Armin Lear Press
Armin Lear Press is home to award-winning editorial and design talent.
View Rights PortalArmin Lear Press is home to award-winning editorial and design talent.
View Rights PortalOur original card sets are a way for any parent to play and interact with their child in a way that stimulates learning, improving cognitive skills and, perhaps more importantly, create a positive parent-child relationship. With the Carrot Cards both the parent and the child are engaged in an activity and they explore, learn, try, and experience together. We create every card set with a goal to make it as useful as possible, combining pedagogy and psychology, as well as aesthetics, creative writing and original concepts. Thus, allowing every child who opens a box of Carrot cards to experience a whole new learning experience. We have thousands of parents using the cards all over the world, sharing the excitement of learning and being curious together with their children. While striving to give more and more parents the opportunity to support their children’s development, we have also been recognized as a trustworthy partner for almost any kind of professionals working with children. From pre-school teachers to therapists, hundreds of experts use our cards in classrooms, offices, at presentations or as home assignments daily. Our contribution to early childhood development and our role as a supporter for parents were recognized in 2018 when we were selected as “Champions of Change” by the Reach for Change Foundation – Bulgaria, and we have been a part of the Reach for Change Global Network ever since.
View Rights PortalLouise Armstrong, als Kind selbst Opfer sexueller Mißhandlungen, hat Gespräche mit fast 200 Frauen geführt, die ebenfalls im Kindesalter sexuell mißbraucht worden waren. Im vorliegenden Buch sind die Erfahrungen von 16 dieser Frauen und der Autorin selbst dargestellt. Dabei wird deutlich, was es mit den vielen Mythen um das wohlbehütete Geheimnis des Inzests in Wahrheit auf sich hat. Mythos: Inzest ist »tabu«. – Verschiedenen Schätzungen zufolge sind in Amerika mehr als 120 Millionen Frauen im Kindesalter sexuell mißbraucht worden. Kein anderes Tabu ist mit soviel Gewalt verbunden wie dieses. Louise Armstrong kommt zu dem Schluß, daß in Wahrheit nicht der Inzest das Tabu ist, sondern das »Sprechen« über den Inzest. Mythos: Bei den Mädchen handelt es sich um »verführerische« Jugendliche. – Tatsächlich waren die meisten Frauen, mit denen Louise Armstrong gesprochen hat, gerade drei, vier, fünf oder sechs Jahre alt, als der Mißbrauch begann. Mythos: Die Mädchen »laden dazu ein« und genießen es. – Die Berichte der Frauen zeigen, daß sie schreckliche Angst hatten und in extreme Verwirrung gestürzt wurden. Mythos: Die Mütter wissen es immer; oder sie glauben den Mädchen niemals. – Tatsächlich wissen die Mütter es oft, verschweigen es aber aus Angst vor den sozialen Folgen.
Despite its enduring popularity as a national festival, Christmas has been largely neglected by English historians. Neil Armstrong offers the first study to examine both the experience and representation of Christmas during the formative period of the nineteenth and early twentieth centuries. This book explores the origins of our deeply held notions of the traditional nature of Christmas and demonstrates how they were shaped by English modernity. A study of both continuity and change, Christmas in nineteenth-Ccntury England makes an important contribution to cultural and social history, and is essential reading for anyone interested in the history of childhood, the family, philanthropy, work and consumerism. Scholarly yet accessible, it will be enjoyed by academics, students and the general public alike. ;
Neil ist zwei Jahre alt, als er mit seinem Vater eine Flugshow besucht. Von dem Spektakel ist er so begeistert, dass er anschließend nur noch einen Wunsch hat: Er will selbst fliegen. Zunächst schickt er Modellflugzeuge in die Luft, aber schon mit sechzehn erwirbt er seine Fluglizenz. Er studiert Flugzeugbau, wird Pilot bei der US-Marine und fliegt Einsätze im Koreakrieg. Als die NASA nach Testpiloten sucht, bewirbt er sich. Und schreibt als Astronaut und Kommandant der Apollo 11 Geschichte. Am 24. Juli 1969 setzt er als erster Mensch der Welt einen Fuß auf die Oberfläche des Mondes. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
Child, nation, race and empire is an innovative, inter-disciplinary, cross cultural study that contributes to understandings of both contemporary child welfare practices and the complex dynamics of empire. It analyses the construction and transmission of nineteenth-century British child rescue ideology. Locating the origins of contemporary practice in the publications of the prominent English Child rescuers, Dr Barnardo, Thomas Bowman Stephenson, Benjamin Waugh, Edward de Montjoie Rudolf and their colonial disciples and literature written for children, it shows how the vulnerable body of the child at risk came to be reconstituted as central to the survival of nation, race and empire. Yet, as the shocking testimony before the many official enquiries into the past treatment of children in out-of-home 'care' held in Britain, Ireland, Australia and Canada make clear, there was no guarantee that the rescued child would be protected from further harm.
In 'Digging up stories', James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or 'story' is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss: - participatory theatre in refugee camps - theatre workshop and stories of a massacre - traditional dance-dramas in an insurgent controlled village - 'Forum' theatre with the Mahabharata - ethical issues - the struggle to teach the author to dance 'Digging up stories' documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson's research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting. ;
Jeffrey Richards is a regular radio and television commentator on popular culture. Covers the period from Ealing Studios to Dad's Army. A great read. ;
This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
In one of the first monographs of its kind to focus on the aesthetic and emotional impact of lighting in cinema, Lara Thompson looks at the way light informs the cinematic experience, from constructing star identities, sculpting natural light and creating imaginary worlds, to the seductive power of darkness, fading representations of the past and arresting twilight encounters. This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and essential component. It includes analyses of over fifty renowned international films, discussed in inventive and illuminating combinations, from cinema's earliest moments to its most recent digital manifestations, and is essential reading for all those who want to understand what film light means and how it makes us feel. ;
In 1901 most Australians were loyal, white subjects of the British Empire with direct connections to Britain. Within a hundred years, following an unparalleled immigration program, its population was one of the most diverse on earth. No other country has achieved such radical social and demographic change in so short a time. Destination Australia tells the story of this extraordinary transformation. Against the odds, this change has caused minimal social disruption and tension. While immigration has generated some political and social anxieties, Australia has maintained a stable democracy and a coherent social fabric. One of the impressive achievements of this book is in explaining why this might be so. Eric Richards recounts the experiences of many individual migrants from all over the world, examines the dramas and challenges of officials involved in this grand experiment and ends up telling a truly remarkable story. Compelling and revealing, Destination Australia is essentially the Australian story of the twentieth century. ;
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society. ;
Child, nation, race and empire is an innovative, inter-disciplinary, cross cultural study that contributes to understandings of both contemporary child welfare practices and the complex dynamics of empire. It analyses the construction and transmission of nineteenth-century British child rescue ideology. Locating the origins of contemporary practice in the publications of the prominent English Child rescuers, Dr Barnardo, Thomas Bowman Stephenson, Benjamin Waugh, Edward de Montjoie Rudolf and their colonial disciples and literature written for children, it shows how the vulnerable body of the child at risk came to be reconstituted as central to the survival of nation, race and empire. Yet, as the shocking testimony before the many official enquiries into the past treatment of children in out-of-home 'care' held in Britain, Ireland, Australia and Canada make clear, there was no guarantee that the rescued child would be protected from further harm. ;
What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980. Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.
Zweifellos ist es ein verlegerisches Wagnis, DʼArcy Thompsons legendäres Buch im Zeitalter des Quasi-Ausschließlichkeitsanspruchs von Biochemie und Molekularbiologie in einer Neuauflage und dazu in deutscher Sprache herauszubringen. Wer von den jungen Biologen verbindet heute noch mit Thompsons Namen einen Begriff? Wer war dieser Mann? Was macht sein Werk noch heute druckenswert? Man könnte vielleicht aphoristisch sagen: DʼArcy Thompson war einer jener Polyhistores, von denen man meinte, sie seien mit dem Verklingen des Barock ausgestorben und in späterer Zeit nicht einmal mehr denkbar. Mithin ein verspäteter Barock-Gelehrter? Keineswegs, sondern einer der Pioniere der modernsten Biologie! Er vereinigte in sich das Denkvermögen des Mathematikers und Physikers mit dem des Linguisten und des Biologen, und er verfügt über das Handwerkliche aller drei dieser – ach doch so verschiedenen – Wissensgebiete. Dieses Buch hat eine widersprüchliche Geschichte: 1917 erschien die erste Auflage – damals vollendete Ketzerei – mit 793 Seiten Umfang, 1942 eine Erweiterung auf 1116 Seiten. Die posthume Neuauflage von Bonner – sie liegt der Übersetzung zugrunde – knüpft an die erste Auflage an, läßt vieles aus (weil es nicht mehr aktuell ist) und bringt zahlreiche Kommentare des Herausgebers. Es handelt sich also bei der vorliegenden Ausgabe um eine »Klassikeredition in Auswahl und mit Kommentar versehen«. Dies ist bei einem Buch mit einer erst 55jährigen Geschichte bemerkenswert. Um es vorwegzunehmen: von Thompsons Konzeption ist nichts Wesentliches verlorengegangen, und die Kommentare machen die Orientierung für denjenigen, der die Literatur nicht selbst kennt, leichter. (So. J.H. Scharf, Halle, 1974 in seiner Besprechung der deutschen Erstausgabe.)