Brookes Publishing is an independent publisher based in Baltimore, Maryland, USA. For more than 40 years, Brookes has been a leading provider of professional resources and assessments in early childhood, communication and language, education (particularly special education), and disability. Brookes Publishing is committed to bettering lives and outcomes for all people.
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Hawker Brownlow Education, a Solution Tree company, is Australasia’s leading provider of educational resources, events and professional development services. Since 1985, we have empowered F–12 teachers and educational professionals with the tools and skills they need to improve classrooms and raise student achievement. From our head office in Melbourne, we publish the latest and best-regarded educational thinking from around the region and the world, releasing over 300 new titles and printing over 100 000 publications each year to support educational professionals. Our publications can be found on the shelves of over 9200 schools across Australia and New Zealand, in addition to reaching educational professionals in over 50 countries globally. We train and inspire thousands of educational professionals through major annual conferences, regional events and in-school support, delivering over 2000 hours of professional development each year. For more, visit www.hbe.com.au and follow @HawkerBrownlow on Facebook, YouTube, Twitter and LinkedIn.
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Every child has the right to grow upwithout violence! Maris’ story showshow children can react when they arephysically hurt.Maris finds herself in a children’s homewith her little red suitcase. This iswhere the story begins - in a place forchildren who have experienced physicalviolence. Maris will have to facemany questions over the next few days:Will she have to stay here forever? Whatwill happen to her family? Is it okay totalk about violence? And why are childrenbeing hurt? She searches for answerswith three new friends.The book provides parents, relatives,therapists and children with importantinformation on the topic of “physical violence”as well as practical tasks andexercises.
What makes human beings human? Is it a life in society that makes us what we are? We often hear stories of persons who have survived in the wild without social contact or who were supposedly raised by wild animals. Kaspar Hauser is probably the most well-known example, but certainly not the only one. P. J. Blumenthal has taken up the hunt for the “wild man” Homo ferus on the boundary between man and animal.
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The Nineteenth-Century Present explores the multiple ways in which history was understood, structured, and reassessed in literary, theological, and political contexts across the nineteenth century. While the scope of the book is wide, ranging from the representations of geological time and ancient history to the writing of the recent past, and covering the work of writers from Walter Scott to G.K. Chesterton, each chapter reveals how present concerns intrude on and shape every view of history. Ultimately, the collection emphasises that issues raised regarding historicity in recent methodological debates were already concerns in the nineteenth century.
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From reason to practice in bioethics brings together original contributions from some of the world's leading scholars in the field of bioethics. With a particular focus on, and critical engagement with, the influential work of Professor John Harris, the book provides a detailed exploration of some of the most interesting and challenging philosophical and practical questions raised in bioethics. The book's broad range of chapters will make it a useful resource for students, scholars, and practitioners interested in the field of bioethics, and the relationship between philosophical and practical ethics. The range of contributors and topics afford the book a wide international interest. ;
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This book is about the transformation of England's trade and government finances in the mid-seventeenth century, a revolution that destroyed Ireland. In 1642 a small group of merchants, the 'Adventurers for Irish land', raised an army to conquer Ireland but sent it instead to fight for parliament in England. Meeting secretly at Grocers Hall in London from 1642 to 1660, they laid the foundations of England's empire and modern fiscal state. But a dispute over their Irish land entitlements led them to reject Cromwell's Protectorate and plot to restore the monarchy. This is the first book to chart the relentless rise of the Adventurers and their profound political influence. It is essential reading for students of Britain and Ireland in the mid-seventeenth century, the origins of England's empire and the Cromwellian land settlement.
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'Beginning Shakespeare' introduces students to the study of Shakespeare, and grounds their understanding of his work in theoretical discourses. After an introductory survey of the dominant approaches of the past, seven chapters examine the major current critical approaches to Shakespeare; psychoanalysis, New Historicism, Cultural Materialism, gender studies, queer theory, postcolonial criticism and performance criticism. A further chapter looks at the growing roles of biography, attribution studies and textual studies. Each chapter analyses the strengths and weaknesses of a particular perspective, allowing students to gain a clear critical purchase on the respective approaches, and to make informed choices between them. Each chapter ends with a list of suggested further reading and interactive exercises based on the key issues raised. An invaluable introduction, essential for anyone studying Shakespeare, 'Beginning Shakespeare' offers students a map of the current critical practices, and a sense of the possibilities for developing their own approaches. ;
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In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children - often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.
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The Grumbly‘The Grumbly’ is in a bad mood! It doesn't like to play or laugh and can't be happy about anything - instead it grumbles on and on. But lastly, it looks for a cozy place and falls asleep. Lo and behold, the next morning ‘The Grumbly” has turned into a real happy-go-lucky animal!The board book series on classic everyday topics, in this case: bad moods that have no particular reason. The topic ‘Being grumbly’ is implemented with a lot of humor and without a ‘raised forefinger’, not intentionally pedagogical. Also told in rhyme and focusing on a goat, a familiar animal. The message becomes clear: Everyone has a bad day and is tired sometimes - but you can be sure: it passes!
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This book critically examines how and why Eastern enlargement has impacted on EU human rights policy. By drawing on the EU's intervention in human rights provision in Romania before 2007, it is demonstrated that the feedback effects of this intervention have led to the emergence of an EU child rights policy. Eastern enlargement has also raised the profile of Roma protection, international adoptions and mental health at the EU level. The impact of these developments has been further reinforced by the constitutional and legal provisions included in the Lisbon Treaty. It is argued that Eastern enlargement has led to the emergence of a more robust and well-defined EU human rights regime in terms of its scope and institutional clout. This book makes a substantial contribution to the scholarship on EU enlargement, Europeanisation and EU human rights policy by providing empirical evidence for the emergence and persistence of EU institutional and policy structures upholding human rights. ;
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'The Ends of Ireland' considers the work of a key group of critics emerging from Ireland through the 1980s and 1990s: Seamus Deane, Luke Gibbons, David Lloyd, W. J. McCormack, Gerardine Meaney and Emer Nolan. As the main representatives of the turn to theory in Irish Studies these critics have examined Irish culture in the light of ideas taken from psychoanalysis, feminism, Marxism and postcolonialism. In a series of incisive yet accessible chapters Carville analyses the way in which these often provocative ideas have been put to work in the Irish context, transforming our understanding of writers like Joyce and Beckett, as well as informing broader debates around nationalism, modernization, memory and historical revisionism. Essential reading for anyone concerned with Irish Studies and its relationship with theory, the issues raised by 'The Ends of Ireland' set a new agenda for Irish Studies in the coming times. ;
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Photography and memory in Mexico traces the 'life stories' of some of the famous photographic images made during the 1910 revolution, which have been repeatedly reproduced across a range of media in its aftermath. Which photographs have become icons of the revolution and why these particular images and not others? What is the relationship between photography and memory of the conflict? How do we construct a critical framework for addressing the issues raised by iconic photographs? Placing an emphasis on the life, afterlife and also the pre-life of those iconic photographs that haunt the post-revolutionary landscape, Andrea Noble approaches them as dynamic objects, where their rhetorical power is derived from a combination of their visual eloquence and their ability to coordinate patterns of identification with the memory of the revolution as a foundational event in Mexican history. Richly-illustrated, this book will be of interest to all those interested in photography, memory studies, and Mexican cultural history. ;
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On 25 January 1474, Charles the Bold, duke of Burgundy, appeared before his subjects in Dijon. Robed in silk, gold and precious jewels and wearing a headpiece that gave the illusion of a crown, he made a speech in which he cryptically expressed his desire to become a king. Three years later, Charles was killed at the battle of Nancy, an event that plunged the Great Principality of Burgundy into chaos. This book, innovative and essential, not only explores Burgundian history and historiography but offers a complete synthesis about the nature of politics in this region, considered both from the north and the south. Focusing on political ideologies, a number of important issues are raised relating to the medieval state, the signification of the nation under the 'Ancien Regime', the role of warfare in the creation of political power and the impact of political loyalties in the exercise of government. In doing so, the book challenges a number of existing ideas about the Burgundian state.
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One wrong word, one perceived insult – a small matter may begin a chain of events resulting in tragedy. This was the case with Anothai S., who died in a brawl in Hamburg in September 2014. A quote from the circumstances of this death, reconstructed by Bruno Schrep for the SPIEGEL magazine, has given this book its title. “At Night, Everyone is an Enemy” compiles true stories of people who have been torn from their normal lives and plunged into despair from one moment to the next. In one case, it is a rumour that destroys all plans – the accusation of having abused children. Likewise, the information that your father and mother, who raised you, are not your biological parents, can turn your life upside down. And many an accident destroys not only the life of the victim, but also that of the person who caused the accident. As an accurate observer, Bruno Schrep describes human tragedies with empathy, but also with a keen eye for structural problems.
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This is the first book to explore the relationship between literary modernism and the British Empire. Contributors look at works from the traditional modernist canon as well as extending the range of work addresses - particularly emphasising texts from the Empire. A key issue raised is whether modernism sprang from a crisis in the colonial system, which it sought to extend, or whether the modern movement was a more sophisticated form of cultural imperialism. The chapters in Modernism and empire show the importance of empire to modernism. Patrick Williams theorises modernism and empire; Rod Edmond discusses theories of degeneration in imperial and modernist discourse; Helen Carr examines Imagism and empire; Elleke Boehmer compares Leonard Woolf and Yeats; Janet Montefiore writes on Kipling and Orwell, C.L. Innes explores Yeats, Joyce and their implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J. Booth addresses D.H. Lawrence and otherness; Nigel Rigby discusses Sylvia Townsend Warner and sexuality in the Pacific; Mark Williams explores Mansfield and Maori culture; Abdulrazak Gurnah looks at Karen Blixen, Elspeth Huxley and settler writing; and Bill Ashcroft and John Salter take an inter-disciplinary approach to Australia and 'Modernism's Empire'. ;
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Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
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This book, newly available in paperback, argues for greater openness in the ways we approach human rights and international rights promotion, and in so doing brings some new understanding to old debates. Starting with the realities of abuse rather than the liberal architecture of rights, it casts human rights as a language for probing the political dimensions of suffering. Seen in this context, the predominant Western models of rights generate a substantial but also problematic and not always emancipatory array of practices. These models are far from answering the questions about the nature of political community that are raised by the systemic infliction of suffering. Rather than a simple message from 'us' to 'them', then, rights promotion is a long and difficult conversation about the relationship between political organisations and suffering. Three case studies are explored - the Tiananmen Square massacre, East Timor's violent modern history and the circumstances of indigenous Australians. The purpose of these discussions is not to elaborate on a new theory of rights, but to work towards rights practices that are more responsive to the spectrum of injury that we inflict and endure. The book is a valuable and innovative contribution to rights debates for students of international politics, political theory, and conflict resolution, as well as for those engaged in the pursuit of human rights.
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Terry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures. ;
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A poetic picture book that makes it easy to forget arguments and anger: the little elephant is in a bad mood and kicks a stone. The stone inadvertently hits the flamingo – and the complaining and annoyance just keeps spreading. By the river, in the bush, on the savannah: just like that! Until a little meerkat has had enough and just hugs the snarling leopard. The leopard’s heart becomes light and gradually all the animals notice how good it is when we’re nice to one another. Just like that!
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Soon it’ll be Christmas! It’s time to load the sleigh with presents, thinks the reindeer. But Father Christmas wants to decorate his house first, and build a snowman, and have a nice cup of tea. Then suddenly it’s almost too late! All his friends must help, so that children can get their presents on time.
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This year, Ole is not looking forward at all to winter. He doesn’t like his new home and he really hates his new school. Especially because Rocco and his gang are making his life a misery. What he would like best of all is simply to run away and go to his grandfather Ottokar in Canada. But what’s this? Suddenly there’s a knock at Ole’s window and floating into the room comes – “Hellole, Ole” – a real live Snowby! And with a Snowby at Ole’s side, there can only be a wonderfully magic, wildly snowflaky winter! But when the Snowby himself is in danger, Ole must work wonders if he is to come to the rescue. Luckily he’s made some new friends he can rely on.
