Wilfrid Laurier University Press
Wilfrid Laurier University Press is a scholarly press based in Waterloo, Ontario.
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AlFulk Translation and Publishing
AlFulk Translation & Publishing: An independent publishing house, launched in October 2015 and based in Abu Dhabi. It specialisation is translating children and young adult literature from different languages into Arabic. AlFulk aims for:1. To enrich the Arabic library with diverse cultural collections, in order to aware the readers of the intercultural communication importance. 2. To establish a reading habits base for children from 0-4.3. To increase the level of YA books -both Fantasy, fiction and non-fiction- in terms of their content and illustrations.As the majority in the publishing industry, we have been affected by COVID-19 epidemic. However, we have decided to participate at Frankfurter Buchmesse this year to look at what is new in the industry and to expand our network. We seek long term partnerships.
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Promoted Content
The ArtsJanuary 2019Tears of laughter
Comedy-drama in 1990s British cinema
by Nigel Mather
Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts.
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Promoted Content
The ArtsFebruary 2006Tears of laughter
Comedy-drama in 1990s British cinema
by Nigel Mather
'Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts. ;
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Trusted Partner
The ArtsJanuary 2019Coline Serreau
by Brigitte Rollet
Coline Serreau became famous in 1985 when her third film, Trois hommes et un couffin (Three Men and a Baby), the most successful French film of the 1980s. She was already known in France for her major contribution to feminist documentaries with the acclaimed Mais qu'est-ce qu'elles veulent?, a series of interviews with French women made between 1975 and 1977. She is now a key figure in French cinema and drama, with international hits including Romuald et Juliette (1989) and La Crise (1992). This appraisal of her work situates her films within the social, cultural and political context of France since May 1968, and assesses th emajor impact of the women's movement on French society and culture. Politics and sexual politics, two key aspects of Serreau's films and plays, are thoroughly examined. This book also considers the cultural influences of her work, and provides an overview of her films and filmic skills. Special attention is given to comedy, the cinematographic genre favoured by Serreau and the French audience, which is apprehended from a historical and gendered perspective. The clarity of the style and the wide-ranging analysis of Serreau's films and filming techniques make this book relevant both to students of film and film enthusiasts.
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The ArtsDecember 2012Laughing matters
Understanding film, television and radio comedy
by Glyn White, John Mundy
Laughing Matters takes an analytic approach to film, television and radio comedy and provides an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook. ;
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Literature & Literary StudiesNovember 2015El castigo sin venganza
Lope de Vega Carpio
by Jonathan Thacker, Catherine Davies, Jonathan Thacker
El castigo sin venganza (1631) is Lope de Vega's greatest tragedy. The play dramatises the story of the adulterous relationship between the beautiful Casandra, Duchess of Ferrara, and her step-son, Federico, and the reaction of her husband, the Duke, himself a flawed and ambiguous figure. The dramatist, at the height of his powers, re-works an earlier Italian short story to explore the complexities of human desire and the grim consequences of giving in to temptation. Aimed principally at undergraduates who are new to Spanish Golden Age drama, this edition includes a substantial commentary on the text, explanatory footnotes and a selected vocabulary. The introduction sets the play in its contexts - historical and dramatic - and focuses too on elements of the genre with which new readers might be unfamiliar: performance norms, the poetry of the play and the linguistic differences in Golden Age Spanish. It is informed by up-to-date scholarship on the play from Spain and the Anglophone world. ;
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October 2007Etwas fehlt immer
Erzählungen
by Guy Helminger
Guy Helmingers Erzählungen sind für vieles gelobt worden: den nachtschwarzen, grandios trockenen Humor, die Raffinesse, die so brutale wie komische Abgründigkeit und nicht zuletzt die Tatsache, daß hier endlich einmal jemand eine stichhaltige Erklärung dafür gibt, warum manche Männer vom Zigarettenholen nicht mehr zurückkommen.
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October 1982Geschichte und Geschichtswissenschaft
Dialoge
by Georges Duby, Guy Lardreau, Wolfram Bayer
"Im Gespräch mit dem Philosophen Guy Lardreau gibt Duby hier Auskunft über seine Vorstellungen von Geschichte und über die theoretischen und methodischen Grundlagen der Geschichtswissenschaft; er umreißt seine Sicht der Entwicklungen in der historischen Wissenschaft dieses Jahrhunderts, erläutert die Motive und Grundgedanken seiner wichtigsten Studien und benennt die persönlichen Motive, die seine Arbeit geleitet haben."
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The ArtsJanuary 2019Luc Besson
by Susan Hayward
Widely taught on Film Studies courses and in French Cultural Studies programmesLuc Besson is a popular and respected filmmaker who has achieved international fameA welcome addition to the French Film Directors series.
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The ArtsSeptember 2019Queer Objects
by Chris Brickell, Judith Collard
Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.
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Humanities & Social SciencesJuly 1997The new woman
by Sally Ledger
Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
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Literature & Literary StudiesOctober 2009Edwin Morgan
Inventions of modernity
by Colin Nicholson
Edwin Morgan is Scotland's major living poet, and Inventions of modernity was the first book-length study of his work. Since the 1940s Morgan's poetry has been carving out an alternative to the conventional evolutions from Modernism to Postmodernism, creating instead a substantial body of writing that ranges from the sublime to the hilarious. Instinctively at odds with the literary politics of the Pound-Eliot axis that remained influential deep into the twentieth century, Morgan develops instead a radical and libertarian poetics in an encyclopaedia of forms; from Anglo-Saxon metre through sonnet-sequences to concrete poems, and including gay poetry, science fiction verse and prize-winning translations into both English and Scots from numerous languages. This authoritative volume is of interest to students, teachers and academic researchers involved with strategies of reading, with cultural studies, with the politics of literary history and with gay and transgressive writing. ;
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Literature & Literary StudiesOctober 2012Galatea
by John Lyly, David Bevington, Leah Scragg
Devised as an entertainment for a Tudor monarch, Galatea might be seen, paradoxically, as a parable for our time. Inhabiting a world engaged in a process of change, the characters find themselves locked in a series of transgressive situations that speak directly to contemporary experience and twenty-first-century critical concerns. Same-sex relationships, shifts of authority, and the destabilization of meaning all lend the play a surprising modernity, making it at once the most accessible of Lyly's plays and the one most frequently performed today. Designed for the student reader, Leah Scragg's edition offers a range of perspectives on the work. An extensive introduction locates the play in the context of the Elizabethan court, opening a window onto a kind of drama very different from that of more familiar sixteenth-century writers, such as Marlowe and Shakespeare. The latter's indebtedness to the play is fully documented, while detailed critical and performance histories allow an insight into the work's susceptibility to reinterpretation. ;
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Biography & True StoriesSeptember 2024Bedsit land
The strange worlds of Soft Cell
by Patrick Clarke
A rich and revealing examination of the legendary pop duo Soft Cell. Soft Cell are not your average pop band. Marc Almond and Dave Ball may be best known for the string of hits they released in 1981, but the powerful first phase of their collaboration embraced a staggering array of sounds, influences and innovations that would change the face of music to come. In Bedsit land, Patrick Clarke plunges into the archives and interviews more than sixty contributors, including the band members themselves, to follow Soft Cell through the many strange and sprawling worlds that shaped their extraordinary career. They lead him from the faded camp glamour of the British seaside to the dizzying thrills of the New York club scene. From transgressive student performance art to the sleaze and squalor of pre-gentrified Soho. From the glitz of British showbiz to the drug-addled chaos of post-Franco Spain. He emerges on the other side with the most in-depth, innovative and entertaining account of the duo ever written.
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November 1990Joke by Joke to Conversation
Sprechsituationen mit Witz gemeistert
by Bosewitz, René; Kleinschroth, Robert / Illustriert von Hütter, Mathias
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August 2015Tabou et transgressions
Actes du colloque organisé par le Collège de France, Paris, les 11-12 avril 2012
by Herausgegeben von Durand, Jean-Marie; Herausgegeben von Guichard, Michaël; Herausgegeben von Römer, Thomas
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May 2003Break fee-Vereinbarungen.
Eine Untersuchung von Vereinbarungen für den Fall des Scheiterns einer M&A-Transaktion. Konzern, Konzernrecht und Konzernfinanzierung, Teil XII. Hrsg. von Walther Hadding / Uwe H. Schneider.
by Guinomet, Pascal / Herausgegeben von Hadding, Walther; Herausgegeben von Schneider, Uwe H.
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