Suryastra
Founded in 2006, Suryastra is an integral media company, representing classic, mythical, enlightening works to be expressed globally across media.
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February 1994Papirnik
Stories
by Doron Rabinovici
Doron Rabinovicis Prosadebüt Papirnik vereint zehn Geschichten, die ihre Herkunft nicht verleugnen, Papirnik, das sind Stories teils aus dem Wiener jüdischen Ambiente, zuweilen aus dem Kriminal, zuweilen surreal. Der junge Autor Doron Rabinovici, dessen ungewöhnliche erzählerische Begabung zu entdecken ist, schreibt vor dem Hintergrund der eigenen Biographie, die den Blick auf Gebürtigkeiten und mißklingende Gegenwärtigkeiten geschärft hat. Amüsant-leichtfüßig und in elegant-plauderndem Ton erzählt, verkehrt sich alle Harmlosigkeit dieser Geschichten sehr rasch, und bizarr Unerwartetes oder Abgründiges tut sich auf: ein Bankier wird zum Finanzier eines Banküberfalls, ein Liebesbrief enthält die Geständnisse eines Serienmörders, zwei Blinde führen sich durch den Nebel, Frauen verlassen ihre Männer oder Freunde betrügen einander. Mühelos und unverkrampft versteht es Rabinovici, in seinen Stories von Liebe und Zeitgeistigem genauso wie von Tod und Bedrohlichem zu erzählen.
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Humanities & Social SciencesJune 2005Reading Walter Benjamin
Writing through the catastrophe
by Richard Lane
'Reading Walter Benjamin' explores the persistence of absolute in Benjamin's work by sketching-out the relationship between philosphy and theology apparent in his diverse writings, from the early youth-movement essays to the later books, essays and fragments. The book examines Benjamin from two main perspectives: a history-of-ideas approach situating Benjamin in relation to the new German-Jewish thinking at the turn of the twentieth-century, as well as the German youth movements, Surrealism and the 'Georgekreis'; and a conceptual approach examining more critical issues in relation to Benjamin and Kant, modern aesthetics and narrative order. Chapters cover: 'Kulturpessimismus' and the new thinking; metaphysics of youth: Wyneken and 'Rausch'; history: surreal Messianism; Goethe and the 'Georgekreis'; Kant's experience; casting the work of art; disrupting textual order; and exile and the time of crisis. The book uses new translations of Benjamin's essays, fragments and his 'Arcades Project', and makes substantial reference to previously untranslated material. Lane's text allows the non-specialist entry into complex areas of critical theory, simultaneously offering original readings of Benjamin and twentieth-century arts and literature. ;
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The ArtsJuly 2010Richard Lester
by Neil Sinyard, Brian McFarlane, Neil Sinyard
Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the 'swinging Sixties' because of his direction of A Hard Day's Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade's optimism slid into disillusionment and violence. This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size. The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike. ;
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March 1996Eleutheria
by Samuel Beckett, Simon Werle
»Eleutheria« (Freiheit) ist das erste Theaterstück, das Samuel Beckett Ende 1940 geschrieben hat. Als er dem französischen Regisseur Roger Blin dieses und sein zweites Stück, »Warten auf Godot«, zur Aufführung anbot, entschied sich Blin für das zweite, weniger darstellerreiche Stück. Die Uraufführung 1953 war ein großer Erfolg, und Beckett zog daraufhin »Eleutheria« zurück; es wurde bis heute nicht aufgeführt. Victor, der Held der Geschichte und der unglückliche Sohn, hat seine bourgeoise Familie, Mutter und Vater Krap, verlassen. Dadurch aber, daß die beiden Schauplätze des Stückes, Victors Pension und der Krapsche Salon, nebeneinanderliegen, ineinander übergehen, gleichzeitig zu sehen sind, bleibt jederzeit ›gegenwärtig‹, was der verlorene Sohn tut, wie im Salon ›andererseits‹ recht merkwürdige Besucher vor sich hin und aneinander vorbei räsonieren. Im zweiten Akt in Victors Pension erfährt er durch seine Mutter und seine Verlobte vom Tode seines Vaters, und die Handlung wird nun immer absurder, um schließlich im dritten Akt einem verrückten Höhepunkt entgegenzusteuern. Zwar sind in dieser brillanten, bitterbösen Familienstudie Situationen, Figuren und Themen angelegt, die in den folgenden Werken ausgefeilt, ergänzt oder verkürzt wiederkehren, nicht aber derart jugendlich impulsiv und surreal wie in diesem ersten Theaterstück von Samuel Beckett."
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The ArtsDecember 2013Simulating the marvellous
Psychology - surrealism - postmodernism
by David Lomas
Simulating the marvellous presents important new research on Surrealism and the culture from which it arose. Offering fresh interpretations of Surrealist art and literature based around the theme of simulation, the book shows, in the late nineteenth and early twentieth centuries, that the notion of simulation arose in a number of discrete contexts, in relation to hysteria and war neuroses; more broadly it shadows the emergence of our concept of 'the unconscious'. Acknowledging simulation's relevance to Surrealism, this book argues, radically alters our understanding of the Surrealists' project and the terms in which one gauges its success or failure. It leads one to question the naïve assumption that automatic writing or drawing represent an authentic outpouring of the unconscious and gives renewed significance to a figure such as Salvador Dalí who embraced simulation and made it the basis of his art and aesthetic. Resonances are also explored with postmodern theory and art practice, around the themes of simulation and the simulacrum.It also points to one of the ways in which Surrealism chimes with a core preoccupation of contemporary art and theory. Written accessibly, and ranging across many of the core ideas of Surrealism, David Lomas balances coverage of both Surrealist art and literature, looking at such figures as Dalì, Eluard, Masson, Desnos, Brouillet, Picasso, Tanning and Janet, as well as Glenn Brown, Douglas Gordon and Sarah Lucas. The book will interest not only art historians and theorists, but also students and those with a general interest in Surrealism. ;
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History of Art / Art & Design StylesSeptember 2016Intersections
Women artists/surrealism/modernism
by Series edited by Amelia Jones, Marsha Meskimmon, Patricia Allmer
Featuring new essays by established and emerging scholars, Intersections: Women artists/surrealism/modernism redefines conventional surrealist and modernist canons by focusing critical attention on women artists working in and with surrealism in the context of modernism. In doing so it redefines critical understanding of the complex relations between all three terms. The essays address work produced in a wide variety of international contexts and across several generations of surrealist production by women closely connected to the surrealist movement or more marginally influenced by it. Intersections explores work in a wide range of media, from painting and sculpture to film and fashion, by artists including Susan Hiller, Maya Deren, Birgit Jurgenssen, Aube Elléouët, Dorothea Tanning, Claude Cahun, Elsa Schiaparelli, Joyce Mansour, Leonor Fini, Mimi Parent, Lee Miller, Leonora Carrington, Ithell Colquhoun and Eileen Agar.
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The ArtsNovember 2007So exotic, so homemade
Surrealism, Englishness and documentary photography
by Ian Walker, John Taylor
In his previous book City Gorged with Dreams (2002), Ian Walker challenged established ideas about Surrealist photography by emphasising the key role played by documentary photographs in Parisian Surrealism. Now Walker turns his attention to the arrival of Surrealism in England in 1936. Examining for the first time the surprising relationship between Surrealism and English documentary photography and film, the book shows that some of the most interesting work of the period was made in the ambiguous spaces between them. One of the key themes in this book is the relationship between the 'homely' and the 'exotic', in the innovative mix of poetry and ethnography in Mass-Observation for example, or the shadowed England constructed in the work of Bill Brandt. Based on extensive archival research, interviews and visits to sites where the photographs were made, this book is rich in detailed analysis yet written in an accessible and often witty style. ;
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The ArtsNovember 2018Leonora Carrington and the international avant-garde
by Jonathan P. Eburne, Catriona McAra
Leonora Carrington (1917-2011) was an English surrealist artist and writer who emigrated to Mexico after the Second World War. This volume approaches Carrington as a major international figure in modern and contemporary art, literature and thought. It offers an interdisciplinary exploration of the intellectual, literary and artistic currents that animate her contribution to experimental art movements throughout the Western Hemisphere, including surrealism and magical realism. The book contains nine chapters from scholars of modern literature and art, each focusing on a major feature in Carrington's career. It also features a visual essay drawn from the 2015 Tate Liverpool exhibition Leonora Carrington: Transgressing Discipline, and two experimental essays by the novelist Chloe Aridjis and the scholar Gabriel Weisz, Carrington's son. This collection offers a resource for students, researchers and readers interested in Carrington's works.
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History of Art / Art & Design StylesJanuary 2017Leonora Carrington and the international avant-garde
by Edited by Jonathan P. Eburne, Catriona McAra
Leonora Carrington (1917-2011) was an English surrealist artist and writer who emigrated to Mexico after the Second World War. As the first comprehensive examination of Carrington's writing and art, this volume approaches her as a major international figure in modern and contemporary art, literature and thought. It offers an interdisciplinary exploration of the intellectual, literary and artistic currents that animate her contribution to experimental art movements throughout the Western Hemisphere, including surrealism and magical realism. In addition to a substantive editorial introduction, the book contains nine chapters from scholars of modern literature and art, each focusing on a major feature in Carrington's career. It also features a visual essay drawn from the 2015 Tate Liverpool exhibition Leonora Carrington: Transgressing Discipline, and two experimental essays by the novelist Chloe Aridjis and the scholar Gabriel Weisz, Carrington's son. This collection offers a resource for students, researchers and readers interested in Carrington's works, and contributes to her continued rise in global recognition.
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September 2008Wo ist meine Schwester?
by Sven Nordqvist, Sven Nordqvist, Angelika Kutsch
In "Wo ist meine Schwester?" begibt sich ein junger Mäusejunge auf die Suche nach seiner verschwundenen Schwester. Gemeinsam mit seinem Großvater macht er sich in einem Birnenballon auf eine fantastische Reise durch surreale Traumwelten, die von Sven Nordqvist meisterhaft in detailreichen Bildern dargestellt werden. Auf jeder Seite gibt es unzählige kleine Geschichten und Bilder zu entdecken, die Leser*innen jeden Alters in ihren Bann ziehen. Die Suche nach der Schwester verbindet die einzelnen Zeichnungen zu einer bezaubernden Geschichte, die zum Staunen und Entdecken einlädt. Nordqvists Kunstwerk fasziniert nicht nur Kinder, sondern auch Erwachsene und lädt dazu ein, immer wieder in diese magische Welt einzutauchen. Traumhafte Illustrationen: Die opulenten und fantasievollen Bilder von Sven Nordqvist entführen die Leser in eine faszinierende Welt voller Details und surrealer Elemente. Stundenlanger Entdeckungsspaß: Auf jeder Seite gibt es unzählige Geschichten und Bilder zu entdecken, die zum immer wieder anschauen und staunen einladen. Für Jung und Alt: Das Buch begeistert Kinder ab fünf Jahren sowie Erwachsene gleichermaßen und bietet eine gemeinsame Entdeckungsreise für die ganze Familie. Kreative Handlung: Die Suche nach der verschwundenen Schwester verbindet die einzelnen Bilder zu einer fesselnden Geschichte, die die Fantasie anregt und zum Mitfiebern einlädt. Kunstvoller Bildband: "Wo ist meine Schwester?" ist nicht nur ein Kinderbuch, sondern auch ein Kunstwerk, das mit dem renommierten August-Strindberg-Preis ausgezeichnet wurde. Stimulierung der Vorstellungskraft: Die surrealen Traumwelten regen die Vorstellungskraft an und bieten Raum für eigene Geschichten und Interpretationen. Ideales Geschenk: Das Buch eignet sich hervorragend als Geschenk für Kindergeburtstage, Weihnachten oder andere Anlässe und bereitet lange Freude. Weitere Bilderbuch-Kunstwerke von Sven Nordqvist: Spaziergang mit Hund Der Weg nach Hause
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Biography & True StoriesMay 2023The invisible painting
by Gabriel Weisz Carrington, Jonathan P. Eburne
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Literature & Literary StudiesJuly 2022Germaine Dulac
by Maryann De Julio, Diana Holmes, Robert Ingram
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November 2013Frühlingsregen
Gedichte und Bilder
by Roberto Yáñez
Magische Landschaften aus Pyramiden und Würfeln, übernatürlich leuchtende Bergseen und bizarre Gestalten formen die phantasmagorische Bildwelt des chilenischen Malers und Lyrikers Roberto Yañez. Dieses Buch verbindet die farbkräftigen Gebilde mit Versen, die ihre surreale Herkunft nicht verleugnen. Bald schlägt den Dichter ein Gespenst, bald ein Satan, gelegentlich auch ein merkwürdiger Engel in seinen Bann. Dann regt sich unter dem Bann schwerer Träume etwas wie die Sehnsucht nach Einheit und Erneuerung: »Jetzt ist die Welt wieder zusammengewachsen.«
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Literature & Literary StudiesJanuary 2024Gothic dreams and nightmares
by Carol Davison
Gothic dreams and nightmares is an edited collection on the compelling yet under-theorised subject of Gothic dreams and nightmares ranging across more than two centuries of literature, the visual arts, and twentieth- and twenty-first century visual media. Written by an international group of experts, including leading and lesser-known scholars, it considers its subject in various national, cultural, and socio-historical contexts, engaging with questions of philosophy, morality, rationality, consciousness, and creativity.
