Berlin zurück, musste jedoch 1934 emigrieren. Die erste Station bildete London, darauf folgte 1936 die SR. In diesen Jahren widmete sich Peter Weiss vorwiegend der Malerei – 1937/1938 studierte er Malerei an der Kunstakademie in Prag. In dieser Zeit besuchte er Hermann Hesse während zweier längerer Aufenthalte in der Schweiz. Die dritte und letzte Emigrationsstation bildete 1939 Schweden, wo Peter Weiss zunächst in Alingsås, ab 1940 in Stockholm wohnte. Hier setzte er seine Tätigkeit als Maler fort. 1947 hielt er sich als Korrespondent einer schwedischen Tagesszeitung in Berlin auf. Seine Artikel versammelte er 1948 zu seiner ersten Buchpublikation. Der Band erschien posthum 1985 unter dem Titel Die Besiegten. Ab diesem Zeitraum entstanden, in schwedischer Sprache, die ersten Prosaarbeiten, Gedichte, und Dramen. Zu den wichtigsten Erzählungen aus dieser Schaffensperiode zählen Die Situation aus dem Jahre 1956 sowie das 1980 unter dem Autorenpseudonym Sinclair veröffentlichte Buch Der Fremde. Keines seiner Manuskripte wurde jedoch von einem schwedischen Verlag zur Publikation angenommen. Mitte der fünfziger Jahre begann Peter Weiss in deutscher Sprache zu schreiben. 1960 erschien sein erstes Prosabuch Der Schatten des Körpers des Kutschers. Zu Beginn der siebziger Jahre wand sich Peter Weiss wieder der Prosa zu. Zwischen 1975 und 1981 erschien der dreibändige Roman Die Ästhetik des Widerstands, deren letzter Band begleitet wird von Notizbücher 1971 – 1980. Ihm wurde posthum der Georg-Büchner-Preis für das Jahr 1982 zuerkannt. Beat Mazenauer, geboren 1958, Germanist und Historiker, lebt als Literaturkritiker und freier Autor in Luzern.
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This is the first ever book to analyse outsourcing - contracting out public services to private business interests. It is an unacknowledged revolution in the British economy, and it has happened quietly, but it is creating powerful new corporate interests, transforming the organisation of government at all levels, and is simultaneously enriching a new business elite and creating numerous fiascos in the delivery of public services. What links the brutal treatment of asylum-seeking detainees, the disciplining of welfare benefit claimants, the profits effortlessly earned by the privatised rail companies, and the fiasco of the management of security at the 2012 Olympics? In a word: outsourcing. This book, by the renowned research team at the Centre for Research on Socio-Cultural Change in Manchester, is the first to combine 'follow the money' research with accessibility for the engaged citizen, and the first to balance critique with practical suggestions for policy reform.
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We moderns were the inhabitants of an age of impetuous forward movement and voracious discontent. Our main virtue was to increase our reach. Increasing our having and accelerating our being were the signposts towards the future. We just could not get enough. Using the blinkers of ignorance and self-anaesthesia, however, we managed to forget the tremendous costs incurred by this intoxication. Now disillusionment has set in. We look to the future with anxiety. We know that we have long since crossed a line and that a revision of our lifestyle is imminent. We have a bad feeling, and doubts about progress often give way to anger and rebellion. Which stocks of the modern narrative should we defend; which would we do better to let go? How will we even "be able to stop"? The path to a different society needs an attractive goal, because without the prospect of a different, better life, we will not move forward. We should start practising immediately. There is no time to lose.
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Home front heroism investigates how civilians were recognised and celebrated as heroic during the Second World War. Through a focus on London, this book explores how heroism was manufactured as civilians adopted roles in production, protection and defence, through the use of uniforms and medals, and through the way that civilians were injured and killed. This book makes a novel contribution to the study of heroism by exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations. By tracing the different ways that Home Front heroism was cultivated on a national, local and personal level, this study promotes new ways of thinking about the meaning and value of heroism during periods of conflict. It will appeal to anyone interested in the social and cultural history of Second World War as well as the sociology and psychology of heroism.
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This book is the first substantial study of Steven Berkoff's career, examining the construction and projection of his notorious public persona through his plays and writings. ;
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Um den Sinn und die Kraft des Rechts zu erschließen, müssen wir weit über die formalen Bausteine staatlicher Rechtsordnungen hinausblicken. Ausgehend von der amerikanischen Bürgerrechtsbewegung und der jüdischen Rechtstradition erkunden Robert Covers bahnbrechende Essays die existenzielle Dichte rechtlicher Weltformung. Nachgezeichnet wird das Wechselspiel von Visionen, Narrativen, tätiger Hingabe und Gewalt, in dem eine unaufhebbare Vielfalt gesellschaftlicher Perspektiven um den Sinn des Rechts ringt. Kaum ein juristischer Autor hat in den vergangenen Jahrzehnten eine so breite interdisziplinäre Rezeption erfahren wie Cover. Mit diesem Band wird sein Werk nun erstmals in deutscher Sprache zugänglich gemacht.
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Um den Sinn und die Kraft des Rechts zu erschließen, müssen wir weit über die formalen Bausteine staatlicher Rechtsordnungen hinausblicken. Ausgehend von der amerikanischen Bürgerrechtsbewegung und der jüdischen Rechtstradition erkunden Robert Covers bahnbrechende Essays die existenzielle Dichte rechtlicher Weltformung. Nachgezeichnet wird das Wechselspiel von Visionen, Narrativen, tätiger Hingabe und Gewalt, in dem eine unaufhebbare Vielfalt gesellschaftlicher Perspektiven um den Sinn des Rechts ringt. Kaum ein juristischer Autor hat in den vergangenen Jahrzehnten eine so breite interdisziplinäre Rezeption erfahren wie Cover. Mit diesem Band wird sein Werk nun erstmals in deutscher Sprache zugänglich gemacht.
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This book is about how to understand the huge variety of markets and market organisation in contemporary economies through a dialogue between a group of UK and French scholars. It presents a critique and development of institutional views of markets, and 'puts markets in their place' in a wider political and social context. In the wake of the 2008 financial crisis in markets, the book makes a topical and significant contribution on the importance of the rules and regulations that constitute markets, and their broader political and legal frameworks. Moreover, the disruption of markets brings to the fore their interconnection with the broader economy, with production, distribution and consumption in a way often ignored at the height of market bubbles. Both theoretical and empirical, a wide range of markets are considered, capital markets for new technology and venture capital, for food, domestic services and scientific knowledge. The authors address how markets emerge and disappear, or indeed why they fail to appear, as well has how they become stable and institutionalised. ;
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The stadium century traces the history of stadia and mass spectatorship in modern France from the vélodromes of the late nineteenth century to the construction of the Stade de France before the 1998 soccer World Cup. As the book demonstrates, the stadium was at the centre of debates over public health and urban development and proved to be a key space for mobilising the urban crowd for political rallies and spectator sporting events alike. After 1945, the transformed French stadium constituted part of the process of postwar modernisation but also was increasingly connected to global transformations to the spaces and practices of sport. Drawing from a wide range of sources, the stadium century links the histories of French urbanism, mass politics and sport through the stadium in an innovative work that will appeal to historians, students of French history and the history of sport, and general readers alike.
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