Armin Lear Press
Armin Lear Press is home to award-winning editorial and design talent.
View Rights PortalArmin Lear Press is home to award-winning editorial and design talent.
View Rights PortalZOOlibri is an indipendent publishing house born in Reggio Emilia in 2001, that focuses its production in picture books and novels in pictures. Its purpose is both producing its own titles and translating other’s titles on the market taking care of bringing unknown and unpublished artists on Italian market first, and then on the international one. Now almost 70 titles appear on the catalogue. After more than 15 years of work on the international market ZOOlibri is known as one of the most active independent publishers, with productions translated worldwide in 18 languages, and for being the first in bringing together in the same catalogue Jon Klassen, Steve Antony and Oliver Jeffers.
View Rights PortalIn an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
What is it like to live next door to a British Army base? England's military heartland provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? This book investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
A considered investigation of a long-standing army base's impact on the British countryside. What is it like to live next door to a British Army base? Beyond the barracks provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? Beyond the barracks investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
This sourcebook collects together for the first time in English the major documents relating to the life and contemporary reputation of Joan of Arc. Also known as La Pucelle, she led a French Army against the English in 1429, arguably turning the course of the war in favour of the French king Charles VII. The fact that she achieved all of this when just a seventeen-year-old peasant girl highlights the magnitude of her achievements and also opens up other ways of looking at her story. For many, Joan represents the voice of ordinary people in the fifteenth century; the victims of high politics and warfare that devastated France. Her story ended tragically in 1431 when she was put on trial for heresy and sorcery by an ecclesiastical court and was burned at the stake. This book shows how the trial, which was organised by her enemies, provides an important window into late medieval attitudes towards religion and gender, as Joan was effectively persecuted by the established Church for her supposedly non-conformist views on spirituality and the role of women. Presented within a contextual and critical framework, this book encourages scholars and students to rethink this remarkable story. It will be invaluable reading for those working in the fields of medieval society and heresy, as well as the Hundred Years' War.
Recognising that corruption is a serious problem in the globalised world of the early twenty-first century, the book takes the reader on a journey - beginning with what corruption is, why its study is important and how it can be measured. From there it moves on to explore corruption's causes, its consequences and how it can be tackled - before discovering how these things are playing out in the established liberal democracies, in the former communist regimes and in the newly industrialised and 'developing' world. On the way it takes a couple of detours - first, to explore corruption's mechanisms and dynamics and second to survey the scandals to which it may give rise. The book is therefore offered as an informative 'travel guide' of potential interest to journalists and policy makers as well as to students and academics.
This book explores the historical and social dynamics of Spiritualism - a religious movement associated in the popular imagination with nineteenth-century parlour séances and ghost photography. It continues to be practised actively today in Australia, the UK, and USA. The authors draw on their deep fieldwork, interviews, and archival research to analyse Spiritualism's resilience and the enduring popular appeal of mediumship. There are three key contributions of the book: the first is that the scholarly study of "belief" should be rehabilitated. The authors propose a model of belief as a dialogue between claims to truth and commitments to institutions supporting those claims. The second is women's agency in Spiritualism. From the movement's beginnings, strong female leaders have decisively shaped its religious and political profile. The third is the need to analyse Australian Spiritualism as a distinct variant of a transnational Anglophone family of ritual practice.
This book looks at London's provision of financial and military support for parliament's war against King Charles I. It explores for the first time a series of episodic, circumstantial and unique mobilisations that spanned from late 1641 to early 1645 and which ultimately led to the establishment of the New Model Army. Based on research from two-dozen archives, Civil war London charts the successes and failures of efforts to move London's vast resources and in the process poses a number of challenges to longstanding notions about the capital's 'parliamentarian' makeup. It reveals interactions between London's Corporation, parochial communities and livery companies, between preachers and parishioners and between agitators, propagandists and common people. Within these tangled webs of political engagement reside the untold stories of the movement of money and men, but also of parliament's eventual success in the English Civil War.
Between 1689 and 1697 the British army fought as a member of the Grand Alliance against Louis XIV. Despite the military and political significance of the European conflict, this book is the first historical investigation for over a century dealing with the operations of the principal campaigns in the Low Countries. John Childs begins his comprehensive study by exploring the diplomatic origins of the Nine Years' War. Leading on from this political background, the author then focuses on the detailed organisation of the British, Dutch and other allied armies and the conduct of the operations. The specific campaigns are also examined and in particular the author looks at the strategic and tactical role played by the British. This campaign and operational study of the British army will be of interest to both specialist and general military historians, as well as to political historians. ;
William T. Vollmann, Träger des renommierten National Book Award und in den USA längst ein Star, erforscht »in seiner ausufernden, faszinierenden Prosa« die menschliche Existenz, schonungslos, erfahrungshungrig und mit »unübertroffenem Einfühlungsvermögen« (FAZ). In seiner neuen literarischen Reportage widmet er sich nun einem nationalen Mythos: dem Hobo – Held und Opfer des American Dream. Der auf Güterzügen reisende Tramp ist spätestens seit der Great Depression, als Tausende von Wanderarbeitern durch das Land zogen, Teil des amerikanischen Imaginären. Woody Guthrie und Bob Dylan haben ihn besungen, Mark Twain, Jack London und Ernest Hemingway setzten ihm in ihren Büchern Denkmäler. Vollmann, selbst ein Getriebener, kennt die unstillbare Sehnsucht nach dem freien Leben und macht sich auf den Weg, die Realität hinter dem geschichtlichen, politischen und literarischen Vermächtnis zu erkunden. Mit seinem Kumpel Steve erklimmt er Güterwaggons und reist kreuz und quer durch den amerikanischen Westen; er beschreibt die wilde Schönheit der Landschaft und den Nervenkitzel des illegalen Reisens, interviewt Hobos und gibt sich Rechenschaft über den Wunsch, seiner bürgerlichen Existenz zu entfliehen. Aus Vollmanns Impressionen und Reflexionen entsteht so ein transitorisches Nachtbild der heutigen USA – der Träume, Alpträume und Begierden einer Nation, deren wichtigstes Gut einmal die Freiheit ihrer Bürger war.
Ende der neunziger Jahre tauchte plötzlich eine neue soziale Spezies in US-Großstädten auf: die Hipster. Die Erben der Beatniks oder Hippies trugen zu enge Jeans, Baseballmützen, Schnäuzer und hatten Dosenbier oder einen Laptop dabei. Begleitet wurde ihr Auftreten von der Musik der Strokes oder von Belle and Sebastian, 2001 setzte Wes Anderson ihnen in »The Royal Tenenbaums« ein filmisches Denkmal. Spätestens als 2004 die erste deutsche Filiale von American Apparel eröffnete, hatten die Hipster bzw. die eng mit ihnen verwandten digitalen Bohèmes den Sprung über den Atlantik geschafft. Die New Yorker Zeitschrift n+1 widmete den Hipstern 2009 eine Tagung an der New School: Was sind eigentlich Hipster? Und wofür sind sie ein Symptom? Für eine Generation, die Geld verdienen und doch nicht erwachsen werden will? Ein durch und durch ironisches Zeitalter? Den postindustriellen Konsumkapitalismus? Der Band sorgte nicht nur in den USA für großes Aufsehen, das Buch wird mittlerweile in mehrere Sprachen übersetzt. In dieser Ausgabe werfen Jens-Christian Rabe (Süddeutsche Zeitung), Tobias Rapp (Der Spiegel) und Thomas Meinecke zusätzlich einen deutschen Blick auf dieses transatlantische Phänomen.
Beiträge zum Begriff der Kultur. Die antike Klassik und der Literat. Die Funktion der Kritik. Die gesellschaftliche Funktion der (Deutsch von Gerhard Hensel). Gedanken nach Lambeth. (Deutsch von Helmut Viebrock). Religion und Literatur. (Deutsch von Ursula Clemen). Katholizismus und die Ordnung unter den Völkern. (Deutsch von Karl Klein). Vergil und die christliche Welt. (Deutsch von Nora Wydenbruck). Der Humanismus Irving Babbitts. (Deutsch von Ursula Clemen). Nachgedanken zum Humanismus. (Deutsch von Günter H. Lenz). Moderne Erziehung und humanistische Bildung. (Deutsch von Nora Wydenbruck). (Deutsch von Günter H. Lenz). Was ist ein Klassiker?. (Deutsch von W.E. Süskind). Die Ziele der Erziehung. (Deutsch von Helmut Viebrock). Tradition und individuelle Begabung. (Deutsch von Hans Hennecke). Der vollkommene Kritiker. (Deutsch von Mechthild und Armin Paul Frank). (Deutsch von H.H. Schaeder). Der Nutzen der Dichtung und der Nutzen der Kritik. (Deutsch von Ulrich Keller). Was ist geringere Dichtung?. (Deutsch von Mechthild und Armin Paul Frank). Dichtung. (Deutsch von Nikolaus Hortmann). Die Literatur der Politik. (Deutsch von Wilhelm Hortmann). Die Grenzen der Literaturkritik. (Deutsch von Ursula Clemen). Der Kritiker kritisch betrachtet. (Deutsch von Mechthild und Armin Paul Frank).
For imperialists, the concept of guardian is specifically to the armed forces that kept watch on the frontiers and in the heartlands of imperial territories. Large parts of Asia and Africa, and the islands of the Pacific and the Caribbean were imperial possessions. This book discusses how military requirements and North Indian military culture, shaped the cantonments and considers the problems posed by venereal diseases and alcohol, and the sanitary strategies pursued to combat them. The trans-border Pathan tribes remained an insistent problem in Indian defence between 1849 and 1947. The book examines the process by which the Dutch elite recruited military allies, and the contribution of Indonesian soldiers to the actual fighting. The idea of naval guardianship as expressed in the campaign against the South Pacific labour trade is examined. The book reveals the extent of military influence of the Schutztruppen on the political developments in the German protectorates in German South-West Africa and German East Africa. The U.S. Army, charged with defending the Pacific possessions of the Philippines and Hawaii, encountered a predicament similar to that of the mythological Cerberus. The regimentation of military families linked access to women with reliable service, and enabled the King's African Rifles to inspire a high level of discipline in its African soldiers, askaris. The book explains the political and military pressures which drove successive French governments to widen the scope of French military operations in Algeria between 1954 and 1958. It also explores gender issues and African colonial armies.
At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.
While there have been many books written about the IRA since 1916, comparatively little attention has been paid to the organisation during the 1960s, despite the fact that the internal divisions culminating in the 1969 split are often seen as key to the conflict which erupted that year. This book, newly available in paperback, redresses that vacuum and through an exhaustive survey of internal and official sources, as well as interviews with key IRA members, provides a unique and fascinating insight into radical Republican politics which will be of interest to those interested in Irish history and politics. The author looks at the root of the divisions which centred on conflicting attitudes within the IRA on armed struggle, electoral participation and socialism. He argues that while the IRA did not consciously plan the northern 'Troubles', the internal debate of the 1960s had implications for what happened in 1969.