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      • Trusted Partner
        Humanities & Social Sciences
        May 2016

        Working men’s bodies

        by John Field

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        Humanities & Social Sciences
        December 2024

        Anna of Denmark

        by Jemma Field

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        Humanities & Social Sciences
        June 2020

        Anna of Denmark

        by Jemma Field, Christopher Breward

      • Trusted Partner
        March 2003

        Streicheleinheiten

        Gesundheit und Wohlergehen durch die Kraft der Berührung

        by Field, Tiffany

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        The Heartbreak Hotel

        Dein Herz ist gebrochen, du bist es nicht

        by Haddon, Alice Field, Ruth

      • Trusted Partner
        Literature & Literary Studies
        September 2025

        James Baldwin Review

        by Douglas Field, Justin Joyce, Dwight McBride

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      • Trusted Partner
        March 2016

        Steinzeit

        Die Welt unserer Vorfahren

        by Beyerlein, Gabriele / Illustriert von Field, James

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        Humanities & Social Sciences
        July 2023

        Leaving the field

        by Robin James Smith, Sara Delamont

      • Trusted Partner
        Humanities & Social Sciences
        July 2007

        Martha Gellhorn: The war writer in the field and in the text

        by Kate McLoughlin, Martin Hargreaves

        Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan's wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism. Often overlooked in accounts of war literature is the writer's precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn's daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn's rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier's magazine. McLoughlin goes on to examine Gellhorn's increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in. ;

      • Trusted Partner
        Children's & YA

        Really Great, Heros! (2). What on Earth are we Doing Here?

        by Rüdiger Bertram/ Heribert Schulmeyer

        Juli can’t wait for the holidays. His cousin Jenny and he can once more go to her uncle’s Superhero Hotel. Maybe the next superhero adventure will be awaiting them there? Indeed it is: the evil Snakeman has created an army of mutated giant rabbits, whose underground tunnels threaten one city after another with complete collapse. And as the real superheroes are still lazing around at the swimming pool, and Bruce suddenly has to go and defend the world against an alien invasion, it’s once more left to Juli and Jenny to prevent this disaster! Armed with nothing more than a cheap pair of X-ray laser glasses with which they can see through walls, doors and even people’s clothes (villains in underpants – not a pretty sight!). And while Juli is still asking “What on earth are we doing here?” he and Jenny find themselves in the middle of a crazy adventure that takes them all round the world – across the desert, through London, and on to Paris! Can Juli and Jenny stop the evil villain and his giant rabbits in time?

      • Trusted Partner
        January 2008

        Im Land der magischen Geheimnisse

        Bunter Geschichtenspaß mit TV-Hexe Lilli

        by Arena Verlag

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        The Arts
        March 2017

        Images of the army

        The military in British art, 1815-1914

        by J. W. M. Hichberger

        In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.

      • Trusted Partner
        The Arts
        October 2023

        Windows for the world

        Nineteenth-century stained glass and the international exhibitions, 1851–1900

        by Jasmine Allen

        Windows for the world explores the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. It recognises those who made and exhibited stained glass and demonstrates the long-lasting impact of the classification and modes of display at these events. A number of exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century.

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