Your Search Results
-
-
Bruno Dorn Verlag
The Bruno Dorn Verlag is publishing extraordinary and high quality art books and catalogues since 1996. In collaboration with artists*, museums or other art institutions, BDV is creating very special books that open up whole new creative worlds. Since 2007, the BDV is publishing the art magazine seen, a completely new and compact format to present new, emerging and interesting artists. Der Bruno Dorn Verlag zeichnet sich seit 1996 durch Künstlerbücher und Kataloge von höchster Qualität und Kreativität aus. In Zusammenarbeit mit Künstler*innen und oft in Kooperation mit Museen oder anderen Kunstinstitutionen entstehen im BDV Bücher, die den Zeitgeist einfangen und zum Verweilen einladen. Seit 2007 gibt es mit dem Kunstmagazin seen ein neues Format, zu dem der Verlag in unregelmäßigen Abständen Künstlerinnen und Künstler einlädt.
View Rights Portal
-
Promoted Content
Literature & Literary StudiesNovember 2007Female performance practice on the fin-de-siècle popular stages of London and Paris
by Catherine Hindson, Kate Dorney, Maggie B. Gale, Rebecca Mortimer
-
Promoted Content
Literature & Literary StudiesNovember 2007
Female performance practice on the fin-de-siècle popular stages of London and Paris
by Catherine Hindson, Kate Dorney, Maggie B. Gale
-
Trusted Partner
The ArtsNovember 2017Vivien Leigh
Actress and icon
by Kate Dorney, Maggie B. Gale
This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria & Albert Museum, London. The collection uses newly accessible family archives to explore the intensely complex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond.
-
Trusted Partner
The ArtsJuly 2006Treading the bawds
by Gilli Bush-Bailey, Kate Dorney, Maggie B. Gale, Rebecca Mortimer
-
Trusted Partner
-
Trusted Partner
The ArtsMay 2009Auto/biography and identity
by Kate Dorney, Maggie B. Gale, Viv Gardner, Maggie B. Gale
This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act. 'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. ;
-
Trusted Partner
Literature & Literary StudiesApril 2001Women, theatre and performance
New histories, new historiographies
by Kate Dorney, Maggie B. Gale, Susan Williams
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;
-
Trusted Partner
-
Trusted Partner
Literature & Literary StudiesMay 2015Soledades. Galerías. Otros poemas
by Richard A. Cardwell, Catherine Davies, Rebecca Mortimer
-
Trusted Partner
Literature & Literary StudiesJune 2016South African performance and archives of memory
by Yvette Hutchison, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Rebecca Mortimer
-
Trusted Partner
-
Trusted Partner
Literature & Literary StudiesJuly 2010The politics of Jean Genet's late theatre
by Carl Lavery, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Rebecca Mortimer
-
Trusted Partner
The ArtsMay 2011Performing Herself
Autobiography and Fanny Kelly's Dramatic Recollections
by Gilli Bush-Bailey, Kate Dorney, Maggie B. Gale
This unique book contains the never before published script of the first ever one-woman show, written by Fanny Kelly. The script was performed in Britain in the 1830s and 40s, based on Kelly's own experiences and offers a picture of the exuberant and often bizarre Georgian entertainment world. The performance text is introduced, edited and explained by Gilli Bush-Bailey, who focuses 21st-century revisionist scholarship on Kelly's story. It is an innovative contribution to the modern debate on biographical and autobiographical writing, whilst also being a valuable text for those who wish to study comedy and women's performance. The materials and methods of the modern stand-up routine are already to be seen in this unusual text. This book will appeal to students and scholars who are involved in performance, theatre history, or biography. It is also an accessible text for the interested general reader. ;
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
Literature & Literary StudiesSeptember 2016A Fig for Fortune by Anthony Copley
by Susannah Monta, J. B. Lethbridge, Susannah Monta, Rebecca Mortimer
-
Trusted Partner
Literature & Literary StudiesMarch 2013Female performance practice on the fin-de-siècle popular stages of London and Paris
by Catherine Hindson
-
Trusted Partner
Humanities & Social SciencesSeptember 2004Jamaican volunteers in the First World War
by Richard Smith, Rebecca Mortimer
-
Trusted Partner
Humanities & Social SciencesMay 2012Public relations and the making of modern Britain
by Scott Anthony, Rebecca Mortimer
