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Rereading Chaucer and Spenser is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser. By reading one of the greatest poets of the Middle Ages alongside one of the greatest poets of the English Renaissance, this collection poses questions about poetic authority, influence, and the nature of intertextual relations in a more wide-ranging manner than ever before. With its dual focus on authors from periods often conceived as radically separate, the collection also responds to current interests in periodisation. This approach will engage academics, researchers and students of Medieval and Early Modern culture.
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Von klein auf waren Alans beste Freunde ein Junge namens Christopher und die Zahlen. Als Christopher starb, war die Mathematik Alans Trost. Er entwickelte Schachprogramme und schaffte es, komplizierte Codes zu knacken, die niemand zuvor entschlüsselt hatte. Seine Beiträge machten später die Erfindung des Computers möglich. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Malerin, Sänger oder Architektin, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
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Albert Einstein hat nicht nur die berühmteste Gleichung der Welt erfunden: E = mc2. Er hat auch einige erstaunliche Phänomene rund um Zeit, Raum, Licht und Relativität entdeckt. Dazu gehört, dass Astronauten im Weltraum langsamer altern als Menschen auf der Erde (das berühmte Zwillingsparadoxon). Oder, dass feste Gegenstände bei hoher Geschwindigkeit ihre Form verändern. Dazu verhalf ihm seine Fähigkeit, Autoritäten und allgemein anerkannte Lehrmeinungen der Wissenschaft in Frage zu stellen. »Autoritätsdusel ist der größte Feind der Wahrheit«, schrieb er einmal. Einstein dachte visuell und überlegte sich lustige Experimente. Mit anschaulichen, großformatigen Bildern und verständlichen Erklärungen führt dieses Buch ein in Einsteins faszinierende Gedankenwelt und Entdeckungen, die bis in die heutige Zeit fortwirken: Kernspaltung, Schwerefeld, Ereignishorizont, Higgs-Boson und schwarze Löcher erforschen wir heute auf der Grundlage von Einsteins Erkenntnissen. Er hat die Welt für immer verändert.
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This books traces the rise to prominence in the twentieth-century of a sub-genre of gothic fiction that is, emphatically, a horror of enlightenment rationality rather than gothic darkness, examining post-modern revisions of Modernist "Promethean" tropes in an eclectic range of gothic, fantasy and SF writing. Whether the subject be terror of London's churches in the psychogeographical fiction of Iain Sinclair and Alan Moore, the Orcs in the linguistic fantasies of J.R.R. Tolkien, King Kong, killer-computers, or demon-children in post-war British science-fiction, A Book of Monsters offers illuminating perspectives on the darker recesses of the post-modern imagination, setting out a compelling, and comprehensive, overview on our contemporary unconscious.
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A bicentennial celebration of brilliant thinkers from The University of Manchester's history. The year 2024 marks two centuries since the establishment of The University of Manchester in its earliest form. The first of England's civic universities, Manchester has been home and host to a huge number of influential thinkers and generated world-changing ideas. This book presents a rich account of the remarkable contribution that people associated with The University of Manchester have made to human knowledge. A who's who of Manchester greats, it presents fascinating snapshots of pioneering artists, scholars and scientists, from the poet and activist Eva Gore-Booth to the economist Arthur Lewis, the computer scientist Alan Turing and the physicist Brian Cox.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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The new wave of cultural materialists in Britain and new historicists in the United States here join forces to depose the sacred icon of the "eternal bard" and argue for a Shakespeare who meditates and exploits political, cultural and ideological forces. Ten years on, this second edition presents additional essays by Jonathan Dollimore and Alan Sinfield. ;
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This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
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Zen ist keine theoretische Belehrung, es ist kein Studium von Schriften. Zen gründet sich vielmehr auf Praxis und auf persönliches Erleben der Wirklichkeit. Es bedeutet den unmittelbaren Kontakt mit dem Leben mit dem Ziel, eine nahtlose Verbindung zwischen Ich und Leben zu schaffen. Der große amerikanische Religionsphilosoph Alan Watts (1915-1973) hat diese Einführung in den Geist des Zen und den Zen-Buddhismus eigens für westliche Leser verfaßt und zeigt ihnen Wege auf, wie sie sich dem Denken des Zen nähern können. Das Buch wurde zum Klassiker.
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Written in 1991 to commemorate the bicentennial of Mozart's death, Burgess's novella-length piece is a compendium of themes, genres and even art-forms revolving around the one central preoccupation of the entire Burgess oeuvre: the reconcilability of life and art. This is a kaleidoscope of a book, which stretches even the bounds of even Anthony Burgess's fiction in an attempt to understand Mozart through celestial dialogue, an opera libretto, and fragments of a film script. As gracefully witty as it is daringly experimental, Mozart and the Wolf Gang is one of Burgess's late, great works, often overlooked due to its experimental form, which nevertheless remains accessible, entertaining and yet refreshingly original to this day. This new critical edition with analysis from noted musicologist and a first-class literary critic Alan Shockley enables this work's significance within the fields of literary modernism, fictional biography, and fiction about music, to be assessed by a new generation of readers and scholars.
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Drawing on the work of British sculptor Antony Gormley, alongside more traditional literary scholarship, this book argues for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later - and earlier - texts. Responding to this, the book presents innovative readings of the relationships between medieval texts and early modern drama, literary texts and material culture. It re-energises conventional models of source and analogue study to reveal unexpected - and sometimes unsettling - literary cohabitations. At the same time, it exposes how associations between architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.
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Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.
