Topito Ediciones
Take a look at our catalogue and let us know if you are interested.
View Rights PortalYour Search Results
-
-
Silke Heiss (Give Your Writing The Edge)
We are a one-woman charity, hoping to transform into a self-sustaining business, devoted to reminding readers of themselves.
View Rights Portal
-
Promoted Content
Literature & Literary StudiesJuly 2024Mid-century women's writing
Disrupting the public/private divide
by Melissa Dinsman, Megan Faragher, Ravenel Richardson
The traditional narrative of the mid-century (1930s-60s) is that of a wave of expansion and constriction, with the swelling of economic and political freedoms for women in the 1930s, the cresting of women in the public sphere during the Second World War, and the resulting break as employment and political opportunities for women dwindled in the 1950s when men returned home from the front. But as the burgeoning field of interwar and mid-century women's writing has demonstrated, this narrative is in desperate need of re-examination. Mid-century women's writing: Disrupting the public/private divide aims to revivify studies of female writers, journalists, broadcasters, and public intellectuals living or working in Britain, or under British rule, during the mid-century while also complicating extant narratives about the divisions between domesticity and politics.
-
Promoted Content
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
Biography & True StoriesMarch 2022Body Work
The Radical Power of Personal Narrative
by Melissa Febos,
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
-
Trusted Partner
Biography & True StoriesMarch 2022Body Work
The Radical Power of Personal Narrative
by Melissa Febos,
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
-
Trusted Partner
Biography & True StoriesMarch 2022Body Work
The Radical Power of Personal Narrative
by Melissa Febos,
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
-
Trusted Partner
Literature & Literary StudiesFebruary 1994Italian women writing
by Sharon Wood
How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;
-
Trusted Partner
October 2006german writing
Erzählungen
by Bernd Cailloux
Sie interessieren sich für das Schriftstellerleben? Wollen wissen, was jenseits des Schreibtisches sonst so passiert? Was es heißt, in einer Fußballkneipe nach seinem Beruf gefragt zu werden, sich als deutscher Gastautor unvermutet in einer brasilianischen Basketballhalle vor fünftausend Brasilianerinnen wiederzufinden oder als Ein-Satz-Schauspieler in einem Hollywoodfilm? Und wie es ist, vorm Nachtpostschalter Schlange zu stehen, um eine Story in letzter Minute zu einem lukrativen Wettbewerb zu schicken, und plötzlich vor und hinter sich Gesichter von Kollegen zu erblicken ... In neun Erzählungen lüftet Bernd Cailloux die Geheimnisse des »german writing«: etwa, daß der Ausdruck von irischen Fischern stammt und für die runenartig krakeligen Zeichnungen auf Hummerpanzern steht. Und daß ein fetter Hummer und ein dicker Panzer nie verkehrt sind.
-
Trusted Partner
Humanities & Social SciencesJune 2020Working-class writing and publishing in the late twentieth century
by Tom Woodin
-
Trusted Partner
Literature & Literary StudiesOctober 2017Botany, sexuality and women's writing, 1760–1830
From modest shoot to forward plant
by Sam George
In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.
-
Trusted Partner
Literature & Literary StudiesMarch 2000Women's writing of the First World War
an anthology
by Angela Smith
A fully-rounded anthology of women's writing from World War One containing the known and unknown biographers and fiction writers of the period.. Explores the impact of the war on ideology, gender, genre and society and is a perfect complimentary text to Trudi Tate's Women Men and the Great War.. Aims to re-read the First World War as a female experience by drawing on the public and private sources of a wide range of different women.. Uses diaries, letters, articles and essays many of which have not been published.. Invaluable source document for scholars in many disciplines. ;
-
Trusted Partner
Literature: history & criticismMarch 2010Reading, writing and the influence of Harold Bloom
by Alan Rawes and Jonathon Shears
Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.
-
Trusted Partner
Literature & Literary StudiesMarch 2007On the uses of history in recent Irish writing
by Bernhard Klein
This book offers a critical reassessment of the uses of history in contemporary Irish literature and culture. It argues that in much recent Irish writing, history is approached not as the proverbial 'nightmare' from which Joyce's Stephen Dedalus tried to awake, but as a rich, imaginative resource. Drawing on recent debates in Irish literary and cultural criticism, On the uses of history in recent Irish writing explores the varied, creative, and often critically challenging forms of rewriting Ireland's troubled past in contemporary prose, drama and poetry. Individual chapters focus on literary treatments of the Tudor reconquest, the Famine, the Northern Irish Troubles and other key events in Irish history, highlighting in a series of close readings the unique forms of historical thought enabled by different literary forms and genres. Canonical works by authors such as Seamus Heaney, Derek Mahon, Tom Paulin, Brian Friel, Stewart Parker and Frank McGuinness are considered alongside lesser known writers and texts, placing each in their wider social, cultural and historical contexts. ;
-
Trusted Partner
Literature & Literary StudiesOctober 2010Writing for Art
The aesthetics of ekphrasis
by Stephen Cheeke
Writing for art is a concise introduction to the subject of ekphrasis, and the first study to offer a useful general survey of the larger philosophical and theoretical questions arising from the encounter of literary texts and artworks. Stephen Cheeke offers close readings of poems and prose from the nineteenth and twentieth centuries alongside a generous amount of illustrations, covering a broad range of writing and theory about the relation of literary texts to the visual arts, and extending the subject of ekphrasis to include literary works on photography, as well as celebrated prose descriptions of artworks. ;
-
Trusted Partner
Literature & Literary StudiesNovember 2013Writing otherwise
Experiments in cultural criticism
by Jackie Stacey, Janet Wolff
Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies. ;
-
Trusted Partner
Literary studies: from c 1900 -August 2016Writing otherwise
Experiments in cultural criticism
by Edited by Jackie Stacey, Janet Wolff
Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.
-
Trusted Partner
The ArtsJanuary 2025Gestures
A body of work
by Alice Butler, Nell Osborne, Hilary White
Gestures: A body of work is a cross-disciplinary collection of feminist approaches to 'gesture' that considers the term's complex registers across embodied, aesthetic and political scenes. Attending to gestural movements, languages, feelings and communications, the book argues that gestures can unsettle gendered, sexed and racialised relations, norms and affects. Contributors activate the lens of gesture to offer innovative readings of art and literary works from the 1960s onwards and in transnational contexts. Experiments in art writing and autotheory reflect on the entanglement of the body, gesture and feminist practice. The book proposes that gesture be rethought as a mode of feminist practice that includes art, writing, performance and theory. Mixing disciplines, forms, genres and voices, these contributions and the book's gestural structure offer a bold intervention into the conventions of critical writing.
-
Trusted Partner
-
Trusted Partner
