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      • Guangdong Petrel Electronic & Audio-Visual Publishing House

        Founded in 1996 as an affiliate of Southern Publishing & Media Co.Ltd.(SPM),Guangdong Petrel Electronic & Audio-Visual Publishing House (PEPH) has now become an all-media publisher specializing in online publishing, as well as creating, publishing and distributing audio-visual products, electronic reading materials, and books,etc.                                                                               PEPH has designed and produced lots of electronic &audio-visual publications and hundreds of books related to social，science,education,language,science and technology, culture,art,among which several series of books were oriented toward international copyright exchanges.                                                                                                             Till now, PEPH has already established cooperative relationships with publishers from South-East Asia and North America, totally exporting more than 200 titles.

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      • Trusted Partner
        The anthropology of ambiguity
        Humanities & Social Sciences
        January 2026

        The anthropology of ambiguity

        by Mahnaz Alimardanian, Timothy Heffernan

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      • Trusted Partner
        Cinematic Ethnography
        Humanities & Social Sciences
        June 2026

        Cinematic Ethnography

        by Laurent Van Lancker

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      • Trusted Partner
        New slaveries in contemporary British literature and visual arts
        Literature & Literary Studies
        June 2021

        New slaveries in contemporary British literature and visual arts

        by Pietro Deandrea

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      • Trusted Partner
        The looking machine
        Humanities & Social Sciences
        January 2019

        The looking machine

        by David MacDougall, Paul Henley, Andrew Irving

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      • Trusted Partner
        The anthropology of power, agency and morality
        Humanities & Social Sciences
        May 2022

        The anthropology of power, agency and morality

        by Victor de Munck, Elisa J. Sobo

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      • Trusted Partner
        Spanish visual culture
        The Arts
        November 2006

        Spanish visual culture

        Cinema, television, internet

        by Paul Julian Smith, Susan Williams

        This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;

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      • Trusted Partner
        Representing ethnicity in contemporary French visual culture
        The Arts
        January 2017

        Representing ethnicity in contemporary French visual culture

        by Joseph McGonagle

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      • Trusted Partner
        Borderline bodies in art and visual culture
        The Arts
        June 2026

        Borderline bodies in art and visual culture

        Unsettling identity and place since 1800

        by Keren Hammerschlag, Natasha Ruiz-Gómez, Tania Anne Cleaves

        Borderline bodies offers original interpretations of visual representations of human bodies as bounded and unbounded, fortified and permeable, mobile and static-subject to borders and able to traverse and challenge them. It also takes as its focus images and objects that might be considered 'borderline' because they sit at the intersection of disciplines or sit outside accepted notions of what constitutes serious 'art.' By mapping the ways human bodies traverse borders and straddle-even dismantle-categories, this volume's essays approach afresh the relationship of bodies to traditional modes of representation, especially in art and medicine, and encourage us to think anew about how we understand the relationship between human corporeality, identity and place. Critical transdisciplinary and transnational analyses of objects and images from a range of geographies shed new light on the themes of: bodies and identity; typologies of the body; racialised bodies; 'normal' and 'abnormal' bodies; encounters between bodies; bodies in transition; bodies and mobility; and the bounded and unbounded human body. The outcome is a fresh approach to depictions of the human body produced for the purposes of artistic and medical education, aesthetic edification, and scientific and professional advancement, which disrupts assumptions about the normative human body perpetuated through Western image-making traditions.

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        Beyond text?
        Humanities & Social Sciences
        February 2021

        Beyond text?

        Critical practices and sensory anthropology

        by Rupert Cox, Andrew Irving, Christopher Wright

        This electronic version has been made available under a Creative Commons () open access license. Beyond text? Critical practices and sensory anthropology is about the relationship between anthropological understandings of the world, sensory perception and aesthetic practices. It suggests that if different sensory experiences embody and facilitate different kinds of knowledge, then we need to develop new methods and more creative forms of representation that are not based solely around text or on correspondence theories of truth. The volume brings together leading figures in anthropology, visual and sound studies to explore how knowledge, sensation and embodied experiences can be researched and represented by combining different visual, aural and textual forms which it demonstrates through an accompanying DVD. The book and DVD make an argument for a necessary, critical development in anthropological ways of knowing that take place not merely at the level of theory and representation but also through innovative fieldwork methods and media practices.

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      • Trusted Partner
        Literary and visual Ralegh
        Literature & Literary Studies
        October 2013

        Literary and visual Ralegh

        by J. B. Lethbridge

        This collection of essays by scholars from Great Britain, the United States, Canada and Taiwan covers a wide range of topics about Ralegh's diversified career and achievements. Some of the essays shed light on less familiar facets such as Ralegh as a father and as he is represented in paintings, statues, and in movies; others re-examine him as poet, historian, as a controversial figure in Ireland during Elizabeth's reign, and look at his complex relationship with and patronage of Edmund Spenser. A recurrent topic is the Hatfield Manuscript in Ralegh's handwriting, which contains his long, unfinished poem 'The Ocean to Cynthia', usually considered a lament about his rejection by Queen Elizabeth after she learned of his secret marriage to one of her ladies-in-waiting. The book is appropriate for students of Elizabethan-Jacobean history and literature. Among the contributors are well-known scholars of Ralegh and his era, including James Nohrenberg, Anna Beer, Thomas Herron, Alden Vaughan and Andrew Hiscock. ;

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      • Trusted Partner
        Understanding displacement aesthetics
        Humanities & Social Sciences
        January 2026

        Understanding displacement aesthetics

        History, art and museums

        by Ana Carden-Coyne, Charles Green, Chrisoula Lionis, Angeliki Roussou

        Since the Second World War and the formalisation of the international refugee regime, forced displacement has been marked by a set of aesthetic, practical, and institutional concerns. Understanding Displacement Aesthetics examines how visual culture and art practice constructs and challenges ideas about forced displacement and refugees. The novel framework for 'displacement aesthetics' moves beyond conventional understandings of aesthetics as merely representational, demonstrating the entanglement of visual culture, art practices, and forced displacement in postmigrant contexts. Bringing together the fields of cultural history, art history, and curatorial studies, Understanding Displacement Aesthetics identifies four areas for consideration: visual tropes of refugeedom; language and identity; institutional and artistic responses to displacement; and lived experiences of artists with backgrounds of displacement. Through archival research, visual culture and art, interviews, and collaborative curatorship, Understanding Displacement Aesthetics offers new insight into overcoming the limitations that contexts of displacement can present for artists, art galleries and institutions addressing refugeedom and its legacies.

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      • Trusted Partner
        Art, ethnography and the life of objects
        The Arts
        January 2012

        Art, ethnography and the life of objects

        Paris, c.1925–35

        by Julia Kelly, Marsha Meskimmon, Shearer West, Tim Barringer

        In the 1920s and 1930s, anthropology and ethnography provided new and striking ways of rethinking what art could be and the forms which it could take. This book examines the impact of these emergent disciplines on the artistic avant-garde in Paris. The reception by European artists of objects arriving from colonial territories in the first half of the twentieth century is generally understood through the artistic appropriation of the forms of African or Oceanic sculpture. The author reveals how anthropological approaches to this intriguing material began to affect the ways in which artists, theorists, critics and curators thought about three-dimensional objects and their changing status as 'art', 'artefacts' or 'ethnographic evidence'. This book analyses texts, photographs and art works that cross disciplinary boundaries, through case studies including the Dakar to Djibouti expedition of 1931-33, the Trocadéro Ethnographic Museum, and the two art periodicals Documents and Minotaure. Through its interdisciplinary and contextual approach, it provides an important corrective to histories of modern art and the European avant-garde. ;

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      • Trusted Partner
        Spanish visual culture
        Films, cinema
        November 2006

        Spanish visual culture

        by Paul Julian Smith

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      • Trusted Partner
        Literary and visual Ralegh
        Literature & Literary Studies
        January 2017

        Literary and visual Ralegh

        by J. B. Lethbridge, Christopher Armitage

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      • Trusted Partner
        Sonic ethnography
        Humanities & Social Sciences
        November 2020

        Sonic ethnography

        by Lorenzo Ferrarini, Nicola Scaldaferri, Paul Henley, Faye Ginsburg, Andrew Irving, Sarah Pink

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      • Trusted Partner
        Maternal bodies in the visual arts
        The Arts
        May 2018

        Maternal bodies in the visual arts

        by Rosemary Betterton

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      • Trusted Partner
        Picturing the Romantic
        The Arts
        September 2025

        Picturing the Romantic

        New perspectives on European Romanticism(s) in the visual arts

        by Elisabeth Ansel, Johannes Grave, Christin Neubauer, Mira Claire Zadrozny

        European Romanticism in the visual arts has always been defined by transnational transfer processes. It is surprising that international aspects of Romantic movements have been, in contrast to literary studies, a gap in art historical research. Picturing the Romantic addresses this issue and reveals new perspectives on European Romanticism(s) in the visual arts by reconsidering the phenomenon's traditional canon, geographical dimensions and terminology and analysing various examples of the complex and heterogeneous works of Romantic painting. In sixteen original essays, renowned and early career researchers examine the question of whether to speak of several independently considered Romanticisms or one European Romanticism. They adopt a transnational perspective on Romantic art in and beyond Europe, focusing on the interconnections between the countries.

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      • Trusted Partner
        Border images, border narratives
        Humanities & Social Sciences
        June 2023

        Border images, border narratives

        The political aesthetics of boundaries and crossings

        by Johan Schimanski, Jopi Nyman

        This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.

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