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OSV is the largest English-language Catholic publishing house in the United States. Founded in Huntington, Indiana, in 1912 by Father (later Archbishop) John Francis Noll, OSV publishes Catholic periodicals, a wide range of trade books, parish products, Bibles, and Vatican documents, and Spanish, bilingual, and English religion curricula and sacrament preparation materials, all designed to foster an encounter with Christ. Learn more about OSV Publishing and the other products and services that OSV offers to serve the Church at www.osv.com.
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Teaching, Language & ReferenceNovember 2023David Bowie, Enid Blyton and the sun machine
by Nicholas Royle
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Humanities & Social SciencesSeptember 2021Nostalgia and the post-war Labour Party
by Richard Jobson
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Business, Economics & LawJune 2024The labour movement in Lebanon
Power on hold
by Lea Bou Khater
The labour movement in Lebanon: Power on hold narrates the history of the Lebanese labour movement from the early twentieth century to today. Bou Khater demonstrates that trade unionism in the country has largely been a failure, for reasons including state interference, tactical co-optation, and the strategic use of sectarianism by an oligarchic elite, together with the structural weakness of a service-based laissez-faire economy. Drawing on a vast body of Arabic-language primary sources and difficult-to-access archives, the book's conclusions are significant not only for trade unionism, but also for new forms of workers' organisations and social movements in Lebanon and beyond. The Lebanese case study presented here holds significant implications for the wider Arab world and for comparative studies of labour. This authoritative history of the labour movement in Lebanon is vital reading for scholars of trade unionism, Lebanese politics, and political economy.
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The ArtsJanuary 2019Michael Winterbottom
by Brian McFarlane, Deane Williams, Brian McFarlane, Neil Sinyard
This is the first book-length study of the most prolific and most critically acclaimed director working in British cinema today. Michael Winterbottom has also established himself, and his company, Revolution Films, as a dynamic force in world cinema. No other British director can claim such an impressive body of work in such a variety of genres, from road movie to literary adaptation, from musical to sex film, to stories of contemporary political significance. The authors of this book use a range of critical approaches to analyse the filmmaker's eclectic interests in cinema and the world at large. With this in mind, the realist elements of such films as Welcome to Sarajevo are examined in the light of a long history of cinema's dealings with realism, as far back as post-war Italian neo-realist filmmaking; whereas Jude and The claim are approached as both literary adaptations (a continuing strand in British cinema history) and examples of other reworked genres (the road movie, the western). This lively study of his work, written in a wholly accessible style, will engage all those who have followed his career as well as those with a wide-ranging interest in British cinema.
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Humanities & Social SciencesSeptember 2019The impact of the Troubles on the Republic of Ireland, 1968–79
by Brian Hanley
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October 2008Traditionelle Chinesische Medizin
Arzneidrogen und Therapie
by Körfers, Angela; Sun, Yutian
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Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
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January 2003I promise when the Sun comes up I promise I'll be true
So singt Tom Waits. Ich will auch Sänger werden
by Stauffer, Michael
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FictionMay 2019Mozart and the Wolf Gang
By Anthony Burgess
by Alan Shockley
Written in 1991 to commemorate the bicentennial of Mozart's death, Burgess's novella-length piece is a compendium of themes, genres and even art-forms revolving around the one central preoccupation of the entire Burgess oeuvre: the reconcilability of life and art. This is a kaleidoscope of a book, which stretches even the bounds of even Anthony Burgess's fiction in an attempt to understand Mozart through celestial dialogue, an opera libretto, and fragments of a film script. As gracefully witty as it is daringly experimental, Mozart and the Wolf Gang is one of Burgess's late, great works, often overlooked due to its experimental form, which nevertheless remains accessible, entertaining and yet refreshingly original to this day. This new critical edition with analysis from noted musicologist and a first-class literary critic Alan Shockley enables this work's significance within the fields of literary modernism, fictional biography, and fiction about music, to be assessed by a new generation of readers and scholars.
