Bella & Harry, LLC
A newcomer to the children’s publishing industry, Bella & Harry publish books in an informative, interactive and exciting way to introduce children to travel, different countries, customs, history and landmarks.
View Rights PortalA newcomer to the children’s publishing industry, Bella & Harry publish books in an informative, interactive and exciting way to introduce children to travel, different countries, customs, history and landmarks.
View Rights PortalAn Independent US publisher cooperating with publishers all over the world to bring books of multicultural, environmental, and social value to light in new markets.
View Rights Portal"Die junge Generation hat auch heute Respekt vor dem Alter, allerdings nur noch beim Wein, beim Whisky und bei den Möbeln." Norman Mailer bezeichnete Truman Capote als „vollkommensten Schriftsteller meiner Generation“: „Bissig wie meine Großtante schreibt er die besten Sätze, Wort für Wort, Takt für Takt.“ Und Tennessee Williams ergänzt: "Er ist eine entzückend lasterhafte alte Dame." Die besten Aussprüche und Boshaftigkeiten aus Truman Capotes Werk sind in diesem Band versammelt.
A bicentennial celebration of brilliant thinkers from The University of Manchester's history. The year 2024 marks two centuries since the establishment of The University of Manchester in its earliest form. The first of England's civic universities, Manchester has been home and host to a huge number of influential thinkers and generated world-changing ideas. This book presents a rich account of the remarkable contribution that people associated with The University of Manchester have made to human knowledge. A who's who of Manchester greats, it presents fascinating snapshots of pioneering artists, scholars and scientists, from the poet and activist Eva Gore-Booth to the economist Arthur Lewis, the computer scientist Alan Turing and the physicist Brian Cox.
An imaginative investigation into a historical crime that sheds new light on Jewish history. In 1734 a pedlar turned smuggler named Jacob Harris slit the throats of three people in a pub in Sussex. This triple-murder, for which he was hanged and gibbeted, remains the most violent crime ever committed by a British Jew. Yet today it is all but forgotten. In The Jewish pedlar, Tony Kushner goes in search of the enigmatic Harris. Digging into a remarkable range of sources, from law records and newspaper reports to ballads and folktales, he follows the traces of Harris's legend across three hundred years of British history. In doing so, he reconstructs the world of Jewish pedlars and criminals across many continents. The lives these figures eked out at the margins of society paint a picture of persistent antisemitism - but also of remarkable integration. Intellectually bold and deeply humane, The Jewish pedlar takes a new, grassroots approach to the history of Jews in the modern world, shedding light on everyday lives from the Enlightenment to the Holocaust and beyond.
This book studies the negative stereotypes around the women who worked as sick nurses in this period and contrasts them with the lived experience of both domestic and institutional nursing staff. Furthermore, it integrates nursing by men into the broader history of care as a constant if little-recognised presence. It finds that women and men undertook caring work to the best of their ability, and often performed well, despite multiple threats to nurse reputations on the grounds of gender norms and social status. Chapters consider nursing in the home, in general hospitals, in specialist institutions like the Royal Chelsea Hospital and asylums, plus during wartime, illuminated by multiple accounts of individual nurses. In these settings, it employs the sociological concept of 'dirty work' to contextualise the challenges to nurses and nursing identities.
The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.
Men, ideas and tanks reviews the development of British military ideas on armoured forces from 1903 to 1939. Great Britain was the nation which first developed the tank, first used it in action and first gained dramatic results by employment. The British continued to be world leaders in the field of mechanised warfare until the early 1930s. J. P. Harris offers strikingly new interpretations of the early history of British armoured forces and explains why Great Britain had lost the lead by the outbreak of the Second World War. Available in paperback once more, this work will be of interest to all those concerned with British military history in the first half of the twentieth century, with the history of mechanised warfare and with the history of military thought. ;
Das literarische Gegenstück zu Martin Scorceses Gangs of New York Manhattan, NYC, 1883-1919. Nachdem das Waisenkind Ben Ravage aus einer Hölle von Waisenhaus gerettet wurde und in Harvard Jura studierte, wird er Detektiv bei der Kehillah, einer Privatpolizei reicher jüdischer Geschäftsleute, die deren Interessen an der Lower East Side durchsetzen soll. Vor allem soll er einen halbverrückten Bösewicht, der die Prostituierten in der Allen Street angreift, aus dem Verkehr ziehen. Dabei entdeckt er, dass sein Schicksal unwiderruflich mit dem dieses gewalttätigen, finsteren Mannes verbunden ist.
The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English. ;
Kamalas Mutter kam aus Indien, der Vater aus Jamaika. Schon als Kind begleitete sie ihre Eltern zu Demonstrationen der Bürgerrechtsbewegung. Das hat sie geprägt. Neben Politik und Wirtschaft studierte sie noch Jura. Sie wollte Anwältin werden, um sich beruflich für eine gerechtere Welt einzusetzen. Das tat sie auch als Politikerin – im amerikanischen Senat und jetzt als Vizepräsidentin neben Joe Biden. Sie ist die erste Frau in diesem zweitwichtigsten Amt in den USA. Und sie wird nicht die letzte sein. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Künstlerin, Pilotin oder Wissenschaftler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.