All Things Women
Find your focus and strengths in times of crisis.
View Rights PortalChile is Guest of Honour at Frankfurter Buchmesse 2027. At the Chilean organiser’s invitation, an open call was conducted among Chilean publishers to find out which titles they would recommend for translation. This is the result. The Chilean Ministry of Foreign Affairs supports the translation and production of Chilean books through the programmeTranslating Chile. Next call for all languages 2026-2027: November 2025 More information:https://www.dirac.gob.cl/open-call-2026-for-translating-chilean-literature
View Rights PortalFemale mental illness has been a prominent and complicated theme in surrealist cultural traditions, including the idealization of women with mental illness in works such as André Breton's Nadja (1928). Art historians have examined this tendency before, but to date there has been no comprehensive study of the lived reality of women surrealist artists with mental illness. How did women's experience and their work intersect with this romanticized vision? Was the masculine dream of feminized, "mad" genius prohibitive or productive for these women artists? After establishing the ideological field within which these women worked, the book turns to case studies of well-known and some lesser-known artists, including Ángeles Santos, Leonora Carrington, Dora Maar, Claude Cahun, Frida Kahlo, Meret Oppenheim, Sonja Sekula, and Unica Zürn. This collection of essays contains a wide range of responses, revealing surrealism's generative as well as restrictive force.
Rethinking Right-Wing Women explores the institutional structures for and the representations, mobilisation, and the political careers of women in the British Conservative Party since the late 19th century. From the Primrose League (est.1883) to Women2Win (est.2005), the party has exploited women's political commitment and their social power from the grass-roots to the heights of the establishment. Yet, although it is the party that extended the equal franchise, had the first woman MP to sit Parliament, and produced the first two women Prime Ministers, the UK Conservative Party has developed political roles for women that jar with feminist and progressive agendas. Conservative women have tended to be more concerned about the fulfilment of women's duties than the realisation of women's rights. This book tackles the ambivalences between women's politicisation and women's emancipation in the history of Britain's most electorally successful and hegemonic political party.
This book provides a detailed analysis of women's involvement in litigation and other legal actions within their local communities in late-medieval England. It draws upon the rich records of three English towns - Nottingham, Chester and Winchester - and their courts to bring to life the experiences of hundreds of women within the systems of local justice. Through comparison of the records of three towns, and of women's roles in different types of legal action, the book reveals the complex ways in which individual women's legal status could vary according to their marital status, different types of plea and the town that they lived in. At this lowest level of medieval law, women's status was malleable, making each woman's experience of justice unique.
While there is increasing interest in the lives of medieval women, the documentary evidence for their activities remains little known. This book provides a collection of sources for an important and influential group of women in medieval England, and examines changes in their role and activities between 1066 and 1500. For most noble and gentry-women, early marriage led to responsibilities for family and household, and, in the absence of their husbands, for the family estates and retainers. Widowhood enabled them to take control of their affairs and to play an independent part in the local community and sometimes further afield. Although many women's lives followed a conventional pattern, great variety existed within family relationships, and individuality can also be seen in religious practices and patronage. Piety could take a number of different forms, whether a woman became a nun, a vowess or a noted philanthropist and benefactor to religious institutions. This volume provides a broad-ranging and accessible coverage of the role of noble women in medieval society. It highlights the significant role played by these women within their families, households, estates and communities.
Far too often, everyday stress, pressure to perform or inner blockages spoil our enjoyment of the most beautiful thing in the world: our female sexuality. How can we free ourselves from firmly internalized taboos? What little tricks can we use to get our sex life back on track and keep the imagination in our head running successfully?Experienced sex therapist Julia Sparmann not only offers surprising solutions to typical problems such as loss of libido, communication difficulties or orgasm problems. She also encourages women to deal confidently with their sexuality and develop a positive body image.
Based on the original and authoritative Revels texts, Plays on women brings together four plays which dramatise the lives of women in Shakespeare's England The only available anthology focusing on women and including the four plays most often discussed. . . . ;
How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;
Iraqi women in Denmark is an ethnographic study of ritual performance and place-making among Shi'a Muslim Iraqi women in Copenhagen. The book explores how Iraqi women construct a sense of belonging to Danish society through ritual performances, and investigates how this process is interrelated with their experiences of inclusion and exclusion in Denmark. The findings refute the all too simplistic assumptions of general debates on Islam and immigration in Europe that tend to frame religious practice as an obstacle to integration in the host society. In sharp contrast to the fact that the Iraqi women's religious activities in many ways contribute to categorising them as outsiders to Danish society, their participation in religious events also localises them in the city. Written in an accessible, narrative style, this book addresses both an academic audience and the general reader interested in Islam in Europe and immigration to Scandinavia. ;
Popular Victorian women writers considers a diverse group of women writers within the Victorian literary marketplace. It looks at authors such as Ellen Wood, Mary Braddon, Rhoda Broughton and Charlotte Yonge as well as less well-known writers including Jessie Fothergill and Eliza Meteyard. Each essay sets the individual author within her biographical and literary context and provides refreshing insights into their work. Together they bring the work of largely unknown authors and new perspectives on known authors to critical and public attention. Accessible and informative, the book is ideal for students of Victorian literature and culture as well as tutors and scholars of the period. ;
This is the first book to consider the difference women MPs make for women constituents in Britain by comparing women parliamentarians' activities, priorities and perceptions to those of their male colleagues. It uncovers complicated gender dynamics that have been neglected in other works because of an exclusive focus on the activities of women MPs, and mounts a systematic challenge to the idea that a critical mass of women is necessary for women's presence to matter. By comparing the representation received by women from a parliament with few women to that received from a parliament with many women, Anna Dionne leads the reader to understand why numbers are not magic. Her empirical research includes interviews with over eighty parliamentarians in London, Scotland, Wales and Northern Ireland, and the amassing of an unprecedented and comprehensive database of representatives' legislative activities. She compares how men and women and different political parties introduce and support bills and motions, ask parliamentary questions, participate in committee and floor debates, and work behind the scenes for cross-party consensus and on constituency casework. The analysis considers gender similarities and differences throughout the policy process and explains the gender dynamics with a new sensitivity to their fluctuation. ;
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies. ;
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
An acclaimed biography of poet, pacifist and political firebrand Eva Gore-Booth. The Irish poet and activist Eva Gore-Booth (1870-1926) led a life defiantly at odds with her aristocratic origins. Choosing to live and work among the poor of Manchester, she campaigned on behalf of barmaids, circus performers, flower sellers and pit-brow lasses, her partner, Esther Roper, at her side. Gore-Booth was tireless in her pursuit of justice. She was a militant pacifist during the First World War, a champion of Irish independence and a pioneering thinker on gender and sexuality. She was also a prolific author, publishing nineteen volumes of poetry and prose that reflect the full force of her radical convictions. Featuring a new preface that situates Gore-Booth's life and work in the context of our current political climate, this biography reclaims her place as a significant figure of Anglo-Irish letters and an unsung hero of LGBT+ history.
A ground breaking new book that considers all Siddal poems with reference to female and primarily male counterparts, adding substantially to knowledge of her work as a writer, and their shared contemporary concerns. Dante Rossetti, Swinburne, Tennyson, Ruskin and Keats were either known to her or a source of influence on the Pre-Raphaelite Brotherhood with which she was associated, and certain of their texts are compared with hers to discuss interplay between erotic and spiritual love, the ballad tradition, nineteenth-century feminism, and the Romantic concept of the conjoined physical and spectral body. Siddal's artwork is used to introduce each chapter, while other Pre-Raphaelite paintings illuminate the texts and further the inter-disciplinary philosophy of the Brotherhood. This important and stimulating book focuses on the intrinsic merit of Siddal's poetics whilst advocating a research method that could have multiple applications elsewhere.
This book is about the lives of refugee women in Britain and France. Who are they? Where do they come from? What happens to them when they arrive, while they wait for a decision on their claim for asylum, and after the decision, whether positive or negative? It shows how laws and processes designed to meet the needs of men fleeing political persecution often fail to protect women from persecution in their home countries and fail to meet their needs during and after the decision-making process. It portrays refugee women as resilient, resourceful and potentially active participants in British and French social, political and cultural life. It exposes the obstacles that make active participation difficult. The book is an authoritative and thorough synthesis of all available material on refugee women in Britain and France. The style is accessible and highly readable, making this an ideal book for academics, students and interested readers. ;