We are a Spanish graphic novel publisher, specialized in comic books for adults, young readers and children. Our publications are mostly one shot and we work with all literary genres. Click here to discover our graphic novel catalogue, as well as those of the comic publishers and authors that we also represent. https://www.grafitoeditorial.com/foreign-rights/
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Granta Books is one of the most independent-minded and prestigious literary publishers in the UK.
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This volume on Norman Italy (southern Italy and Sicily, c. 1000-1200) honours and reflects the pioneering scholarship of Graham A. Loud. An international group of scholars reassesses and recasts the paradigm by which Norman Italy has been conventionally understood, addressing varied subjects across four key themes: historiographies, identities and communities, religion and Church, and conquest. The chapters revise and refine our understanding of Norman Italy in the eleventh and twelfth centuries, demonstrating that it was not just a parochial Norman or Mediterranean entity but also an integral player in the medieval mainstream.
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This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
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The extraordinary twentieth-century writer Barbara Comyns led a life as captivating as the narratives she spun. This pioneering biography reveals the journey of a woman who experienced hardship and single-motherhood before the age of thirty but went on to publish a sequence of novels that are unique in the English language. Comyns turned her hand to many jobs in order to survive, from artist's model to restoring pianos. Hundreds of unpublished letters reveal an occasionally desperate but resourceful and witty woman whose complicated life ranged from enduring poverty when young to mixing with spivs, spies and high society. While working as a housekeeper in her mid-thirties, Comyns began transforming the bleak episodes of her life into compelling fictions streaked with surrealism and deadpan humour. The Vet's Daughter (1959), championed by Graham Greene, brought her fame, although her use of the gothic and macabre divided readers and reviewers. This biography not only excavates Comyns's life but also reclaims her fiction, providing a timely reassessment of her literary contribution. It sheds new light on a remarkable author who deftly captured the complexities of human life.
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Anthony Burgess draws upon an autobiographical episode to create Beard's Roman Women, the story of a man haunted by his first wife, presumed dead. But is she? A marvellously economical book, full-flavoured, funny, and heartfelt, showing its author at the height of his powers. This new edition is the first to be published with David Robinson's photographs for over 40 years. The text of the novel has been restored using the original typescripts, and Graham Foster's new introduction provides valuable insight into the fictional and biographical contexts of the novel. The text is fully annotated with a detailed set of notes and this edition includes the previously unpublished script for Burgess's television film By the Waters of Leman: Byron and Shelley at Geneva, and a rare piece of Burgess's writing about Rome.
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In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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»Wer den Chor der Mäuse nicht hört, braucht nicht mit mir befreundet zu sein.« Clemens J. Setz ist der Autor bahnbrechender Romane wie Die Stunde zwischen Frau und Gitarre, aufregender Erzählungsbände wie Der Trost runder Dinge, von Gedichten, Theaterstücken, Drehbüchern, Nacherzählungen und Essays. Er ist Übersetzer, ein Freund der Plansprachen, des Obertongesanges, der Ziegen und der Hasen. Er ist Träger des Georg-Büchner-Preises, des Kleist-Preises, des Berliner Literaturpreises. Außerdem ist er ein Poet der Kurznachrichtendienste und noch einiges mehr. In seiner radikalen Vielfältigkeit und vielfältigen Radikalität ist er eine herausragende Figur der Gegenwartsliteratur. Für Fans der Setz’schen Werke und seiner Person ist dieses hochwertige Plakat mit einem Porträt des Dichters gedacht, aufgenommen vom Berliner Fotografen Max Zerrahn. Poster auf stabilem GalaxyArt-Papier im DIN-A1-Format
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This is the first substantial history to trace the political development of the Ulster Unionist Party through the years of protest and opposition to Irish Home Rule to the half-century as a governing party within Northern Ireland, and beyond to the current attempts to bring peace to the Province. It demonstrates why the Party is so central to efforts to reach a political settlement, and explains why it has for so long been the main political voice of the pro-Union electorate in Northern Ireland. An important and scholarly work based on extensive primary source research, it brings to light forgotten historical episodes of contemporary political significance, and provides new angles on old controversies and debates. The book discusses the evolution of the Ulster Unionist Party with reference to competing ideological currents, class and social tensions within the Unionist movement, and the role of leadership figures and maverick personalities. This is a book that maps the party's historical journey from the dramatic days of Carson to the current predicaments of Trimble. ;
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This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;
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This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
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Die Kinderbuchklassiker „Der Wind in den Weiden“, „Peter Pan“ und die beliebtesten Märchen der Brüder Grimm - liebevoll und kindgerecht nacherzählt und wunderschön illustriert. Maulwurf, Ratterich und der Dachs müssen ihrem Freund, dem Kröterich, mal wieder aus der Patsche helfen. Er kann einfach nicht auf seine halsbrecherischen Abenteuer verzichten. Zahllose Abenteuer warten auch auf Wendy und ihre Brüder. Denn Peter Pan und die Fee Tinker Bell nehmen sie mit auf eine fantastische Reise nach Nimmerland. Und Dornröschen, Hänsel und Gretel, die Bremer Stadtmusikanten und viele andere bekannte Figuren entführen in märchenhafte Welten. Wunderbare Bilderbuchklassiker zum Vorlesen ab 4 Jahren!
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This book is our principal source for the history of the Kingdom of Sicily in the troubled years between the death of its founder, King Roger, in February 1154 and the spring of 1169. It covers the reign of Roger's son, King William I, known to later centuries as 'the Bad', and the minority of the latter's son, William II 'the Good'. The book illustrates the revival of classical learning during the twelfth-century renaissance. It presents a vivid and compelling picture of royal tyranny, rebellion and factional dispute at court. Sicily had historically been ruled by tyrants, and that the rule of the new Norman kings could be seen, for a variety of reasons, as a revival of that classical tyranny. A more balanced view of Sicilian history of the period 1153-1169 has been provided as an appendix to the translation in the section of the contemporary world chronicle ascribed to Archbishop Romuald II of Salerno, who died in April 1181. In particular the chronicle of Romuald enables us to see how the papal schism of 1159 and the simultaneous dispute between the German Emperor Frederick Barbarossa and the north Italian cities affected the destiny of the kingdom of Sicily. In contrast to the shadowy figure of Hugo Falcandus, the putative author of the principal narrative of mid-twelfth-century Sicilian history, Romuald II, Archbishop of Salerno 1153-1181, is well-documented.
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Seit seinem Debüterfolg mit dem Roman Wäldchestag im Jahr 2000 ist Andreas Maier häufig unterwegs, um aus seinen Romanen zu lesen. Nur daß er in den letzten ein, zwei Jahren meist, wenn er eingeladen war, auch immer wieder schon aus dem kommenden Onkel J. las. Jedesmal hatte er damit das Publikum im Handumdrehen auf seiner Seite. Umstandslos fand man sich angeschlossen an Maiers Welt aus Wetterau, Familie, Fußball, Apfelwein, aus Thomas Bernhard und dem Evangelium nach Matthäus, aus Ängsten, Kneipenfreuden und -nöten, eingepackt in absurde Vorkommnisse und komische Erlebnisse. Jede Kolumne beginnt mit einem »Neulich«-Satz, die erste so: »Neulich war ich in Berlin. Das wird jetzt niemand weiter ungewöhnlich finden, aber ich bin Hesse, und mir ging in Berlin ein Wunsch in Erfüllung.« Dennoch handelt es sich um alles andere als ein Kolumnenbuch. Vielmehr nimmt Onkel J. – im Übergang von den ersten vier Romanen zu Maiers Projekt »Ortsumgehung« – eine zentrale Stelle ein. »Alles gehört zusammen, und für alles ist das Kolumnenbuch der Kern.«
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Die Frage nach der Identität von W. H., dem Shakespeare seine Sonette widmete, ist eines der klassischen Rätsel der Shakespeare-Forschung. Auch Cyril Graham, der jugendliche Held in Wildes Geschichte, verfällt dem Sog der Spekulation. Er ist überzeugt, W. H.s Identität gelüftet zu haben: Willie Hughes, ein jugendlicher Schauspieler aus Shakespeares Truppe, ist, so beweist er glaubhaft, der Adressat der Sonette. Um die letzten Zweifler zu überzeugen, begeht er eine Fälschung – doch der Betrug wird aufgedeckt ...Wildes virtuose Geschichte einer Obsession ist ein amüsantes Verwirrspiel über die enge Verflechtung von Kunst und Leben und eine gelungene Parodie der biographischen Methode in der Literaturwissenschaft – ein Muß für Wilde- und Shakespeare-Leser.
