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      • Bernd Liske

        Bernd Liske, born in 1956, studied mathematics in Chemnitz and is the owner of Liske information management systems. From its founding in 1998 until May 2015, Bernd Liske was a member of the main board of BITKOM, where he worked in the defense, education and knowledge management working groups. In the course of his efforts to deal with the revelations of Edward Snowden in the NSA affair, he was expelled from BITKOM in 2015. From 1998 to 2003 he was a member of the board of the Association of Organizations and Information Systems (VOI). Bernd Liske has been dealing with socio-political issues for many years. In his analyzes and concepts, he deals with social, political and economic problems in our society in order to make contributions to maintaining Germany as a business location. His book “PRISM A Lesson for our Democracy”, published in September, grew out of this. The diversity of the topics he deals with as well as the systemic principles used for their treatment can be followed on his homepage at and on his TWITTER channels @BerndLiske, @LiskeAphorismen and @LiskeZitate. He now regards his aphorisms as an open source operating system for the analysis and design of social processes and has been using them successfully for years.

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      • Berlinica Publishing

        BERLINICA is a publishing house that brings Berlin to America. Berlinica is run by Eva Claudia Schweitzer, a book author, and a journalist for twenty-five years. Berlinica  Publishing LLC is located in New York City. It publishes everything devoted to Berlin in English and in German, from fiction to history, photo books, guide books, biographies, books about culture and architecture, cookbooks, and also movies, and music. Berlinica books are available everywhere where books are sold, in stores in the U.S. and Canada, Germany, Austria, and Switzerland, as well as online in a number of additional countries, from Brazil to England, Japan, and Australia to India.

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      • Trusted Partner
        Murky waters
        Humanities & Social Sciences
        June 2022

        Murky waters

        by Sophie Vasset, Ladan Niayesh

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        Sanctity as literature in late medieval Britain
        Literature & Literary Studies
        May 2016

        Sanctity as literature in late medieval Britain

        by Eva von Contzen, Anke Bernau, Anke Bernau

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        Der tätowierte Hund
        August 2007

        Der tätowierte Hund

        by Paul Maar, Anke Faust

        In "Der tätowierte Hund" erweckt Paul Maar mit seiner grenzenlosen Fantasie eine außergewöhnliche Freundschaft zwischen einem Löwen und einem einzigartigen Hund zum Leben. Der Hund, dessen Körper mit bunten Bildern bedeckt ist, trifft im Urwald auf den Löwen. Diese Bilder sind nicht nur Schmuck, sondern jede Tätowierung erzählt eine eigene Geschichte. Nach anfänglicher Skepsis und einem Tauschgeschäft – ein Leberwurstbrot gegen Geschichten – beginnt der Hund, seine Abenteuer zu erzählen. Was folgt, ist eine Reihe von wunderbaren und ulkigen Geschichten, die den Löwen und die Leser gleichermaßen in ihren Bann ziehen. Diese Geschichten führen zu einem bunten Reigen von Erzählungen, die die Grenzen der Realität überschreiten und in eine Welt voller Fantasie und Humor entführen. "Der tätowierte Hund" ist Paul Maars Debütwerk für Kinder und wurde für seine Kreativität und seinen Einfallsreichtum mit einer Nominierung für den Deutschen Jugendliteraturpreis 1969 geehrt. Die Neuausgabe dieses fantastischen Romans wurde von Anke Faust wunderschön und fantasievoll in Collagetechnik illustriert, was die magische Welt der Geschichten visuell zum Leben erweckt. Dieses Buch ist ein Fest für die Fantasie und zeigt, wie aus einfachen Bildern durch die Kraft der Erzählung lebendige und fesselnde Geschichten entstehen können. Es ist ein Zeugnis von Paul Maars Fähigkeit, junge Leser und Zuhörer auf eine Reise voller Überraschungen und Entdeckungen mitzunehmen. Paul Maars fantastischer Debüt-Roman für Kinder: Ein Meilenstein in der Kinderliteratur, der die Fantasie anregt. Ausgezeichnet mit dem Deutschen Jugendliteraturpreis 1969: Anerkannte Qualität und zeitloser Charme. Wunderschön und fantasievoll illustriert von Anke Faust: Die Illustrationen in Collagetechnik bereichern die Erzählung und machen das Buch zu einem visuellen Erlebnis. Einzigartige Geschichten, die die Fantasie beflügeln: Jede Tätowierung erzählt eine eigene, fesselnde Geschichte. Ideal für Vorleser und junge Leser: Perfekt geeignet für gemeinsame Leseabende und zur Förderung der Lesefreude bei jungen Leser*innen ab 8 Jahren.

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        Edward and George Herbert in the European Republic of Letters
        Literature & Literary Studies
        July 2022

        Edward and George Herbert in the European Republic of Letters

        by Greg Miller, Anne-Marie Miller-Blaise, Ladan Niayesh

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        Changing satire
        Literature & Literary Studies
        April 2022

        Changing satire

        by Cecilia Rosengren, Per Sivefors, Rikard Wingård, Ladan Niayesh

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        Sanctity as literature in late medieval Britain
        Literature & Literary Studies
        May 2016

        Sanctity as literature in late medieval Britain

        by Eva von Contzen, Anke Bernau, Anke Bernau, Rebecca Mortimer

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        Between earth and heaven
        Literature & Literary Studies
        May 2016

        Between earth and heaven

        by Anke Bernau, Johanna Kramer

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        Greenery
        Literature & Literary Studies
        October 2010

        Greenery

        by Gillian Rudd, Anke Bernau

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        Reading Robin Hood
        Literature & Literary Studies
        July 2015

        Reading Robin Hood

        Content, form and reception in the outlaw myth

        by Stephen Knight, Anke Bernau

        Reading Robin Hood explores and explains stories about the mythic outlaw, who from the middle ages to the present stands up for the values of natural law and true justice. This analysis of the whole sequence of the adventures of Robin Hood first explores the medieval tradition from early poems into the long-surviving sung ballads, and also two variant Robins: the Scottish version, here named Rabbie Hood, and gentrified Robin, the exiled Earl of Huntington, now partnered by Lady Marian. The nineteenth century re-imagined medieval Robin as modern - he loved nature, Marian, England, and the rights of the ordinary man - and in novels and especially films he has developed further, into an international figure of freedom, just as Marian's role has grown in a modern feminist context. The vigour of the Robin Hood myth still reproduces itself, constantly with new forms and new meanings. ;

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        Transfiguring medievalism
        Literature & Literary Studies
        December 2020

        Transfiguring medievalism

        by Cary Howie, Anke Bernau

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        Medieval film
        The Arts
        January 2019

        Medieval film

        by Anke Bernau, Bettina Bildhauer

        Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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      • Trusted Partner
        Medieval film
        The Arts
        June 2021

        Medieval film

        by Anke Bernau, Bettina Bildhauer

        Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

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      • Trusted Partner
        Reading Robin Hood
        Literature & Literary Studies
        September 2017

        Reading Robin Hood

        Content, form and reception in the outlaw myth

        by Anke Bernau, Stephen Knight

        Reading Robin Hood explores and explains stories about the mythic outlaw, who from the Middle Ages to the present stands up for the values of natural law and true justice. This analysis of the whole sequence of Robin Hood adventures begins with the medieval tradition, from early poems into the long-surviving sung ballads, and goes on to look at two variant Robins: the Scottish version, here named Rabbie Hood, and gentrified Robin, the exiled Earl of Huntington, now partnered by Lady Marian. The nineteenth century re-imagined medieval Robin as modern, a lover of nature, Marian, England and the rights of the ordinary man. In novels and especially films he has developed into an international figure of freedom, while Marian's role has grown in a modern feminist context. Even to this day, the Robin Hood myth continues to reproduce itself, constantly discovering new forms and new meanings.

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      • Trusted Partner
        Transporting Chaucer
        Literature & Literary Studies
        September 2017

        Transporting Chaucer

        by Anke Bernau, Helen Barr

        Drawing on the work of British sculptor Antony Gormley, alongside more traditional literary scholarship, this book argues for new relationships between Chaucer's poetry and works by others. Chaucer's playfulness with textual history and chronology anticipates how his own work is figured in later - and earlier - texts. Responding to this, the book presents innovative readings of the relationships between medieval texts and early modern drama, literary texts and material culture. It re-energises conventional models of source and analogue study to reveal unexpected - and sometimes unsettling - literary cohabitations. At the same time, it exposes how associations between architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer's oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.

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        In Strange Countries: Middle English Literature and its Afterlife
        Literature & Literary Studies
        December 2010

        In Strange Countries: Middle English Literature and its Afterlife

        Essays in memory of J. J. Anderson

        by Anke Bernau, David Matthews

        These essays by senior scholars in medieval studies celebrate the career of J.J. Anderson, editor, critic, and co-founder of the Manchester Medieval Literature and Culture series, who taught in medieval studies at the University of Manchester for forty years. The essays are rooted in medieval literature but frequently range beyond the confines of the Middle Ages. They reflect the breadth of Anderson's own scholarly interests, especially in drama and Arthurian literature. There is a particular focus on Sir Gawain and the Green Knight and Pearl, poems which preoccupied him throughout his scholarly life. There are also new reconsiderations of La?amon's Brut, Mirk's Festial, the Passion plays, and the manuscripts of the Pore Caitif. Moving beyond the traditional purview of medieval literature, several contributors trace the afterlives of medieval themes in later literature. These essays include a consideration of the twinned trajectories of the medieval heroes Robin Hood and King Arthur from medieval literature to modern television, a comparison of La?amon's Brut and Tennyson's Idylls of the King, and a recreation of the Bishop Blase procession which took place in industrial Bradford. Contributors are Rosamund Allen, Ralph Elliott, Alexandra Johnston, Stephen Knight, Peter Meredith, Susan Powell, Gillian Rudd, Alan Shelston, and Kalpen Trivedi. ;

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        The Knight and the Barrel (Le Chevalier au barisel)
        Literature & Literary Studies
        November 2018

        The Knight and the Barrel (Le Chevalier au barisel)

        by Anke Bernau, Adrian Tudor

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        Language and imagination in the Gawain poems
        Literature & Literary Studies
        January 2020

        Language and imagination in the Gawain poems

        by Anke Bernau, J. Anderson

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        Water and fire
        Literature & Literary Studies
        April 2018

        Water and fire

        The myth of the flood in Anglo-Saxon England

        by Anke Bernau, Daniel Anlezark

        Noah's Flood is one of the Bible's most popular stories, and flood myths survive in many cultures today. This book presents the first comprehensive examination of the incorporation of the Flood myth into the Anglo-Saxon imagination. Focusing on literary representations, it contributes to our understanding of how Christian Anglo-Saxons perceived their place in the cosmos. For them, history unfolded between the primeval Deluge and a future - perhaps imminent - flood of fire, which would destroy the world. This study reveals both an imaginative diversity and shared interpretations of the Flood myth. Anglo-Saxons saw the Flood as a climactic event in God's ongoing war with his more rebellious creatures, but they also perceived the mystery of redemption through baptism. Anlezark studies a range of texts against their historical background, and discusses shifting emphases in the way the Flood was interpreted for diverse audiences. The book concludes with a discussion of Beowulf, relating the epic poem's presentation of the Flood myth to that of other Anglo-Saxon texts.

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