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November 2017Nighthawks
Stories nach Gemälden von Edward Hopper
by Herausgegeben von Block, Lawrence; Übersetzt von Czwikla, Frauke
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November 2018Das Mädchen mit dem Fächer
Stories nach berühmten Kunstwerken
by Herausgegeben von Block, Lawrence; Übersetzt von Czwikla, Frauke
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Humanities & Social SciencesMarch 2019Waiting for the revolution
The British far left from 1956
by Evan Smith, Matthew Worley, Jacquelyn Arnold, Daniel Finn, Michael Fitzpatrick, Diarmaid Kelliher, Jack Saunders, J Daniel Taylor, Jodi Burkett, Gavin Brown, Daisy Payling, Christopher Massey, Sheryl-Bernadett Buckley, Daryl Leeworthy, Rory Scothorne, Ewan Gibbs, Lyndon White (Lawrence Parker)
Waiting for the revolution is a volume of essays examining the diverse currents of British left-wing politics from 1956 to the present day. The book is designed to complement the previous volume, Against the grain: The far left in Britain from 1956, bringing together young and established academics and writers to discuss the realignments and fissures that maintain leftist politics into the twenty-first century. The two books endeavour to historicise the British left, detailing but also seeking to understand the diverse currents that comprise 'the far left'. Their objective is less to intervene in ongoing issues relevant to the left and politics more generally, than to uncover and explore the traditions and issues that have preoccupied leftist groups, activists and struggles. To this end, the book will appeal to scholars and anyone interested in British politics.
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Literature & Literary StudiesFebruary 2010New D.H. Lawrence
by Howard Booth
New D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain's major modernist writers. The collection features new work by the present generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; Hugh Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in 'The Ladybird'; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures. ;
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Humanities & Social SciencesSeptember 2020A global history of white nationalism
by Daniel Geary, Camilla Schofield, Jennifer Sutton, John Solomos, Satnam Virdee, Aaron Winter
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Literature & Literary StudiesJuly 2024Thomas Nashe and literary performance
by Chloe Kathleen Preedy, Rachel Willie
As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
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Literature & Literary StudiesJanuary 2013The lives of Thomas Becket
by Michael Staunton
This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
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Humanities & Social SciencesJanuary 2017The souls of white folk
White settlers in Kenya, 1900s–1920s
by Brett Shadle, Andrew Thompson, John M. MacKenzie
Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.
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November 1994Liebesgeschichten
by D. H. Lawrence, Heide Steiner
Optimismus, der dem Pessimismus Schopenhauers radikal entgegengesetzt ist, der Wille zum Leben, der sich im Geschlecht ausdrückt, ist Freude, und in ihm müssen Denken und Handeln ihren Ausgangspunkt haben, wenn sie nicht leerer Begriff, unfruchtbarer Mechanismus bleiben sollen . . .« Mit diesem, wie Simone de Beauvoir sagt, »Willen zum Leben« hat D. H. Lawrence auch jene Liebeserzählungen geschrieben, die den Romanen, seinem Hauptwerk, vorangegangen sind.
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May 2007In der Provence
by Lawrence Durrell, Anne Steeb-Müller
Dreißig Jahre lebte Lawrence Durrell in der Provence, und die Provence ist auch das Thema seines letzten, kurz vor seinem Tod 1990 erschienenen Buches. Es ist eine Liebeserklärung an seine Wahlheimat, ein sehr persönliches, ungewöhnliches Buch, eine Mischung aus Reiseimpressionen, autobiographischen Texten und Geschichten. Plaudernd schreibt Durrell über die Geschichte und die Entwicklung der Provence, erläutert den kulturhistorischen Zusammenhalt zwischen Römern und Franzosen, erzählt vom Mythos, den dieser Landstrich für den Rest des Landes darstellt, beschreibt die Architektur des Südens, aber auch die Lebenslust, das Lebensgefühl der Provenzalen weiß er unvergleichlich zu schildern.
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The ArtsSeptember 2024The renewal of post-war Manchester
Planning, architecture and the state
by Richard Brook
A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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The ArtsAugust 2014David Lean
by Melanie Williams, Brian McFarlane, Neil Sinyard
'A rule of mine is this', said William Goldman in 1983, 'there are always three hot directors and one of them is always David Lean.' One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean's career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker. ;
